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Disc 1
01 02 :44
02
Los Destellos Boogaloo del Perro
03 :29
03
Los Orientales El Dragón
02 :28
04
Juaneco y Su Combo Ven a Bailar Con Juaneco
03 :49
05 03 :06
06
Compay Quinto La Rumba del Chinito
02 :42
07 03 :05
08
Los Titanes Linda Yolita
02 :52
09
Los Orientales de Paramonga Sabor a Caña
02 :23
10
Los 5 Palomillas Illimana
02 :28
11
Los Ecos ¡Sos? Peligro!
04 :11
12
Los Mirlos El Milagro Verde
02 :46
13
El Monje Loco La Papita
02 :36
14
Juaneco y Su Combo Recordando a Fachín
02 :14
15
Los Girasoles La Bocina
02 :39
16
Los Casmeños Chachita
02 :45
17
Los Yungas El Pitito
02 :36
18
Grupo Celeste Sin Éxito
03 :40
Disc 2
01
Juaneco y Su Combo Selva, Selva
02 :26
02
Los Orientales de Paramonga El Trapiche
02 :21
03
Grupo Celeste Melodía Celeste
03 :03
04
Los Santos Saturno 2000
02 :59
05
Los Ilusionistas Colegiala
03 :33
06
Aniceto y Sus Fabulosos La Movedora
02 :45
07
Los 5 Palomillas El Chinchorrito
02 :26
08
Los Mirlos Llanto en la Selva
03 :47
09
Los Beta 5 Módulo Lunar
02 :18
10
José y Sus Antillanos Melodía Antillana
02 :35
11
Los Ecos Linda Mariposa
03 :32
12
Los Ilusionistas Hola
03 :20
13
Los Beta 5 El Panadero
02 :13
14
Los Demonios del Mantaro La Chichera
02 :53
15
Los Demonios del Mantaro Peti Pan
02 :33
16
Los Ecos Chichita
04 :00
ARTIST
TITLE
Cumbia Beat Volume 2: Tropical Sounds from Peru 1966-1983
FORMAT
2CD

LABEL
CATALOG #
VAMPI 143CD VAMPI 143CD
GENRE
RELEASE DATE
9/25/2012

The "resurrection" of Peruvian tropical music, of psychedelic cumbia or, as others like to call it, "chicha," is perhaps one of the most surprising musical phenomena in recent years. The number of reissues, new releases and bands that have begun to play chichi or covers of tropical Peruvian classics in Argentina, England, Russia and the United States has multiplied. This cocktail of electric guitars, Caribbean percussion, Andean pentatonics and psychedelic soloing, synths, Moogs, güiros, wah-wahs, timbales and fuzztones was simply too striking to go unnoticed. Elements of rock, folklore, música criolla, Andean music, Amazonian music, Colombian cumbia, salsa and even psychedelia intermingle in this "cannibal" genre capable of devouring and assimilating every possible influence. Both Enrique Delgado and Manzanita, the two great founding guitarists of the genre, made music that absorbed all possible manner of styles. Vampisoul features not only tunes from Delgado with his group Los Destellos and from Manzanita, but also from their side projects: Delgado's Los Casmeños and Manzanita's El Monje Loco. Los Girasoles, Los Yungas, Los Beta 5 and Los Ecos continued those sonic explorations. In the case of Los Girasoles, their great singer "El Chévere" Félix Martínez shows his tropical skills on "La Bocina." Although this compilation consists mostly of instrumentals, a classic of Peruvian tropical music, "Colegiala" by Los Ilusionistas, is included with vocals from Carlos Ramírez "Centeno." Los Beta 5 would never turn to the sung format. Their instrumentals represent the best of the first era of Peruvian tropical music: playful, bouncy guitars, simple but charming riffs, tropicalizations of ballads and certain rock classics. Another group that has in their origins instrumental beat spirit and sound are Los Ecos. The sparkling-clean guitar sound of their leader Beto Cuestas always shines in songs filled with a delicate pop sensibility and melodies that oscillate between melancholy and danceable experimentation. Los Yungas had recorded songs in which música criolla and huayno are "cumbianized," but the more significant point of departure happened when Los Demonios del Mantaro released a historic single with "La Chichera" on one side and a tune called "Peti Pan" on the other. Its composer, Carlos Baquerizo, decided to make music not with a great orchestra but with a small band consisting of a snare drum, a güiro, a sax, a clarinet and a harmonica. Baquerizo was also the first to introduce an electric guitar in Peruvian cumbia in Los 5 Palomillas, a side project of Los Demonios. The influence of the "provincial sound" would be felt by many other guitarists, such as Tito de la Cruz, from Los Titanes; Aniceto Salazar; Pancho Acosta, from Compay Quinto; and Lener Muñoz, from Grupo Celeste. One of the most original and surprising guitar sounds in Peruvian tropical music would be that of Maximiliano Chávez from Los Orientales de Paramonga, who created a very peculiar style of tropical music with deep basses, galloping percussion and wah-wah guitar. But if there was a place with the biggest party and explosion of sounds, it was the Peruvian Amazon, where large cities and small towns were infected by the tropical virus. From that wide spectrum are two of the most influential groups. Los Mirlos, with their guitars and hypnotic grooves, achieved the most popular and transnational of the Amazonian sounds. The other Amazonian miracle was Juaneco y su Combo, led by Juan Wong. Their music, full of references to Amazonian mythology and to ayahuasca (a psychoactive drink), featured the guitar of Noé Fachín. Their sound emerges like a message from another world, where the party is still going on and the pavement hasn't covered the rainforest. Includes a 24-page booklet of liner notes and historic photos.