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Index of Labels
Browse by Label: TIME-LAG RECORDS
Artist:
PARVA/ULTRASOUND, DRONA
Title:
Songs From The Entoptic Garden Vol. 1
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$12.00
Catalog #:
TLR 001LP
"The first in a series of split LPs loosely in tribute to Popol Vuh, as well as the first release on Time-Lag Records. Drona Parva's 'form-constants' is a minimalist hammond organ meditation inspired by Popol Vuh's 'In den Garten Pharaos' and early Terry Riley. A slow building, trance inducing, improvisation. Ultrasound (Texas by way of Den Haag) opens side two with a beautiful reworking of Popol Vuh's 'Spirit of Peace', using piano, bass, gong, and viola, then closes the side with a track of shimmering guitar drone. Plenty to float away on... audiophile quality 180 gram vinyl, and packaged in a gorgeous custom letterpressed sleeve. Hand numbered edition of 800." Limited stock, first release on Time-Lag from 2003.
Artist:
PONYS, THE
Title:
Shishimumu
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$7.00
Catalog #:
TLR 006CD
"A pretty fantastic debut . . . the sounds of the past and present meeting to create a unique and uplifting timelessness. Merging rock instrumentation, acoustic guitar, electric slide, Moog, Wurlitzer, and gorgeous vocals into a cluster of irresistible, catchy, and haunting songs. Flowing through droning psychedelia, velvety instrumentals, quirky indiepop. Country twang, and distortion fueled rock. It's all brought together by the band's unique sound and youthful energy. 100% analog process used from start to finish, for some extremely high fidelity."
Artist:
SATWA
Title:
Satwa
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLR 019CD
"The first ever reissue of the first private press LP from Brazil. Recorded and released in 1973 by the duo of Lula Cortes & Lailson. A real lost masterpiece from any angel, and the first release of the fertile Recife psych scene of the early 70's... mesmerizingly beautiful sitar & 12 string psych ragas beaming strait for your third eye, and lifted ever higher by occasional angelic vocals or a burst of fuzz guitar... truly amazing stuff sure to turn the ears of any folk/psych fan, past or present...CD version is identical to the LP version, only smaller... comes in a heavy weight mini LP style sleeve, with folded insert."
Artist:
CHARALAMBIDES
Title:
Our Bed is Green
Label:
TIME-LAG RECORDS
Format:
2LP
Price:
$32.00
Catalog #:
TLR 025LP
"The debut release from Texas' favorite psychedelic voyagers, on vinyl for the first time ever. Originally self released as an ultra-limited cassette way back in 1992, it was later reissued on the band's own Wholly Other imprint in a much edited form. Here the original cassette track list and sequence is restored, minus two cover songs. A historic milestone in the story of the contemporary underground, as well as an extremely mind-melting dose of outsider drone/folk/psych in its own right. The duo of Tom and Christina Carter here managed to wrap their fingers and minds around a whole slew of sonic vibrations, while at the same time clearly charting their own low-key and unique course. Tapping into about every slant of damaged Texas exploration, this massive recording flows through haunting lo-fi slow motion folk, full-blown, fuzzed-out spacerock, beautiful outsider acid psych, fizzing drone experimentation, loose blues forms and plenty of higher-minded guitar improvisation, all with a certain shining wide-eyed bliss. And yes, Christina's voice was just as jaw dropping then as it is now... while worlds away from Charalambides recent outings on one level, those sonic tendrils trace a clear line back to the sweet seeds planted here... pressed on two massive slabs of audiophile 180 gram vinyl. Hand numbered edition of 800 copies."
