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01
Petteri Nisunen + Tommi Grönlund 5000-11000 Hz
05 :42
02
Brandon LaBelle 2000-5000 Hz
07 :32
03
Hans Sydow 1000-2000 Hz
04 :33
04
Jana Winderen 500-1000 Hz
04 :00
05
Per Magnus Lindborg 350-500 Hz
16 :08
06
JG Thirwell 250-350 Hz
03 :54
07
Kent Tankred 180-250 Hz
03 :00
08
Mike Harding 140-180 Hz
03 :00
09
Jacob Kirkegaard 90-140 Hz
04 :28
10
BJ Nilsen 65-90 Hz
03 :02
11
Franz Pommasl 25-65 Hz
05 :00
12
Finnbogi Pétursson 0-25 Hz
03 :05
13
Collective Collective
12 :16
ARTIST
TITLE
freq_out
FORMAT
CD

LABEL
CATALOG #
ASH 5.8CD ASH 5.8CD
GENRE
RELEASE DATE
12/15/2003

With pieces by: Finnbogi Pétursson, Franz Pommasl, BJ Nilsen, Jacob Kirkegaard, Mike Harding, Kent Tankred, J. G. Thirlwell, PerMagnus Lindborg, Jana Winderen, Hans Sydow, Brandon LaBelle, Petteri Nisunen/Tommi Grönlund, & an ensemble piece arranged by BJ Nilsen [Hazard]. "What: A sound installation consisting of 12 individual audio works which are presented as a single piece. Where: Any large self-contained space will work. The first event took place at Charlottenborg Exhibition Hall, Copenhagen, Denmark, in June 2003. Who: Encouraged by disturbances, Swedish artist and curator C M von Hausswolff assembled a collection of 13 artists representing the elite of international sound art. The group consists of sound artists, architects, composers, producers, sculptors, mathematicians and visual artists. The installation was part of a larger event taking place at the Royal Danish Theatre and Charlottenborg in Copenhagen. How: Each player is assigned a frequency range to work with. This process is carried out in situ, each player using a workstation consisting of mixing desk and PA system. All the resulting sounds are then mixed together in the space provided to create a sound installation. Why: The project reveals how space-specific certain frequencies can be, but also how other sounds can be separated from their source and 'thrown' around the space. It also shows how sound 'fits' (or not) into the space provided by exploring the complexities of frequencies and their inter-action. The final mix not only reveals the innate properties of the frequency ranges, but also the possibilities when they are combined. The result is a lively and accessible sound-filled space which can be approached either as a traditional installation, or as a theme park of sound -- fun for all the family and serious students alike."