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Book
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9783907236666
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$65.00
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RELEASE DATE: 2/3/2026
Delayed until 2026... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
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LP
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ACRSLP 1671LP
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Delayed... "B.B. King, the 'King Of The Blues' is an undisputed music icon. In a career spanning seven decades, he sold in excess of 50 million records, won 20 Grammy Awards, and played alongside artists such as Bono, Eric Clapton, The Rolling Stones, Elton John, and Stevie Wonder. A hard-working musician, King toured the world several times over, taking his extraordinary blues from the margins to the mainstream. His emotional and sophisticated soloing on his Gibson guitar, 'Lucille,' coupled with his subtle vibrato style, influenced a diverse range of artists, including, Keith Richards, Carlos Santana, Jimi Hendrix, Cream, Richie Sambora, and even 50 Cent. This fine collection brings together some of King's greatest early blues numbers. From his first hit single, 'Three O'Clock Blues,' timeless tracks such as 'Woke Up This Morning' and 'Everyday I Have The Blues,' the epic double sider 'Sweet Sixteen' finishing with his early sixties classics, 'Someday' and 'Peace Of Mind.' King was a pioneer from the very beginning, with this collection demonstrating just why the British blues bands of the late sixties revered him as a guitar god. King was inducted into the Blues Foundation Hall Of Fame in 1984, the Rock 'n' Roll Hall Of Fame in 1987, received the National Academy of the Recording Arts and Sciences Lifetime Achievement Award and awarded the Presidential Medal of the Arts in 1990. In 2006 he received the Medal of Freedom, America's highest civilian honor."
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LP
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ACRSLP 1673LP
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$26.00
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RELEASE DATE: 12/31/2025
Delayed... "Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanned the evolution from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the three-minute, 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. The Duke himself preferred not to have his work referred to as 'jazz' but liked people to see it as he himself saw it, as being 'beyond category,' simply 'American music.' In a career lasting six decades, he attracted the very best musicians to his orchestras, and gifted to the world many of the jazz standards we know and love today This LP brings together some of his most iconic compositions, including timeless classics such as the Billboard R&B No.1 'Don't Get Around Much Anymore,' alongside stalwarts of the jazz canon 'Mood Indigo,' 'Sophisticated Lady,' 'Solitude,' 'Caravan,' 'Take The 'A' Train,' and 'It Don't Mean A Thing (If You Ain't Got That Swing).' It's a fantastic insight into his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality."
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MR 479LP
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$28.50
PREORDER
RELEASE DATE: 11/14/2025
Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Tougher Than the Rest is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events would be like. "The Cigs, The Light, The Coffee and Crying," the LP's first single, features a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Dharmacide's sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. Their sound is influenced by today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds, and Tom Waits.
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2LP
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PALAZZO 012LP
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$33.00
PREORDER
RELEASE DATE: 10/24/2025
Elektro Guzzi return with their 11th studio album, Liquid Center -- more focused than ever, yet more sonically open. The album presents the trio on a new level: their sense of precision and structure meets an unexpected depth and warmth. The sound is more restrained, more subtle -- and in this way, it gains even more presence. What stands out: this album sounds different. And it feels different too. Over the course of a year, the band developed a recording technique that translates their analog live energy into a sonic image that captures both the physicality of a band in space and the cool abstraction of techno. The result is a sound that doesn't seek loudness, but detail -- clear, warm, deep, and with an almost artificial precision. Liquid Center is not a loose collection of tracks but a coherent album experience. With every listen, it opens up a little more: a new texture, a shifted perspective, another layer emerging from the space between groove and sound. Maybe it's the music that's changing. Or maybe it's just the way you hear it.
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CD
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WWSCD 106CD
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$18.00
PREORDER
RELEASE DATE: 10/10/2025
Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
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2LP
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WWSLP 106LP
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$42.00
PREORDER
RELEASE DATE: 10/10/2025
Double LP version. Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
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2CD
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IF 1099CD
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$24.00
PREORDER
RELEASE DATE: 10/10/2025
"After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician," confides Vanessa Wagner. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky, and Dusapin as she is alongside Murcof and Rone. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, and Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner, and Nico Muhly. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In Words Without Music, Glass recalls his apprenticeship with Nadia Boulanger in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage. The Complete Piano Etudes of Philip Glass is also available for the first time on vinyl, housed in a 4LP Box set (IF 1099LP).
