Vinyl release, first 150 copies on clear vinyl. Douglas Quin is a U.S. sound designer, naturalist, public radio commentator, educator, and music composer. For over 20 years Quin has traveled widely, documenting natural soundscapes -- from Antarctic ice to Arctic tundra and from African savannah to Amazon rainforest. His recordings of endangered and disappearing habitats represent one of the most unique and extensive collections anywhere. Quin recently created the sound design for and mixed Werner Herzog's Academy Award® nominated film, Encounters At the End of the World. He contributed to the sound design for Spore, a game from Maxis/Electronic Art, and has also worked on exhibits for the Smithsonian Institution National Museum of Natural History, American Museum of Natural History, and the Polish Academy of Sciences, among others. Quin's Fathom brings together four extended underwater soundscapes -- two each from the Arctic and Antarctic. The recordings have been gathered over a period of 15 years, capturing an extraordinary palette of sonic voices, events, spaces, and textures. To the human ear, these soundscapes are haunting and otherworldly; yet they are very much of this world -- out of ear-reach. The tracks are minimally-edited and are his first field recordings to be archived on vinyl. Included with the release is a sealed envelope containing an insert with specific locations, animals, and other elements heard, giving listeners the option to absorb sound with or without association. The envelope is printed with liner notes and comments from Dutch journalist and music critic René van Peer. Mastered by James Plotkin, cut direct to metal and pressed on 200 gram virgin-vinyl, Fathom comes packaged in custom letter-pressed materials and is presented as a limited edition of 1,000 copies.