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01
Ssekinomu Wireless
00 :49
02
Ali And Party Enyi Wa Hiari
00 :56
03
J.P. Nyangira Hongo Owiti
00 :55
04
Ochieng Olieu
00 :55
05
Sumoni And Party Soya
00 :52
06
J.P. Nyangira John Geko
00 :46
07
Owombo Wa Agola Ahenda
00 :56
08
Jumbe Ali Silwezi Tabu
00 :48
09
Karanja And Party Gechande
00 :47
10
Shinda Gikombe Njane Kanini
00 :53
11
Chuba Shee Kuleta Fakira
01 :02
12
Badi And Party Wangu Mliwazi
00 :52
13 00 :52
14
Machakos Party Meselou
00 :54
15
Mbuyi James Onunga
01 :00
16
Ssekinomu Ekyalema Nakato
00 :55
17
John Killion Guara W. Apondo
00 :56
ARTIST
TITLE
Bellyachers, Listen: Songs From East Africa, 1938-46
FORMAT
2LP

LABEL
CATALOG #
HJR 050-1LP HJR 050-1LP
GENRE
RELEASE DATE
12/7/2010

This is part 1 of a 2LP set of vinyl versions of Honest Jon's Something Is Wrong: Vintage Recordings From East Africa CD compilation -- selections from an HMV run of more than 400 78s -- recordings made in Uganda and Kenya from the mid‐1930s to the mid‐1950s. Part 1 encompasses this material circa 1938-1946, entitled Bellyachers, Listen: Songs From East Africa, 1938-46. Three main types of performance are featured (not forgetting a lovely early Kenyan big‐band calypso, as if straight from the pen of Lord Kitchener). Most are minstrelsy, with songs ranging dazzlingly through subjects including loneliness and death, bastards and cut‐off trousers, trains of fire and no‐good rich people, a murder mystery and a drunken punch‐up at a rumba party in Kampala, and metaphorical cocks, hard pedalling and kettles which won't boil. Other minstrels accompany themselves on various sorts of lyre, and guitars carrying the influences of U.S. country music and Congolese 78s, the influx of Congolese musicians, and the harmonies of Christian church music. There are also tough, raw contributions on button‐accordion and taarab music from the Swahili‐speaking communities of the east coast, and Arab and Indian communities in ports like Mombasa, which had imported Egyptian and Indian music since almost the start of the century. Lilting melodies are provided by violins or Indian harmoniums, sometimes also an oud, along with Indian or Arab percussion. Luxuriously presented, in a gatefold sleeve, with full notes, including extensive translation and haunting photographs. Recordings brilliantly restored at Abbey Road.