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01
Gerardo Iacoucci/Mario Vinciguerra Tangenziale Sud
02 :35
02
Vittorio Impiglia Riviera di Ponente
02 :45
03
Mario Molino/Elvio Monti First Sound
02 :42
04
Bruno Battisti D'Amario Piper Blues
03 :21
05
Franco Tamponi Rotatory Motion
02 :34
06
Gerardo Iacoucci Sabbie d'oro
03 :41
07
Amedeo Tommasi Capricorno
03 :08
08
Antonio Riccardo Luciani Round and Round
04 :24
09
Amedeo Tommasi Noi Giovani
02 :17
10
Alessandro Alessandroni North Wind
02 :10
11
Leopoldo Perez-Bonsignore/Mario Pagano Beatnik
03 :20
12
Giovanni Ferroni Chitarre Hippies
03 :11
13 03 :02
14
Leopoldo Perez-Bonsignore Carosello
02 :49
15
Stelio Subelli Quadrante
02 :44
16
Fernando Marucci/Paolo Ferrara/Massimo di Cicco Foresta Indiana
02 :19
ARTIST
TITLE
Criminale Vol. 3 - Colpo Gobbo
FORMAT
LP+CD

LABEL
CATALOG #
PNY 4510LP PNY 4510LP
GENRE
RELEASE DATE
6/30/2015

2016 repress; 140-gram vinyl; includes CD. The decade from 1968 to 1978 had a pivotal importance in Italy's 20th-century history. It was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the May 1968 protests in France, which then developed in different directions due to the moral contradictions of one of the most conspiratorial countries of the western world. Years of high-tension events -- beginning with the tragic massacre of Piazza Fontana and ending with the infamous kidnapping and murder of Aldo Moro -- were reflected in every aspect of society and culture. A palpable tension could be felt both sonically and visually. The soundtrack of this whole world was written in real time by a bunch of enterprising composers, right in the middle of a session for some magical Italian soundtrack or even an appearance alongside the RAI Orchestra (owned by Italy's national broadcasting company), who made little money while recording some instant albums for the most sought-after publishers of libraries. Sonic pictures of the heyday of Italian society, truly distinct from the music made by French, English, or German composers in their respective countries. The sound coming from the Italian television was as sharp as a razor blade and tasted just like lead and tear gas, with howling fuzz guitar and heavy drums to set the tumultuous scene of a society on the verge of implosion. Daniela Casa, Remigio Ducros, Alessandro Alessandroni, Stelvio Cipriani, Enzo Scoppa, Amedeo Tommasi, Franco Tamponi, and the other composers acted as drastic audio reporters as well as incredible musicians. They were able to describe in just few minutes the climax that surrounded them, using their classical heritage and training with hints of the avant-garde, along with the boost of psych-rock, jazz, funk, and whatever other popular musical innovation came their way. Urged to be minimalistic and not so original -- the quintessence of the library dictum -- the Italian composers answered instead with an experimental vocation pushed by that same need for renewal, stimulating the entire nation in those crazy and marvelous years. Released alongside Criminale Vol. 4 - Violenza! (PNY 4511LP). Includes tracks by Gerardo Iacoucci, Mario Vinciguerra, Vittorio Impiglia, Mario Molino, Elvio Monti, Bruno Battisti D'Amario, Franco Tamponi, Amedeo Tommasi, Antonio Riccardo Luciani, Alessandro Alessandroni, Leopoldo Perez-Bonsignore, Mario Pagano, Giovanni Ferroni, Enzo Scoppa, Stelio Subelli, Fernando Marucci, Paolo Ferrara, and Massimo di Cicco.