PRICE: $14.50
IN STOCK
01 05 :59
02 04 :48
03 06 :08
04
Pax
08 :09
05 07 :32
06 05 :57
07 14 :54
ARTIST
TITLE
Stoke
FORMAT
CD

LABEL
CATALOG #
TO 056CD TO 056CD
GENRE
RELEASE DATE
11/8/2005

Repressing of this 2002 release and Jeck's third release for Touch, after Loopholes and Surf. Stoke was made using Bush, Fidelity and Philips record players, a Casio keyboard and an Alba portable CD player. This record mainly consists of edits of live performances from England, Japan and Vienna. The notion of turntablism may be associated with flashy, deck-hopping scratch gymnastics, but the use of the record player as an instrument harks back to a less ostentatious tradition of music making. John Cage, Karlheinz Stockhausen, Pierre Schaeffer, and James Tenney recognized records and turntable mechanisms as malleable sound sources. In essence, sampling began with the real-time deployment of gramophones in performance by these artists and academics. Philip Jeck, like peers Christian Marclay, Otomo Yoshihide, and Martin Tetreault, legitimizes the turntable as a musical instrument.