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Disc 1
01
Sinfonieorchester des Sudwestfunks Baden-Baden, heute SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen A Carlo Scarpa, architetto, ai suoi infiniti possibili fur Orchester in Mikrointervallen (1984)
09 :43
02
Fabbriciani/Ciro Scarponi/Experimentalstudio der Heinrich Strobel-Stiftung des Sudwestfunks/Hans Peter Haller/Luigi Nono, Roberto A Pierre. Dell'azzurro silenzio, inquietum a piu cori, fur Kontrabassflote in G, Kontrabassklarinette in B und Live-Elektronik (1985)
08 :39
03
Laurence/Susanna Otto/Roberto Fabbriciani/Ciro Scarponi/Giancarlo Sciaffini/Charlotte Geselbracht/Christine Theuss/Stefano Scodanibbio/Roberto Cecconi/Experimentalstudio der Heinrich-Strobel-Stiftung Guai ai gelidi mostri für zwei Altstimmen, Ensemble und Live-Elektronik (1983)
30 :31
04
Laminet/Albert Gassner/Chor des Bayerischen Rudfunks/Symphonieorchester des Bayerischen Rundfunks/Ernest Bour, Margot La terra e la compagna Canti di Cesare Pavese fur Sopran- und Tenor-Solo, Chor und Instrumente (1957/58)
07 :45
Disc 2
01
Otto/Wiener Konzertchor/Gottfried Rabl/Solistenchor Freiburg/Andre Richard/Ensemble Modern Frankfurt/Ingo Metzmacher/Experimentalstudio des Sudwestfunks Baden-Baden/Andre Richard/Antonio Gomez/Rudolf Caminantes...Ayacucho fur Mezzosopran, Flote, kleinen und grossen Chor, Orgel, drei Chore (Orchestergruppen) und Live-Elektronik (1986/87)
35 :39
02
hr-Sinfonieorchester/Friedrich Goldmann/Udo Wustendorfer/Detlev Kittler/Ernstalbrecht Stiebler No hay caminos, hay que caminar...Andrej Tarkowskij fur sieben Orchestergruppen (1987)
25 :39
ARTIST
TITLE
Seguente
FORMAT
2CD BOX

LABEL
CATALOG #
RZ 1031-32CD RZ 1031-32CD
GENRE
RELEASE DATE
12/2/2014

Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electronically treated winds, voices and strings). Plus an additional CD of compositions not on the original LP: "Caminantes" and "No hay caminos, hay que caminar." Regarding Nono's concept of "new listenings": "This no longer means revolutionizing the entire linguistic system i.e. a subversive attack on the institution of music; rather it means progressively expanding the technical possibilities of sound produced by traditional instruments and the perceptive faculties of the listener." "Wanderer, your footsteps are the road, and nothing more; wanderer, there is no road, the road is made by walking. By walking one makes the road, and upon glancing behind one sees the path that will never be trod again. Wanderer, there is no road -- Only wakes upon the sea." --Antonio Machado