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"In recent years, Brendan Murray has become a central figure in Boston's sound art vanguard through a reputation of exceptional live performances and a growing catalogue of slow-shifting compositions for rarified drones. He sets himself apart from the conventional wisdom that drone-based music is an open-ended exercise into the 'realm of the infinite.' Murray specifically shapes his repetitions and sinewy tonalities within the rigors of compositional frameworks and temporal restraints. This process does not lend itself to speed, as previous albums required up to four years to complete and Commonwealth endured over fifteen drafts before Murray perfected the album. A single crescendo terminating at the end of 49 minutes, Commonwealth is an epic investigation into subtle harmonics and overtones expressed through layered slippages of pure sound. Conceived through guitar, analog synthesis, and plenty of digital manipulation, Commonwealth expresses a rare confidence in Murray's finely tuned detailing of sinewy tonalities and sculpted megalithic surfaces. Murray himself has qualified this album as a 'sincere bow to 'classic' minimalism,' and Commonwealth is a worthy parallel to the work of Phill Niblock, Eliane Radigue, and Iannis Xenakis."