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Book
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9783907236666
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$65.00
PREORDER
RELEASE DATE: 3/4/2025
Delayed until March/2025... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
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Book
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9783959053204
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$60.00
PREORDER
RELEASE DATE: 1/21/2025
Delayed further... until early 2025.."Pioneering media artist and concrete poet Ferdinand Kriwet's 1971 cult artist's book in a facsimile edition. A monumental, three-volume encyclopedia of alphabetically organized images, Ferdinand Kriwet: Stars was first published by Kiepenheuer & Witsch in 1971. In the 1960s, German author and media artist Ferdinand Kriwet (1942-2018), inspired by concrete poetry and its interest in the visual quality of linguistic signs, began to approach the literary medium of the book in a new way. Imagining new ways of reading that resisted linearity, Kriwet experimented with alternatives, encouraging a rapid back-and-forth between the pages of the book and the texts and images on them. In Stars, he treats images like words and arranges them in alphabetical order in an epic encyclopedia format. For years, Stars has only been available, at considerable cost, in antiquarian book catalogs. This new facsimile edition of Ferdinand Kriwet: Stars brings Kriwet's pioneering vision and his seminal book back into print." 416 pages. 2.5 pounds. 5.50(w) x 8.75(h).
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CD
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EB 203CD
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$15.50
PREORDER
RELEASE DATE: 1/3/2025
When dub and dope beats entered into an open relationship in the mid-nineties and created a casual hybrid with trip hop, Jean-Yves Prieur aka Kid Loco was one of the first French people to be there. With singles like "She's My Lover" and "Love Me Sweet" and the album A Grand Love Story, the producer proved himself to be a loverman indeed, with a knack for bedroom moods, charming little melodies and a comforting balance between minimalism and lush arrangements. As a keyboard all-rounder, Guillaume Méténier aka Soul Sugar has been featured on numerous Kid Loco productions for more than twenty years. From the synthesizer to the clavinet, from the Fender Rhodes to the Leslie organ, the "Funky Frenchman" is no stranger to any keyboard instrument. The Hamburg label Echo Beach, which has already issued dub commissions for a number of pop and new wave classics, thought it was time to change that.
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LP
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EB 203LP
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$27.00
PREORDER
RELEASE DATE: 1/3/2025
LP version. When dub and dope beats entered into an open relationship in the mid-nineties and created a casual hybrid with trip hop, Jean-Yves Prieur aka Kid Loco was one of the first French people to be there. With singles like "She's My Lover" and "Love Me Sweet" and the album A Grand Love Story, the producer proved himself to be a loverman indeed, with a knack for bedroom moods, charming little melodies and a comforting balance between minimalism and lush arrangements. As a keyboard all-rounder, Guillaume Méténier aka Soul Sugar has been featured on numerous Kid Loco productions for more than twenty years. From the synthesizer to the clavinet, from the Fender Rhodes to the Leslie organ, the "Funky Frenchman" is no stranger to any keyboard instrument. The Hamburg label Echo Beach, which has already issued dub commissions for a number of pop and new wave classics, thought it was time to change that.
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3LP
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LOGAB 001RED
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$60.00
PREORDER
RELEASE DATE: 12/31/2024
Delayed? Red vinyl. "Logical Absurd (new French label) is very proud to present the 20th anniversary of the album She And Me Fall Together In Free Death by Nurse With Wound. 20 years after its release, She And Me Fall Together In Free Death by Nurse With Wound is re-released, in an exclusive triple-LP version, with exclusive songs, a new graphic design, several inserts and a triple-gatefold cover."
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3LP
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LOGAB 001WHIT
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$60.00
PREORDER
RELEASE DATE: 12/31/2024
Delayed... white vinyl. "Logical Absurd (new French label) is very proud to present the 20th anniversary of the album She And Me Fall Together In Free Death by Nurse With Wound. 20 years after its release, She And Me Fall Together In Free Death by Nurse With Wound is re-released, in an exclusive triple-LP version, with exclusive songs, a new graphic design, several inserts and a triple-gatefold cover."
