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This is the second album by Norwegian trio 1982. On Pintura, they lift their interaction and experimentation to a new level. 1982 must be designated as a super-group within the genre of modern, improvised chamber music. The group's instrumentation is unusual. As far as anyone can tell, there is no other ensemble playing improvised music using the combination of harmonium, drums and Hardanger fiddle. This gives 1982 a distinctive sound, but in a purely musical sense, too, the group follows their own path. Fiddler Nils Økland has a background as a folk musician, and is renowned internationally for his innovative playing style. His solo albums on the ECM and Rune Grammofon labels have received glowing reviews. Økland was a member of the Christian Wallumrød Ensemble for several years. Sigbjørn Apeland plays church organ and harmonium, and holds Norway's only doctorate in ethnomusicology. He is known for operating at the point where folk music, church music and improvisational music intersect. While studying organ, he became involved in learning from and playing free jazz with the legendary British drummer John Stevens. Sigbjørn Apeland and Nils Økland have also collaborated as a duo for decades, releasing a critically-acclaimed record on ECM inspired by Norwegian violinist Ole Bull and his home at Lysøen. Drummer Øyvind Skarbø has studied with Terje Isungset. He plays with BMX, Kresten Osgood, Per Jørgensen and the Icelandic guitarist Hilmar Jensson, in addition to working with a solo project under the name of DIE, Allroundhandwerker!. Skarbø found the inspiration for the name of the album when he visited the Joan Miró museum in Barcelona. "When you see the picture with the same name, the first thing that grabs your attention is a rough, monochromatic figure, which must have been painted with a broad brush. Then, when you get closer, you notice that the background, in contrast, is very detailed and nuanced. I don't know if this can function as a description of our music, but I did think it was significant." The album was recorded at Grieg Hall studio in Bergen with technician Davide Bertolini.