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20 Electrostatic Soundfields


The third Deepchord (Rod Modell) full-length on Soma explores the ambient realm. With this album, Deepchord veers even farther away from the current trends in dance music with an assemblage of conceptual audioscapes culled from video-soundtrack and installation works made between 2008 and 2012. This highly unusual collection contains immersive, introspective audio-sculptures more akin to musique concrète or electroacoustic music rather than dance, and exemplifies Modell's importance of developing a new sound in lieu of following popular trends. With some tracks clocking in at only 60-90 seconds, and practically nothing being dancefloor accessible, this album represents a truly unique electronica offering amongst the oceans of artists following a similar formulaic sound. Much of the album has an otherworldly, nocturnal feeling that would sit well in a David Lynch soundtrack. Sound collages comprised of alien-radio transmissions and earth tones melded with lush electronic sounds and underwater atmosphere. Modell's usual arsenal of studio hardware supplies the tonal food, but much of that is further processed with granular synthesis and arranged with generative-music techniques. Pieces like "Prayer Wheel" and "Seaweed" are set into motion and left to unfold organically without interference. "De Wallen" is from the Hash Bar Loops (SOMA 091CD) period and is a night-time soundtrack for Amsterdam's Red Light District. It audibly mimics this area's quiet uneasiness... beautiful with undercurrents of activity not visible to the casual passer-through. "Trompettersteeg" is similar in feeling, with its late-night field recordings made in the streets surrounding Amsterdam's Oude Kerk. "Raval," "Barcelona," and "Rooftop" contain atmospheric recordings made around Barcelona's El Raval district (a rooftop terrace on a rainy Barcelona night, recording sounds of traffic below and raindrops on an umbrella -- in "Rooftop").