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3LP
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LOGAB 001GOLD
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$60.00
PREORDER
RELEASE DATE: 12/31/2024
Delayed? Gold vinyl. "Logical Absurd (new French label) is very proud to present the 20th anniversary of the album She And Me Fall Together In Free Death by Nurse With Wound. 20 years after its release, She And Me Fall Together In Free Death by Nurse With Wound is re-released, in an exclusive triple-LP version, with exclusive songs, a new graphic design, several inserts and a triple-gatefold cover."
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Book
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9798988670025
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$34.00
PREORDER
RELEASE DATE: 9/3/2024
"When Paul Simon first heard the Zulu accordion flourish that would open his multi-platinum album Graceland, he told Joe Boyd that it seemed to proclaim, 'You haven't heard this before!' Yet the 'world music' boom of the 1980s that Simon's album helped to usher in had roots that extended back through the decades and across continents: tango on the eve of World War I, Latin dance across the '30s, '40s and '50s, reggae in the '70s, pre-War samba and pre-Beatles bossa nova, Eastern European ensembles filling capitalist concert halls during the Cold War, Indian ragas changing rock and roll in the 1960s, gypsy music inspiring classical composers of the 19th and 20th centuries. As far back as 1853, the music that had intrigued Simon had captivated London during a Zulu choir's extended run there. (Only Charles Dickens dissented.) Like that of other far-flung musical traditions sweeping the globe, the story of Zulu music and its relationship to neighbors, invaders, appropriators, and admirers -- from brutal 19th century massacres to 'The Lion Sleeps Tonight' -- is more controversial, colorful, and complex than many imagine. Joe Boyd was part of a small group of label heads and journalists who chose 'world music' as their marketing slogan in the 1980s. Already the legendary producer of artists including Pink Floyd, The Incredible String Band, Soft Machine, Fairport Convention, Nick Drake, Toots and the Maytals, and many others, Boyd had little idea how fast and how wide those simple words would spread, or how far back the history went. He would soon learn, producing pathbreaking music in Cuba, Brazil, Bulgaria, Mali, Hungary, Spain, and India under his label Hannibal Records. Following the success of his book White Bicycles: Making Music in the 1960s, a self-published smash hit, Boyd now sets out to explore the stories behind the world music he had helped to popularize. He has traveled across continents and interviewed dozens of musicians, producers, and academics, and spent years reading, listening, and writing. The one-of-a-kind result is And The Roots of Rhythm Remain: a riveting, symphonic, globetrotting tour of the music that shapes the world. Hardcover. 900 pages."
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LP
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HIPD 021LP
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$28.00
PREORDER
RELEASE DATE: 8/30/2024
Dive into Sreya & Cilon's first LP, Atenção com Coração. With bossa nova tunes, this project delivers caring and beautiful messages about self-realization and living in the present moment. Atenção com Coração is more than an album; it's a journey into self-discovery and moments of contemplation. The lyrics, elegantly simple yet profound, convey direct ideas while weaving narratives from everyday life. The songs resonate with the theme of realizing one's potential on life's odyssey. Whether portraying nature as a nurturing mother or exploring the worship of the sea goddess Yemanja rooted in Brazilian and African traditions, the album offers an extraordinary journey. The musical break likens the morning sun to the bliss of being alone and finding oneself. The soft tone creates a sensorial experience, inviting you to embark on a contemplative musical exploration. The enchanting melodies of Atenção com Coração make it a superb neo-bossa album, setting the perfect tone for the return of summer. Immerse yourself in the soothing rhythms and contemplative lyrics as you let the music accompany your moments of sunshine and warmth. This musical masterpiece captures the essence of the season, making it your ideal soundtrack for the summer days ahead.
