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K.K. Null is legendary Japanese noise experimentician Kazuyuki Kishino, and this is his first full-length solo release on Touch, following his collaboration with Chris Watson and Z'ev in 2005, which Boomkat called "moving and atmospheric," and The Wire wrote "...a complex dramatic work from a strict economy of means." K.K. Null is a composer, guitarist, singer, mastermind of seminal noise group Zeni Geva and electronic wizard. One of the top names in Japanese noise music and in a wider context, one of the great cult artists in experimental music since the early '80s. Kazuyuki writes: "In June of 2006, I had the good fortune of visiting Darwin in the Northern Territory in Australia and explored in Kakadu National Park with some good friends. I took my digital recorder along with me and did some live field recordings there. First we encountered a flock of wild birds just beside the South Alligator River, and then we happened to find 'bush fire' flaring just beside the road we were on. I also had a unique opportunity to record a magnificent symphony orchestra of insects, frogs and birds in wetlands just before sunset. At that time I had no idea or no specific purpose for using these field recordings, and in the middle of working on this album (Fertile) in my home studio, suddenly came up with the idea of mixing these field recordings into some of the tracks that were unfinished. I felt comfortable with layering & mixing different sounds from different locations and times, digital and analog sounds into one piece. I like also the balance of spontaneity (field recording) and intentional act (studio recording)." After playing the guitar as his main instrument for some twenty years, K. K. Null has gradually moved towards a more electronic approach. In recent years he has concentrated his efforts on his solo & collaborative recordings, exploring the outer territories of electronica. His intense clashing waves of noise, structured electro-acoustic ambience, broken down rhythmics, scattered pitch sculptures and droning isolationist material could be described "cosmic noise maximal/minimalism."