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01
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Mondestrunken
01 :38
02
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Colombine
01 :47
03
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Der Dandy
01 :25
04
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Eine blasse Wascherin
01 :19
05
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Valse de Chopin
01 :33
06
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Madonna
01 :53
07
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part I - Der kranke Mond
02 :44
08
Maria Baptist Jazz Interlude I
04 :37
09
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Nacht
02 :31
10
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Gebet an Pierrot
01 :03
11
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Raub
01 :26
12
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Rote Messe
01 :51
13
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Galgenlied
00 :20
14
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Enthauptung
02 :31
15
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part II - Die Kreuze
02 :04
16
Maria Baptist Jazz Interlude II
04 :13
17
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - Heimweh
02 :26
18
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - Gemeinheit!
01 :19
19
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - Parodie
01 :35
20
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - Der Mondfleck
00 :53
21
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - Serenade
02 :41
22
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - Heimfahrt
01 :54
23
Opus 21 Musik Plus, Stella Doufexis Pierrot lunaire Op. 21: Part III - O alter Duft
01 :42
24
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Black is the colour
03 :22
25
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: I wonder as I wander
01 :59
26
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Loosin yelav
02 :57
27
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Rossingnolet du bois
01 :46
28
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: A la femminisca
01 :27
29
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: La donne ideale
01 :22
30
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Ballo
01 :34
31
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Motettu de tristura
02 :48
32
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Malorous qu'o uno fenno
01 :00
33
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Lo fiolaire
02 :52
34
Opus 21 Musik Plus, Stella Doufexis, Maria Baptist, Konstantia Gourzi Folk Songs: Azerbaijan love song
02 :31
ARTIST
TITLE
Opus 21 Musik Plus
FORMAT
CD

LABEL
CATALOG #
NEOS 10709CD NEOS 10709CD
GENRE
RELEASE DATE
7/2/2013

"Schönberg wrote this work between March 12 and July 9, 1912, shortly before he developed the twelve-tone system. He chose 21 poems from a cycle by the French poet Albert Giraud, in the German translation by Otto Erich Hartleben. There is no continuous plot. Each poem describes a small scene, a lively image, a macabre anecdote, or a grotesque with the moonstruck Pierrot. Schönberg's music and the singer's 'Sprechgesang' (speech-song) fuse everything into a unity. Berio's 'Folk Songs' is a short anthology of melodies from various sources (sheet music, records, oral recollection) from various epochs and countries (Armenia, Azerbaijan, France, North Italy, Sicily, Sardinia, and United States), selected, harmonized and arranged by Berio. Sometimes the instrumental setting reinforces typical traits of the cultural frame from which the songs originate, other times these traits are disguised or sublimated. Berio himself writes that 'these arrangements are my contribution to the prevention of folk song performances with piano accompaniment and, of course, constitute also a little homage to the artistry of Cathy Berberian.'"