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LP
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SMC 045LP
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$22.00
PREORDER
RELEASE DATE: 8/16/2024
"There's an insurmountable weight to Big Mess' music, and at times, an insurmountable wait too. The Lowell, MA based trio have earned themselves a cult like status among those in the know. To come across the heavy thud and dissonant groove of their instrumental wreckage is to fall in love with the band, but it's been seven long years since their last release (a split with New Hampshire's Black Norse) and nearly a decade since their last full length. You'd be excused if you'd thought they'd hung it up, but thankfully, you'd be dead wrong. Big Mess comes roaring back to life on Heroic Captains of Industry. The album is colossally heavy with nuanced writing that see-saws and tugs in opposing directions at will. There's a wealth of atmosphere in Big Mess' songs as chord structures push and pull, rattling in the still air, the band using repetition and space to create their void. Once you've been pulled in, there's nothing left to do but marvel in its wake. 'Caoutchouteuse,' the record's first single is a shimmering example of their spatial focus, a song that moves at a slow-pulled pace, opting for seasick progressions and the juxtaposition of sludge and open-air freedom. As the dust begins to settle, the avalanche comes toppling over. Rather than a post-rock informed crescendo though, Big Mess pull back and peel at the seams, the course a spiral rather than a straight path. It's one brilliantly unpredictable moment on an album full of them (wait til you hear its companion in 'Misery Blues'). Big Mess is back." --Dan Goldin (Post-Trash)
RIYL: Earth, Exploding In Sound, Harvey Milk, Sunn O))), Son House.
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CD
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HPS 310CD
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$14.50
PREORDER
RELEASE DATE: 6/28/2024
Brand new live album for the Portland based legendary psychedelic-progressive rockers Danava. First two songs were recorded during Danava's European tour back in 2008, while the other four tracks were recorded during European Tour in 2023. An absolute must have.
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LP
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HPS 310LP
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$22.50
PREORDER
RELEASE DATE: 6/28/2024
LP version. Brand new live album for the Portland based legendary psychedelic-progressive rockers Danava. First two songs were recorded during Danava's European tour back in 2008, while the other four tracks were recorded during European Tour in 2023. An absolute must have.
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CD
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DC 918CD
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$14.00
PREORDER
RELEASE DATE: 6/28/2024
"Emerging once again from the unending waves crashing upon fragile timecraft (adrift on the eternal ocean, and taking on water), Dirty Three are a) back, b) tangled in seaweed, rank with saltwater and possessed of three rather ominous thousand-mile stares, and c) not wasting another minute -- as nothing is guaranteed. For their first album in over a decade -- yep, it's been since 2012's Toward the Low Sun -- they flew in, got together and started playing. End of story. What else is there to say or do but that? Music's their language, their true love; they never stop listening to that. And like the label says, Love Changes Everything. The Dirty Three -- Warren Ellis, Mick Turner, and Jim White -- formed up in Melbourne in 1992, to play with guitar drums and violin or viola, and within a couple years, they'd broken out -- out of Australia, out of anything else they might have been inside of, to boot -- and got worldwide. Over the next ten years, they toured over and over the planet, ceaseless like, and cut seven albums out along the way. After this, their unique style of play, fitted together like puzzle pieces, was decoupled, more often than not, and pieced together in many other, fruitful collaborations with many other esteemed talents. Over the past 20 years, they've gotten together a few times, renewed the vow, revved the engines and played some shows, or made an album. These lot were born to be as weathered as they are today. Time doesn't matter. They make their gathered wisdom of the ages sing like something new every time. It renews. And Love Changes Everything."
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LP
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DC 918LP
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$24.00
PREORDER
RELEASE DATE: 6/28/2024
LP version. "Emerging once again from the unending waves crashing upon fragile timecraft (adrift on the eternal ocean, and taking on water), Dirty Three are a) back, b) tangled in seaweed, rank with saltwater and possessed of three rather ominous thousand-mile stares, and c) not wasting another minute -- as nothing is guaranteed. For their first album in over a decade -- yep, it's been since 2012's Toward the Low Sun -- they flew in, got together and started playing. End of story. What else is there to say or do but that? Music's their language, their true love; they never stop listening to that. And like the label says, Love Changes Everything. The Dirty Three -- Warren Ellis, Mick Turner, and Jim White -- formed up in Melbourne in 1992, to play with guitar drums and violin or viola, and within a couple years, they'd broken out -- out of Australia, out of anything else they might have been inside of, to boot -- and got worldwide. Over the next ten years, they toured over and over the planet, ceaseless like, and cut seven albums out along the way. After this, their unique style of play, fitted together like puzzle pieces, was decoupled, more often than not, and pieced together in many other, fruitful collaborations with many other esteemed talents. Over the past 20 years, they've gotten together a few times, renewed the vow, revved the engines and played some shows, or made an album. These lot were born to be as weathered as they are today. Time doesn't matter. They make their gathered wisdom of the ages sing like something new every time. It renews. And Love Changes Everything."
