PRICE: $18.00
LOW STOCK LEVEL
3-4 Weeks
Disc 1
01
Marcus Davidson Opposites Attract
10 :05
02
Marcus Davidson Psalm For Organ 3
01 :24
03
Andre Jolivet Hymne À l'Universe
11 :58
04
Liana Alexandra Consonances III
06 :52
05
Henryk Gorecki Kantata For Organ Op. 26
15 :42
06 29 :59
Disc 2
01
Jeck, Philip Live in the Crypt
44 :14
02
Christian Fennesz Live in La Petite Chapelle
24 :49
ARTIST
TITLE
Spire: Live in Geneva Cathedral/Saint Pierre
FORMAT
2CD

LABEL
CATALOG #
TONE 021CD TONE 021CD
GENRE
RELEASE DATE
3/1/2005

Double CD of exclusive tracks, especially notable for long live tracks by Fennesz (25 minutes) and Philip Jeck (45 minutes). Experimental live Cathedral organ works, documented to the highest level, including superb renditions of Jolivet [France], Gorécki [Poland], Alexandra[Romania] and Davidson [UK]. "St. Pierre Cathedral, Geneva, was the crucible of the Reformation in 1534....The second release in the 'Spire' series [previous volume was: Spire - Organ Works Past Present & Future, from 2003] is more than a document of 'Spire Live', which took place as part of La Batie 2004, at St. Pierre Cathedral, Geneva, on 5th September 2004. Curated by Eric Linder, from La Batie, and Mike Harding, the dynamism of the event, where the audience rotated between 3 separate venues within the cathedral precinct, is reflected in the individual recordings: Philip Jeck goes heavy metal in the crypt: BJNilsen comes over all moody in the side chapel, and Fennesz soothes and seduces in the same place. All this is set up by Charles Matthews and Marcus Davidson on the main organ [4 manifolds, computer operated] which dominates the time and place. Davidson play Gorecki's extraordinary Kantata for organ, [full stops on max employed here] which segues into BJNilsen's ultra-heavy live organ and electronics next door. This follows Charles Matthew's excellent renditions of pieces by Jolivet and Alexandra which, as the text by Thierry Charollais says: 'The event seemed provoking and iconoclastic in contrast to severe and austere atmosphere of the cathedral. Though some of the musical pieces, thus modifying our perception of the cathedral and making the event truly exceptional.' And to finish, Fennesz soothed us with sound. His set evoked the rolling centuries in all their pain and beauty, leaving us at once be calmed and energised, but never oppressed under the weight of time."