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Disc 1
01
Sonora Dinamita Eco en Stereo
02 :47
02
Peyo Torres y sus Diablos del Ritmo La Veterana
02 :43
03
Sonora Tropical Lluvia
02 :27
04
Pianonegro La Cascada
02 :33
05
Andrés Landero Busca la Careta
02 :53
06
Andrés Landero La Pava Congona
03 :11
07
Alejandro Durán Cumbia Costeña
02 :53
08
Ramiro Beltrán Agoniza el Magdalena
05 :14
Disc 2
01
Cresencio Camacho Santana en Salsa
06 :12
02
Los Alegres Diablos La Motilona
02 :40
03
Cumbia Soledeña El Garabato
02 :47
04
J. Alvear Cumbia Cincelejana
02 :55
05
Juan Piña y su Muchachos La Nena
02 :58
06
Roberto de la Barrerra y su Piano Sabrosón
03 :19
07
Los Curramberos de Guayabal La Bulla
02 :44
08
Conjunto Típico del Valledupar La Pegajosa
02 :39
09
Carmelo Gutiérrez Y Su Conjunto Fantasías del Carnaval
02 :32
10
Alfredo Gutiérrez y sus Estrellas Pájaro Madrugador
02 :58
ARTIST
TITLE
Diablos del Ritmo - The Colombian Melting Pot 1960-1983 Part 2
FORMAT
2LP

LABEL
CATALOG #
AALP 072B-LP AALP 072B-LP
GENRE
RELEASE DATE
12/4/2012

2016 repress. Gatefold double LP version, part 2. There are a number of theories as to how, in the mid-20th century, African music made its way to Colombia's vibrant port city of Barranquilla, today's mecca of Caribbean tropical music. Some maintain that a man named "Boquebaba" remains responsible. Others claim that seafaring traders and merchants imported the first sizeable amount of African vinyl. An absolute certainty is that in March 2007 Analog Africa-founder Samy Ben Redjeb arrived in Barranquilla, by some still considered the "Golden Gate of Colombia". After half a decade in which seven expeditions were made to Barranquilla, Analog Africa is honored to present Diablos del Ritmo, an anthology of -- and tribute to -- the immense sound of 1970s Colombia. Thousands of records were collected, boiling down to a colorfully-diverse selection of 32 tracks split between Afrobeat, Afrofunk and psychedelia-inspired rhythms on Part 1 and an array of danceable tropical rhythms on Part 2. Colombian music in general, especially the music from the Caribbean coast, is heavily influenced by the drums, percussion and chanting of African rhythms. Music from big players of the day -- from Nigeria, The Congo, The Ivory Coast and Cuba -- entered Barranquilla constantly. Afrobeat, terapia and lumbalú clashed effortlessly with the tropical sounds of puya, porro, gaita, cumbiamba, mapelé and chandé to create a rich amalgam of irresistible dance music while traditional styles were refined by an elite cadre of accordion players that included Alejandro Duran, Alfredo Gutierrez, Calixto Ochoa, Anibal Velasquez and Andres Landero. The heights Afro-Colombian music had reached by the early '80s was nothing short of exceptional. But, none of it could have been possible without two vital engines. One was the Picó sound systems -- roaming street clubs dedicated to mobilizing and spreading the rawest music of Africa, the Caribbean and the rest of the transatlantic black world. The second were forwarding-thinking producers. Discos Tropical, Felito Records and Machuca, amongst several other key players, governed and diversified the psychedelic and coastal music scene of Colombia. The deep cuts of Analog Africa's 12th compilation will instantly transport any listener to Colombia's thriving Caribbean coast to indulge in the succulent belly of tropical music's untold historic tales.