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Cassette
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DC 918CS
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$12.00
PREORDER
RELEASE DATE: 6/28/2024
Cassette version. "Emerging once again from the unending waves crashing upon fragile timecraft (adrift on the eternal ocean, and taking on water), Dirty Three are a) back, b) tangled in seaweed, rank with saltwater and possessed of three rather ominous thousand-mile stares, and c) not wasting another minute -- as nothing is guaranteed. For their first album in over a decade -- yep, it's been since 2012's Toward the Low Sun -- they flew in, got together and started playing. End of story. What else is there to say or do but that? Music's their language, their true love; they never stop listening to that. And like the label says, Love Changes Everything. The Dirty Three -- Warren Ellis, Mick Turner, and Jim White -- formed up in Melbourne in 1992, to play with guitar drums and violin or viola, and within a couple years, they'd broken out -- out of Australia, out of anything else they might have been inside of, to boot -- and got worldwide. Over the next ten years, they toured over and over the planet, ceaseless like, and cut seven albums out along the way. After this, their unique style of play, fitted together like puzzle pieces, was decoupled, more often than not, and pieced together in many other, fruitful collaborations with many other esteemed talents. Over the past 20 years, they've gotten together a few times, renewed the vow, revved the engines and played some shows, or made an album. These lot were born to be as weathered as they are today. Time doesn't matter. They make their gathered wisdom of the ages sing like something new every time. It renews. And Love Changes Everything."
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CD
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BB 465CD
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$16.50
PREORDER
RELEASE DATE: 6/28/2024
After Die Drift, Kenne Keine Tone is the second studio album by the Vienna-based artist Conny Frischauf. Moving between pop and experiment, she embarks on a search for the momentary, the transitions and sonorous threshold spaces, creating a fascinating sound laboratory with Kenne Keine Tone that invites listeners to readjust their listening habits. Things are not what they seem to be. It is in this spirit that the artist guides us into her synaesthetic sound laboratory in which she acousmatically examines worldly phenomena as sonic events and combines them with delicate pop references. Stones, wind, water and other phenomena thus turn into audible miracles. In the sixteen tracks of her latest album, Frischauf is playing with our senses. Field recordings, carefully microphoned percussion instruments, aerophones, clapping hands and cosey synth sounds become finely balanced antagonists on this album, digging deep into auditory canals. The album is less about clear linear temporal sequences than about the spatial assembly of various possible meanings. Frischauf consciously awards this kind of independence to the sounds and ideas on the album. It is the reduction that makes a certain understatement reverberate on Kenne Keine Tone, and yet this restraint merely conceals Frischauf's passion for sound. Facing such a multitude of ideas, it's striking that the album remains as personal, casual and melodic as it does. A distinct groove emerges and occasionally invites listeners to dance.
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LP
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BB 465LP
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$26.00
PREORDER
RELEASE DATE: 6/28/2024
LP version. After Die Drift, Kenne Keine Tone is the second studio album by the Vienna-based artist Conny Frischauf. Moving between pop and experiment, she embarks on a search for the momentary, the transitions and sonorous threshold spaces, creating a fascinating sound laboratory with Kenne Keine Tone that invites listeners to readjust their listening habits. Things are not what they seem to be. It is in this spirit that the artist guides us into her synaesthetic sound laboratory in which she acousmatically examines worldly phenomena as sonic events and combines them with delicate pop references. Stones, wind, water and other phenomena thus turn into audible miracles. In the sixteen tracks of her latest album, Frischauf is playing with our senses. Field recordings, carefully microphoned percussion instruments, aerophones, clapping hands and cosey synth sounds become finely balanced antagonists on this album, digging deep into auditory canals. The album is less about clear linear temporal sequences than about the spatial assembly of various possible meanings. Frischauf consciously awards this kind of independence to the sounds and ideas on the album. It is the reduction that makes a certain understatement reverberate on Kenne Keine Tone, and yet this restraint merely conceals Frischauf's passion for sound. Facing such a multitude of ideas, it's striking that the album remains as personal, casual and melodic as it does. A distinct groove emerges and occasionally invites listeners to dance.