Artist:
PAINTING PETALS ON PLANET GHOST
Title:
Painting Petals on Planet Ghost
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$7.00
Catalog #:
TLR 030CD
"Digital version of the out-of-print LP. Debut recording from Italy's Opalio brothers (My Cat Is An Alien) and Ramona Ponzini. An esoteric and mesmerizing trip through space, minimalism and emotion. Each track recorded at a different mystical location in the western Alps, and centered around Ramona's beautiful vocals, all of which are sung in traditional Japanese. Maurizio & Roberto add sparse accompaniment by means of toy piano, alien keyboard tones, antique accordion, percussion, tape effects, and some particularly evocative acoustic guitar. The whole thing comes off alternately as deeply meditative or chillingly haunted, depending on your attention & mood. Silence, space & ritual are hugely important here, with notes & words hovering frozen in time. While the My Cat Is An Alien moniker might leave some folks scratching their heads, here the
Painting Petals on Planet Ghost
name nails it: fragile, beautiful, cosmically isolationist, and totally spooked. Lushly packaged in a mini version of the original LP packaging, with letterpress printed tri-fold cover. Printed with copper ink on exquisite & massively thick handmade ivory art paper, each sheet cast one at a time & air dried."
Artist:
PAINTING PETALS ON PLANET GHOST
Title:
Painting Petals on Planet Ghost
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$30.00
Catalog #:
TLR 030LP
"Debut recording from Italy's Opalio brothers (My Cat Is An Alien) and Ramona Ponzini. An esoteric and mesmerizing trip through space, minimalism, and emotion. Each track recorded at a different mystical location in the western Alps, and centered around Ramona's beautiful vocals, all of which are sung in traditional Japanese. Maurizio & Roberto add sparse accompaniment by means of toy piano, alien keyboard tones, antique accordion, percussion, tape effects, and some particularly evocative acoustic guitar. The whole thing comes off alternately as deeply meditative or chillingly haunted, depending on your attention & mood. Silence, space & ritual are hugely important here, with notes & words hovering frozen in time... while the My Cat Is An Alien moniker might leave some folks scratching their heads, here the Painting Petals on Planet Ghost name nails it: fragile, beautiful, cosmically isolationist, and totally spooked... pressed on 180 gram virgin vinyl, and lushly packaged with letterpress printed cover & insert. Printed with copper ink on exquisite & massively thick handmade ivory art paper, each sheet cast one at a time & air dried. Hand numbered edition of 560 copies."
Artist:
GHQ
Title:
Cosmology of Eye
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$9.00
Catalog #:
TLR 031CD
Digital version. Packaged in a miniature tri-fold version of the LP cover, with photo insert and woven Japanese inner sleeves. Limited edition of 1000 copies. "First proper release from this headspinning acid/drone/raga crew that's been quietly haunting the Northeast for a couple years now... for this album the band was Marcia Bassett (Double Leopards, Hototogisu, Zaimph, Un, etc.), Steve Gunn, and Pete Nolan (Magik Markers, Vanishing Voice, etc.)... heavily dosed trips into eastcoast trance primitivism, gushing with mantric meshes of strings and voice. Centered around Bassett & Gunn's acoustic guitar freeflow, and wrapped up in layers of hovering vocal mist, buzzing drones, percussive clatter, and Nolan's subtle but massively psychedelic electric guitar moves. Over five extended tracks things slide along from bone rattling minimal vibrations, dip into opiated folk beauty, and then blow things wide open with a full side of fevered, acid soaked raga lift-off... keep that third eye open folks."
Artist:
MV & EE WITH THE BUMMER ROAD
Title:
Mother of Thousands
Label:
TIME-LAG RECORDS
Format:
2CD
Price:
$12.00
Catalog #:
TLR 033CD
Double CD digital version with the same tracks/sequence as the 2LP. Miniature LP style heavy gatefold covers just like the vinyl version, plus a nice insert, and woven Japanese inner sleeves.
