The UK's Phil Kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. Known for rocking clubs and releasing a string of killer 12"s, Belfast-based Phil has hooked up with German powerhouse Cocoon in recent times. Shh is a groundbreaking piece of work that will undoubtedly gain Phil plaudits across the board. The album seems to not only reference every sound Phil has ever loved in music, but is formulated in a completely fresh and futuristic way. Listen carefully, and you will detect elements of dub reggae, old hardcore like LFO, hip-hop, early-'90s electronica such as Autechre/Black Dog and other Warp staples, as well as the futuristic techno that Phil excels in. For the album, Phil went back to old sound lab recordings dating back to the 1950s and 1960s. Utilizing some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. There are live drums, some electric/acoustic/bass guitar and live keyboard playing, as well as some choice guest vocalists. Simply put, Phil has synthesized his myriad of influences into one radically beautiful whole: blissed-out vocal samples, space age electro, cavernous bleeps, fizzy technoid 4/4 beats, glistening glitches, crackers crackles, early R&S sounds, warm keys, acerbic bass line undertows, dense echoes, Orbital cinematics and randy robotics all feature, but really, this is an album far greater than the sum of its parts. It's very much a home- or car-listening album, perfect for post-club play, although plenty of the individual tracks contain discerning dancefloor dynamics, too. Shh is an incredibly stimulating amalgam of sounds that will have your mind and body scrolling through decade upon decade of sound. Destined to take its place amongst not only the albums of the year, but as one of the landmark releases of the last two decades.