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LP
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BEAT 105LP
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$27.00
PREORDER
RELEASE DATE: 6/28/2024
Reissue of this long out of print overlooked gem of Swiss hardcore, originally recorded in 1983. A great chance to rediscover an obscure masterpiece of primo European hardcore. Remastered from the original master tapes. Includes a bonus track not included on the original vinyl version and a fold out insert with lyrics and an interview with the band. With strong sonic ties to the best American hardcore (think Black Flag and early SST and Touch & Go bands) it still sounds as fresh, powerful and aggressive as when it was originally recorded in 1983! 15 tracks of pure unaltered anger and frustration.
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LP
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HPS 310ULTRA-LP
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$37.50
PREORDER
RELEASE DATE: 6/28/2024
LP version. Splatter color vinyl. Brand new live album for the Portland based legendary psychedelic-progressive rockers Danava. First two songs were recorded during Danava's European tour back in 2008, while the other four tracks were recorded during European Tour in 2023. An absolute must have.
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LP
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HPS 310LTD-LP
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$29.50
PREORDER
RELEASE DATE: 6/28/2024
LP version. Orange color vinyl. Brand new live album for the Portland based legendary psychedelic-progressive rockers Danava. First two songs were recorded during Danava's European tour back in 2008, while the other four tracks were recorded during European Tour in 2023. An absolute must have.
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LP
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VAMPI 299LP
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$28.50
PREORDER
RELEASE DATE: 6/21/2024
Guaracheros was released on MAG, in Peru, at the end of 1961 and includes six versions, four of them are of Cuban origin, and also original compositions masterfully performed by Nelson Ferreyra's Sonora. Nelson Ferreyra's career went from strength to strength, and was publicly recognized as an international figure of tropical music. This album is a brilliant reflection of MAG's tagline: "Si su fiesta le fracasa, discos MAG faltan en casa" ("If your party flops, you're missing MAG records at home"). First time reissue. The records Nelson Ferreya recorded at the MAG studios display his passion for Cuban music and particularly for guaracha, accompanied by the pianist Cano Romero, a personal friend who had played with him from the early days of his career, and would go on to find his own orchestra some years later. Kiko Hernández, the lead singer, joined Ferreyra in almost all his future projects, until his early death in the seventies. Few countries outside Cuba embraced Guaracha as enthusiastically as Peru. Pancho Acosta, Króffer Jiménez, Oswaldo Barreto, and Nelson Ferreyra himself kept the genre alive with their compositions in the sixties and, in the following decade, several of the classics of the Peruvian cumbia movement are really guarachas composed in different parts of the country. "Guaracheros" (Kiko Hernández and Pablo Villanueva) opens the LP, a highly crafted composition by Cano Romero. Maintaining the dance level, two songs by Nelson Ferreyra follow: "Con cencerro y timbal" and "Fiesta en el aire." The references to Venezuela in the lyrics are not accidental, as the LP was also distributed there, where it sold very well. Nelson Ferreyra's career went from strength to strength, and he went on to tour Panama, Chile and Ecuador. In the latter, he was publicly recognized as an international figure of tropical music.
