PRICE: $14.00
IN STOCK
ARTIST
TITLE
Basilica
FORMAT
2CD

LABEL
CATALOG #
IMPREC 178CD IMPREC 178CD
GENRE
RELEASE DATE
3/3/2008

"Basilica is Rameses III's eagerly anticipated follow-up to their acclaimed releases Honey Rose (Important), Matanuska (Music Fellowship) and Night Of The Ankou (Type). Basilica is a double album of live recordings of new Rameses material accompanied by re-interpretations of those same recordings by contemporaries Robert Horton, Keith Berry, Gregg Kowalsky and Astral Social Club. Each artist approached to contribute to the Basilica disc was given free range to experiment with the live files, to re-invent and re-interpret the recordings as they saw fit. Minimalist sound-sculptor Keith Berry rolled out the slow-motion waterfalls of Basilica and gave the album an early focus and provided inspiration for the glacial artwork. Gregg Kowalsky played the 'Rose Blood' remix as part of his own performance at the OVERLAP 02 event in San Francisco using its tuned sinewave oscillators, cassette tapes and loops to induce, to quote the man himself, 'a psychoacoustic listening experience.' Our subtle textures were pushed way into the red when noise veteran Neil Campbell sandblasted the original tracks into the howling mirror of Astral Social Club. His 'Tigers In The Snake Pit' was remixed live in the very same venue in which it was originally performed and finessed with some post-performance layering. And Robert Horton was open-minded and kind enough to allow Rameses III to remix his remix, leading to the gentle trumpet curlicues and electronic birdsong entwining the original drone of 'After The Red Rose.' Although Basilica was originally envisioned as a single disc album, once the remixes were complete, it slowly became evident that they should be paired with a disc of live recordings in order to put the Basilica disc into context. In contrast to the heavily-produced and painstakingly-constructed Rameses studio albums, all five of the previously-unreleased tracks on the 'Origins' disc were recorded directly to stereo at various venues around London. As such, they fully represent those moments in performance where the trio strive to make the most beautiful music they can."