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4LP BOX
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IF 1099LP
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$180.00
PREORDER
RELEASE DATE: 10/10/2025
4LP box set version. "After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician," confides Vanessa Wagner. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky, and Dusapin as she is alongside Murcof and Rone. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, and Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner, and Nico Muhly. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In Words Without Music, Glass recalls his apprenticeship with Nadia Boulanger in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage.
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LP
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VIO 084LP
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$36.50
PREORDER
RELEASE DATE: 10/10/2025
Essential Liverpool psychedelic folk collective mapping their territory with a record rooted in place and memory. Professor Yaffle have created their most focused and expansive work yet. Following acclaimed previous releases, Everyone Wants to Dream finds the band at their creative peak. The album turns on Everton Brow -- an unremarkable Liverpool hill offering the city's finest view. Rogers returns to this vantage point throughout eight tracks, using it as both setting and metaphor for looking back on life without nostalgia. From here, you can see the Mersey stretch toward Snowdonia, the city spread below like a living map. "Lost in a Dream (On Everton Brow)" weaves Lee Roger's lyrics as an eighteen-year-old lyrics with newly composed music. "Everyone Wants to Dream" confronts the disorientation when your children grow and your role shifts. "On Top of the World" becomes what Rogers calls "a stoned love letter to Liverpool." This is Professor Yaffle's first release with Violette Records, marking the beginning of a partnership between two Liverpool entities who've circled each other for years before finding their moment. Featuring a 1979 Karl Hughes photograph of a policeman surveying Liverpool from Everton Brow, capturing something essential about the record: that those who maintain order might dream the biggest dreams of all. For fans of: CSNY, Tim Buckley, Talk Talk, The Byrds, Sufjan Stevens, Love, Tame Impala, Nick Drake.
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LP
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HPS 369ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Purple/black color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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LP
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HPS 369LP
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$28.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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CD
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HPS 369CD
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$16.00
PREORDER
RELEASE DATE: 10/3/2025
Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions). Also available on black vinyl (HPS 369LP), red vinyl (HPS 369LTD-LP), and purple/black vinyl (HPS 369ULTRA-LP).
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LP
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HPS 369LTD-LP
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$31.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Red color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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LP
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HPS 359LTD-LP
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$31.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. Orange color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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HPS 359ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Red/yellow/purple color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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IOR 771611LP
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$23.00
PREORDER
RELEASE DATE: 9/26/2025
"Ratko Zjaca is back with a very distinctive world music project that finds the Croatian-born guitarist and long-time resident of Rotterdam interacting with musicians from Romania, England and India. The results of his 18th outing as a leader or co-leader are staggeringly beautiful and full of improvisational daring. Joined by Romanian cimbalom player Marius Preda, who is widely regarded as the world's first jazz soloist on that trapezoidal stringed instrument that is the distant cousin of a hammered dulcimer, along with British-born upright bassist Nick McGuire and the innovative, groundbreaking percussionist Trilok Gurtu, Zjaca and his interactive crew strike an uncanny accord on the eight delightful originals presented on Touching Minds. With Zjaca bringing in all the compositions and Preda doing the arranging, they recruited McGuire for his rock-solid fundamental bass work. They next brought in Bombay-born Gurtu, an acclaimed master of the tabla who has also developed an abundance of chops over the decades on a hybrid drumming kit he designed and pioneered through his collaborations with John McLaughlin, Joe Zawinul, Bill Laswell, Jonas Hellborg, Jack Bruce, Terje Rydpal, Oregon, the Arkè String Quartet and many others. Throughout Touching Minds, Gurtu brings the groove while also coloring the proceedings with nuanced shadings. 'I wanted a new sound for this album and the tabla and cimbalom together moved it all to a new spectrum. And when you have two of world's best players on their respective instruments, which Trilok and Marius are, you have some very special ingredients to make some incredible music,' Zjaca says. While he may have soaked up the influences of countless guitarists he has listened to and emulated at different times over the years, from Joe Pass and Jim Hall to John McLaughlin and Pat Metheny, he described his guiding principle throughout Touching Minds as: 'I play what I hear and what the music asks of me at that moment.'"
