Touch presents a piece by British environmental sound archivist Chris Watson and a collaboration between Watson and British composer, producer and keyboard player Marcus Davidson (Spire). "Midnight At The Oasis" is a 28-minute time compression from sunset to sunrise in South Africa's Kalahari Desert and features the dense and harmonic mosaic of delicate animal rhythms recorded in this remote habitat. The piece was first performed at the Marquee in Parliament Street, York, on September 13th, 2007 as part of SightSonic's contribution to the BA Festival of Science. The Kalahari Desert is a vast and open space where most of the wildlife is nocturnal. After sunset, the dunes, grasses and thorn bushes are patrolled by an emerging alien empire -- the insects. "Midnight At The Oasis" presents an unseen soundscape from this beautiful and hostile environment. "The Bee Symphony" is a project by Chris Watson originally for Pestival (an international arts festival dedicated to "insects in the arts and the art of being an insect") in 2009 to explore the vocal harmonies between humans and honey bees in a unique choral collaboration around and within the hives of an English country garden. Recorded live at The Rymer Auditorium, Music Research Centre, University of York, England on December 17th, 2010 by Tony Myatt, using a Soundfield SPS200 microphone recorded onto an Edirol R4 (surround version) and 2 x Neumann U87 microphones via Grace Microphone Preamplifiers, recorded onto an Edirol R44 (stereo version). Composed and arranged by Marcus Davidson using recordings made by Chris Watson & Mike Harding and diffused through a 4.1 Genelec system by Chris Watson.