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MR 455LP
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$27.00
PREORDER
RELEASE DATE: 6/21/2024
The Loons of Southern California have been playing their uniquely original brand of psychedelic garage and freakbeat for more than 25 years. With Memories Have Faces they've created their most impressive batch of songs to date, along with an intense version of the Pretty Things' "Cries from the Midnight Circus." The Loons keep growing, learning, creating, evolving but never compromising. Formed in San Diego, The Loons have recorded and released five albums along with a slew of singles, and played gigs in more cities around the world than they can keep count of. They've collaborated with original '60s music icons like Glenn Ross Campbell of The Misunderstood, Dick Taylor of The Pretty Things, Randy Holden of The Sons of Adam and Blue Cheer, and Michael Stuart-Ware of Love. Mike Stax, who also publishes Ugly Things magazine, is the lead singer. Anja Stax plays bass and sings backing vocals. Marc Schroeder and Chris Marsteller play guitars, and Chris Cancelliere is on drums. Mike Stax was already a veteran of several other San Diego bands, including The Crawdaddys and The Tell-Tale Hearts, when he first formed the Loons in 1997. Ebbot Lundberg of The Soundtrack of Our Lives produced the group's debut album, Love's Dead Leaves, released by Get Hip Records in 1998. Anja joined on bass after relocating to California from London, where she'd been playing with The Diaboliks, and Marc Schroeder and Chris Marsteller joined soon afterwards. Chris Cancelliere became the group's new drummer at the end of 2018.
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7"
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MR 7368EP
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$15.50
PREORDER
RELEASE DATE: 6/21/2024
Los York's became the epitome of Peruvian garage sound. Abrázame features a beat-influenced go-go twang guitar garage psych tone throughout and the unique voice of the iconic frontman of the band resulting an irresistible Latin garage hipshaker! Set the dance floor on fire with this first time 45 reissue of the Latin garage anthem "Abrázame." The group was in tune with the youth from popular districts who were gradually turning morning concerts into dynamic gigs as the fashion for solo rock-ballads waned and garage sounds by bands like Los Shain's, Los Derbys, Los Juniors, Los Flyers and, of course, Los York's took over. Their supportive fans would follow them to every gig. After releasing their three first singles on MAG, featuring covers of popular hits, it took them a year to turn their ideas into songs for their first LP that was successfully released at Christmas in 1967. The original version of "Abrázame" was included in this album and also released as a single. Although clearly based on Don Covay & The Goodtimers' R&B classic "Mercy Mercy," the recording features a beat influenced go-go twang guitar garage psych tone throughout and the unique voice of the iconic frontman of the band, Pablo Luna. A rawer, fuzzier version of the same song was released one year later and renamed as "Abrázame Baby."
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2LP
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THRILL 609X-LP
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$32.00
PREORDER
RELEASE DATE: 6/21/2024
Double LP version. Clear color vinyl. "On The Healer, the new full length from the Northwest-based trio of guitarist and vocalist Aaron Turner (ISIS, Old Man Gloom) bassist Brian Cook (Russian Circles, Botch) and drummer Nick Yacyshyn (Baptists) the group deepens its multi-faceted exploration into the parallel experiences of creation and destruction. Over the course of four tracks in 76 minutes, SUMAC present a sequence of shifting movements which undergo a constant process of expansion, contraction, corruption and regrowth. This musical methodology reflects the thematic nature of the record -- narratives of experiential wounding as gateways to empowerment and evolution, both individual and collective. The group's interpolation of melody, drone, improvisation, and complex riffing becomes a transmogrifying act embodying the depth of human experience. In its highest aspiration it mirrors the ability to endure mortal and spiritual challenges, through which people may emerge with an increased capacity for understanding, empathy, love of self and others. Dismal though the subterranean pits of The Healer may at first appear, from them can be felt the unwavering determination to embrace life, acknowledge interdependence, and honor the gift of existence."
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7"
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MR 7369EP
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$15.50
PREORDER
RELEASE DATE: 6/21/2024
A chaotic and intense Craig Leon-produced hybrid of Dolls, Stooges, and most of the Nuggets bands by Jeff 'Mono Mann' Conolly's pre-Lyres group DMZ. Unavailable for over three decades, Munster is happy to reissue this garage rock's essential gem, originally released in the early days of Greg Shaw's Bomp! label. DMZ was a predictable proposition, sporting obvious glam roots and an eccentric but dedicated rock and roll fan in lead singer, Jeff 'Mono Mann' Conolly. With killer cuts like "Busy Man" and "When I Get Off," their 1977 EP captured the DMZ zeitgeist considerably better than the album they would later record for Sire.
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