Artist:
GALBRAITH/NEILSON/YOUNGS
Title:
Belsayer Time
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$17.00
Catalog #:
TLR 034LP
"Fully mind-blowing dream collaboration from Alastair Galbraith, Alex Neilson & Richard Youngs. All serious international underground sound weavers in their own right, this trio collaboration lifts things ever higher... for the last 20 years or so Alastair Galbraith has quietly been releasing some of the most stunning outsider/psych/folk/drone work to ever come out of his New Zealand homeland, and we couldn't be more thrilled to have him back on the scene. Richard Youngs makes a nice UK parallel with a vast and equally impressive catalog of sub-underground avant/drone/folk wonderment to his name. And while Alex Neilson's name might be a bit new, he's been bending many a mind under his directing hand solo guise, as well as collaboration with MV & EE, Taurpis Tula and others. Oh yeah, and that small fact that Alex & Richard backed Jandek at his first ever live performance is pretty cool too... musically, things are way fucking deep in the zone here folks. Side one glides along in slo-mo dream state, hovering with Richard's beautiful and unmistakable vocals soaring and refracting into echoes, quietly fluttering and droning electronics, otherworldly sounding synth melodies, rolling splashes of free percussion, backwards effects, and syrupy sound pools of acoustic strings. Beautifully lulling and deeply psychedelic... but the second you flip the LP, the bottom drops right out with a real electro jammer, blasted with throbbingly heavy free drumming, vibrating walls of synth, and yowling bird-of-prey electronic squeal... and things just get more abstract from there... really amazing stuff for those who dig a headspinningly deep listen... packaged in a stark but beautiful full color offset printed & debossed heavy art board cover, with debossed insert. 180 gram virgin vinyl. Numbered edition of 900 copies."
Artist:
ELEPHANT MICAH
Title:
Hindu Windmills
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$7.00
Catalog #:
TLR 035CD
"Digital version of the out-of-print LP. At long last, there's finally a full length Elephant Micah album born into this world. Why it took so many years will remain a mystery, cuz as far as we're concerned, Elephant Micah should have been a household name for years now. Stripped of all superfluous sound, and presented with the sort of stark realness that creates a deeply psychedelic mood without being in the least bit overt. Joe O'Connell has always been at the top of our favorite contemporary songwriters, and here the songs truly take center stage for the first time. Recorded direct to hand-held cassette recorder using only acoustic guitar and vocals, with just sparse backing from a little percussion, cello, electric piano and double-tracked vocals, the gauzy overdubs of past releases have all but vanished here. At the same time, the lyrical depth & intimacy have easily doubled, creating some of the most affecting country-tinged melancholy we've ever laid ears on. Hushed, heartaching and utterly timeless. And it just gets better with every listen. The voyeuristic pureness is further enhanced by hissy near-haiku spoken fragments of tape that pop up between songs throughout the album. Heavy mini LP style craft paper gatefold cover with elusive, ghostly, two-color offset printing, Plus a double-sided fold out insert & woven Japanese inner sleeves."
Artist:
RACCOO-OO-OON
Title:
The Cave of Spirits Forever
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$9.00
Catalog #:
TLR 036CD
"Hot new real CD reissue of the CD-R version that went instantly out of print last year... Raccoo-oo-oon are one of those bands that can somehow shift between seemingly divergent genres, while the whole time keeping a sound very much their own. The disc launches with a speed blasted, noise fueled, psych/punk rocker, slides into nearly grooving free-jazz territory, then into a gorgeous, buzzing/floating/tinkling bliss mantra, and that's just the first 3 tracks. Things continue unfolding from there, but the overall sound constantly slips back to the sort of mantric, damaged rock thud these guys are clearly fond of. A rather thrilling and quite great ride... remastered by Pete Swanson (Yellow Swans) for extra punch. Packaged in a full color off-set printed tri-fold art paper cover, reproducing Shawn Reed's original eyeball frying art, inside and out."
