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Focus For Infinity


Double vinyl version with 8 out of the 13 tracks from the CD. Massimiliano Pagliara moved from Lecce to Milan to pursue a dream, approaching club culture from an academic angle, which led to a diploma in theater-dance and choreography. And then Milan's alternative club scene gave him even more hints of what music was out there, seemingly waiting to be morphed into his very own vision of sound. After he moved to Berlin, this urge became stronger, and soon dancing in an academic context was just not enough, and dancing in legendary clubs like Ostgut took over, until he felt ready and willing to join in the buzz as a DJ. And not before long, Massimiliano Pagliara was the one who got the same crowds moving he formerly was an enthusiastic part of, with knowledgeable selections touching a plethora of bases from disco and house origins, spiked with a good dose of the unexpected, leftfield, obscure and overall utmost grooviness. All of this is delivered with his very own super-charming demeanor, styled with both grace and conviction, coming on like the sweet missionary of nocturnal bliss. And as much as he loves playing the music he loves, producing the music he loves was the obvious next step to take. Having developed an obsession with analog synth sounds, Pagliara gathered vintage equipment and holed up in his studio to work on producing the music he always wanted to produce. And the results were so convincing that they led Daniel Wang to release his debut single on his legendary Balihu imprint. Since then he has spread his lovely melodies and infectious grooves to mainstays like Rush Hour Recordings, Meakusma, Needwant and eventually the seminal club and label haven, Robert Johnson. And thus, Focus For Infinity came to life, Massimiliano Pagliara's testament to his own inspirations and preferences, transferred into a superb voyage of disco and house transcendentalism that owes as much to electronic pioneers like Patrick Cowley as it does to the legacy of the defining days of Italo disco, synth-pop and Chicago house. But however he may have put his Prophet 5, Korgs and Rolands into action, this album is clearly not clinging to paying tributes. It aims to sing its own song, and dance to its own rhythm. Judging from his acclaimed achievements, it may come as no surprise that this album sounds diverse and personal and is executed with dedication and grandezza.