Remastered reissues of three rare '70s gems by Italian composer Egisto Macchi, collected in a deluxe hardcover box with canvas cover. Remastered from the original master tapes. Includes download code. Limited edition of 600 numbered copies. Includes the Pittura Contemporanea LP (originally released in 1975) and Pittura Moderna No.1 and No.2 (originally released together as a double LP in 1975). Macchi was born in Grosseto, Italy, in 1928, and studied composition, piano, violin, and singing in Rome with, among others, Roman Vlad and Hermann Scherchen. He also studied literature and human physiology at Sapienza University of Rome. Beginning in the late '50s, Macchi was active in organizing music, particularly in collaboration with a group of musicians and composers (Franco Evangelisti, Domenico Guaccero, Daniele Paris) to whom he was bound by strong friendship. Along with Guaccero, Paris, and Antonino Titone, Macchi was among the editors of Ordini magazine, which appeared in 1959. With Bertoncini, Bortolotti, Clementi, De Blasio, Evangelisti, Guaccero, Paris, Pennisi, and Franco Norris, he founded the Association of New Consonance in 1960, serving on the board and holding the position of President from 1980 to 1982 and in 1989. He later became involved with the activities of the Settimane Internazionali di Nuova Musica of Palermo. After his part, with Guaccero, in the founding of the Teatro Musicale di Roma, Macchi was one of the founders of Studio R7, an electronic laboratory for experimental music established in Rome in 1967. That same year, he became a member of the Gruppo di Improvvisazione Nuova Consonanza, founded in 1964 by Evangelisti. Macchi's work in the '70s was mainly dedicated to experimentations in library music and film scores. Some of his most noteworthy soundtracks from this period, including those presented here, were released on the Ayna label, which gave him full artistic freedom.