Artist:
VISITATIONS
Title:
Visitations
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$9.00
Catalog #:
TLR 037CD
"Well, here you have it. Maine's cosmic mystery trio captured for eternity, just for you... while everyone & their mother seems to have some sort of bedroom folk/psych project going these days, you'd be hard pressed to find another unit as pure in spirit & process as these here bodies/buddies. One of those rare vortexes of creation existing totally apart from all hype, pressure or pretense; in other words, timeless. Always balanced on that fine and beautiful line between cosmic joke & aching depth. A simple & unadorned unfurling of strummed & fingered instruments, heartaching female vocals, woodland creatures, earthy male vocals, contrasting half-written & totally spontaneous songs, twisting lyrics, haunted melancholy, lysergic joy, and a heavy dose of spooked New England lore. In a way, the recording scene itself is an almost perfect parallel to the sounds & vibes captured here: three shadowy figures laugh & sing around a dim campfire. No one's slept in days. They're nestled amidst ancient stone buildings, creeping foliage and mounds of exotic flowers. The sun is setting over the mountains. But it's all frozen in time. The clouds aren't moving. And that campfire, it's a microphone, isn't it? And all those flowers: plastic. The stone: paint. Is it all fake? Well, it is an ancient stone church. And those three really are making some very sweet sounds. In fact, it's almost hyper-real. Almost impossibly so... is that reel-to-reel rolling? Yes, it sure is... exquisitely packaged in a slightly altered mini version of the LP cover, complete with letter press & screen printed art, tri-fold duotone art paper covers, woven japanese inner sleeves, and a special surprise in total darkness. two cover variations, limited to 400 each, for a total CD edition of 800 copies"
Artist:
QUICK, BILL
Title:
Maravillosa Gente
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$21.00
Catalog #:
TLR 038LP
"Long in the works reissue of this amazing and little known gem,
Beautiful People
, from 1972. Born in Miami, Florida to an American father and Venezuelan mother, Bill split the USA to Madrid, Spain in the early '70s. Once there he quickly landed a recording deal with famous producer Alain Milhaud of the Explosion label, and set to work on this, his sole LP release. Sessions went down with an impressive cast of up to eleven players in the studio, including Salvador Dominguez & Chema Pellicó (Cerebrum), Jess Lam (Jess & James), and Frank Rojas (Sangre). One of the album's real hidden treasures, though, was the assistance of unknown Texan Mark Gottschall, who co-wrote the title track and adds perfect vocal harmonies as well a second acoustic guitar. A finely balanced mix of sounds that drifts between throbbing electric full band groove and gentle acid folk. When Bill wants to rock, things get downright funky, with a wickedly hard-hitting rhythm section, pumping organ, scorching electric leads, and flipped-out acoustic guitars all locking into some seriously tight jams. Then the next minute, the mood swings and you're deep into some beautifully fragile and introspective folk meditations; often just two acoustic guitars, Bill's lyrics, and huge, angelic, vocal harmonies all weaving together into lush tapestries of sound. A few tracks fill out a more folk-rock vibe with flute, autoharp, piano, slide guitar, banjo, and more. Bill's lyrics (all in English) and vocals always feel deeply sincere, which combined with his unique voice, unusual accent, and loose delivery, make for one hell of a cool singer. The whole album has an air of mystical psychedelia, yet never strays far from pop craft, and there's a real sun-blasted quality to it all that just makes you want to crank the volume. Nothing amateur or lo-fi about this one; it's a pro recording and these guys have serious chops. It's hard to image why it didn't become a hit at the time. The album was released only in Spain and Brazil, to very little interest, and quickly became yet another great album lost to obscurity -- at least until now. Reissued here for the first time, with the collaboration of producer & Explosion label owner Alain Milhaud. Packaged in a heavyweight gloss coated exact reproduction of the original cover, including the original double-sided insert, as well as a huge new full color fold-out insert which reproduces at nearly full size the totally different Brazilian version of the album art. Plus extensive notes by album musicians Salvador Dominguez & Mark Gottschall, and Alex Carretero (Guerssen Records, Spain). Also a small photo of some rare picture sleeves 45s, promotional inserts, lyric sheets, etc. Even the LP labels reproduce the original psychedelic full color explosion label art. Pressed on 180gm audiophile grade vinyl & limited to 1000 copies."
Artist:
PATRON SAINTS, THE
Title:
Fohhoh Bohob
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLR 039CD
"The full original LP plus the two extra tracks from the 7", as well and four previously unreleased bonus tracks from private demos and live recordings, as well as an alternate version of the LP's closing track. Heavy miniature LP style gatefold cover with all original LP art, plus notes inside from founding member Eric Bergman. CD-sized version of the original booklet insert complete with metallic printed covers. Woven Japanese inner sleeves."