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CD
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DC 956CD
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$13.50
PREORDER
RELEASE DATE: 9/26/2025
"The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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CD
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ANDOTHERS 001CD
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$18.00
PREORDER
RELEASE DATE: 9/26/2025
With Elsewhere, Grandbrothers open a bold new chapter. Known for crafting all their music from a single grand piano, the duo now expand their sonic palette with analog synths, drum machines, and a new sense of rhythm and physicality. It's their most transformative album to date -- a reinvention that ventures into unfamiliar territory while staying rooted in emotional depth and detail. Released via their own newly founded label __and__others.
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LP
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DC 956LP
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$20.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. "The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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LP
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CRO 003LP
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$28.50
PREORDER
RELEASE DATE: 9/26/2025
Long overdue reissue of the first album by The Hanging Stars. Initial 300 copies come with 12"x12" print. London-based psych-folk outfit The Hanging Stars re-release their much-loved debut album Over the Silvery Lake on Crimson Crow. Blending folk pastoralism with swampy '60s Americana, they sound like the missing link between the California desert sun and the grey skies of London Town. The album was recorded between LA, Nashville and Walthamstow, with each of these vastly different places leaving an indelible mark on the songs. Now signed to the Loose Records label and fronted by London-based songwriter, singer and guitarist Richard Olson (The See See, Eighteenth Day of May), The Hanging Stars are essentially a loose collective of people who weave together a blissed-out psychedelic tapestry. The rest of the core band is made up of Sam Ferman on bass and Paulie Cobra on drums, Horse on pedal steel and Patrick Ralla on banjo, guitar. They jam rather than write and hang out rather than rehearse, harnessing a kind of tipsy euphoria resplendent with luscious arrangements and glorious vocal harmonies. There are a number of allusions to nature and the weather on the album, borne in part out of the contrasting surroundings in which it was produced. The band's fascination with Americana led them to record some of the material Stateside, laying down some of the parts at Battle Tapes Studios in Nashville, as well as at Vision Quest Studios in Los Angeles with Rob Campanella. Following the LA recordings, a trip to the Californian desert provided the core notion of what they wanted to produce -- a shard of light that they clung on to whilst recording the rest of the album in the significantly more rain-soaked atmosphere of Walthamstow, London, under the watchful eye of Brian O'Shaughnessy at Bark Studios. The Hanging Stars place themselves firmly as part of a long folk tradition encompassing European and North American influences -- as a continuation rather than a pastiche of these styles. This is the sound of a band really coming in to their own, fully formed and in no doubt of their vision. With Over the Silvery Lake they succeeded in producing a record, which has the country, blues and folk traditions at its heart.
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BRD 007LP
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$26.00
PREORDER
RELEASE DATE: 9/26/2025
Spot The Difference invites you to explore the Balcony's Paradise project through a new lens of chiaroscuro. Psychedelia alters perception, and from the first track, listeners journey through a timeless sonic space filled with echoes, mysterious atmospheres, and spherical guitar melodies. Lorenz O'Tool initially returned to Australia to work on some new stuff with his partner on drums and co-founder of the project, Jeremy Tayler. The album also features some covers of Television Personalities, two tracks by M.O.T.O., and one by Jeff Clarke of the Black Lips, three influential bands for O'Tool, who is also the guitarist and co singer of the Berlin post-punk Band Die Verlierer.
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LP
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RBL 098LP
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$24.00
PREORDER
RELEASE DATE: 9/26/2025
"Damascus Knives is the latest project from David Christian (Cervello Elettronico), delivering a raw fusion of old-school EBM and dark, minimal industrial atmospheres. Driven by vintage synths, relentless arpeggiators, distorted kick drums, and abrasive noise samples, this release is a relentless dive into the underground dancefloor. For fans of Ministry's Twitch era and the most electronic side of Clock DVA, Damascus Knives brings a stripped-down, mechanical energy that captures the spirit of alternative and minimal dance music. Limited transparent red marble vinyl."
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LP
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HPS 359LP
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$28.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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CD
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HPS 359CD
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$16.00
PREORDER
RELEASE DATE: 9/26/2025
Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records! Also available on black vinyl (HPS 359LP), orange vinyl (HPS 359LTD-LP), and red/yellow/purple color vinyl (HPS 359ULTRA-LP).
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