PRICE: $21.00
Hyväile Minua Pimeä Tähti

FR 076LP FR 076LP

LP version. Fonal Records releases the third Eleanoora Rosenholm album Hyväile Minua Pimeä Tähti (trans. "Caress Me, Dark Star"). A project begun by Noora Tommila, Pasi Salmi and Mika Rättö, Eleanoora Rosenholm is ostensibly a persona created by the band, which narrates the dramatic and disturbed odyssey of a suburban housewife. The group, which has now evolved into a seven-piece band (with Mika typically fulfilling the role of writer and overseer), comprises the most exquisite music-makers from the Finnish harbor town of Pori. The third installment is an even gloomier prospect (if possible) than before: this time the protagonist, housewife serial killer Eleanoora escapes into the heart and the city of a Dark Star. Although musically in a similar vein to previous albums Vainajan Muotokuva (FR 054CD/LP) and Älä Kysy Kuolleilta, He Sanoivat (FR 060CD/LP), the sound of this record is even more dramatic, expansive and nuanced. Musically taking its cues from film soundtracks and disco, laced with echoes of Scandinavian and electronic pop, this apparent juxtaposition against the album's subject matter frames a dislocated voice in everyday reality. Trumpets and clarinet lend an epic maturity to the modern atmosphere. The result is a landmark, down-to-earth-futurism, A Space Odyssey in Pori -- something unexplainable that has to be experienced by oneself. These colorful stories are the brainchildren of Mika Rättö, one of the most creative forces in the Finnish contemporary rock scene, perhaps most familiar from acts such as Circle, Rättö Ja Lehtisalo and Kuusumun Profeetta. The role of Eleanoora is played by vocalist Noora Tommila who is a sensitive interpreter, relaying a vast emotional range, from quiet fragility to vociferous preaching. The album was composed by Rättö and analog synth wizard Pasi Salmi (Magyar Posse). Previously mainly masterminding in the background, the recording sessions inspired Rättö not only to grab the drumsticks but also to sing a whole song in his distinctive falsetto. Apart from this band, who else could turn Gregorian choir influences into a potential modern club-hit?