Artist:
PATRON SAINTS, THE
Title:
Fohhoh Bohob
Label:
TIME-LAG RECORDS
Format:
LP/7"
Price:
$24.00
Catalog #:
TLR 039LP
"Deluxe and exact official reissue of one of the rarest & most unique gems of the '60s private press psychedelic underground. Home recorded in a suburban New York living room over just a couple weeks in 1969 by three enthused teenagers, and then self-released by the band in an edition of only 100 copies complete with hand assembled covers and booklet insert. Dreams of rock stardom may have faded quickly, but from such humble beginnings these kids totally transcended their limited resources... an album overflowing with naive creativity, huge ideas, deep bedroom mysticism, and more then a hint of stoned teenage humor, not to mention a rather unusual assortment of instruments and some very unconventional but brilliant 'studio' maneuvering. Two singers/songwriters both with wonderfully deep, poetic & introspective lyrics and unique voices, chiming 12 string & electric guitars, unusually cool use of piano, crude drum kit, autoharp, banjo, tambourine, subtle bursts of fuzz bass, off kilter unison vocals, washes of reverb modulation, weird tape edits, and a seriously one-of-a-kind vibration. There's truly been nothing like it before or since... highest quality production throughout with better-then-ever master tape sounds and warm analog mastering, audiophile 180gm vinyl, exact reproduction of the original heavy weight cover with front & back mind-blowingly cool crude black & white art just like the original, exact reproduction of the thick insert booklet with gold printed covers on multiple colors of construction paper. Plus a bonus 7" of two essential tracks intended for the original LP but left off due to time restrictions, complete with colored construction paper picture sleeve and lyric insert. Without a doubt, the definitive reissue of this lost masterpiece. Released in full cooperation with founding member Eric Bergman. Strictly limited to 1000 copies."
Artist:
CORTES, LULA
Title:
Rosa De Sangue
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLR 041CD
"Digital version in a heavy mini LP style cover with exact reproduction of the original artwork, and a full color foldout mini poster insert with new liner notes by Lula Cortes. First edition of 1000 copies." "First ever reissue of this Brazilian private press monster rarity. Originally custom pressed in 1980,
Rosa De Sangue
is the closing chapter of the amazing Recife psychedelic movement that flourished and centered around the work of Lula Cortes, beginning in 1973 with the release of Satwa, and the creation of 'Abracadabra,' Lula's loose art/music/design collective...Psychedelic at heart, but brimming with flashes of tropicalia, punk, prog, and pure hot blooded rock and roll. A bizarre and amazing album."
Artist:
CORTES, LULA
Title:
Rosa De Sangue
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$24.00
Catalog #:
TLR 041LP
"Deluxe first ever reissue of this Brazilian private press monster rarity. Originally custom pressed in 1980,
Rosa De Sangue
is the closing chapter of the amazing Recife psychedelic movement that flourished and centered around the work of Lula Cortes, beginning in 1973 with the release of Satwa, and the creation of 'Abracadabra,' Lula's loose art/music/design collective. Leading up to 1980 Lula had produced and privately released Satwa in 1973 (Brazil's first private press LP) as well as Marconi Notaro's
No Sub Reino Dos Metazoarios
LP that same year (featuring the recording debut of Ze Ramalho). He then started the legendary but incredibly short lived Solar label, releasing only two albums: 1975's
Paebiru
double album, and a year later the lone album by Flaviola. As if that wasn't enough, he was also heavily involved in other productions and performed on many seminal albums coming out of the region, including many collaborations with Alceu Valenca. By the close of the '70s the heavily utilized Rozemblit recording studio/pressing plant had been destroyed by repeated floods, Abracadabra had run its course, and along with Lula's marriage, the Solar label was no more. So
Rosa De Sangue
was conceived as a bookend and tribute to this closing era; as Lula himself states
'I want to close all of this with a golden key.'
And a golden key it is. Entering a small local studio with a head full of songs and his freshly road tested 'mountains band,' Lula created an album simply overflowing with ideas. Along with his power trio backing, he was further assisted by many old friends dropping in, including, among many others: Alceu Valenca, Flaviola, Ze De Flauta and Paulo Rafael. With hints of the past era and of things to come, it is a truly wild audio experience, covering many styles and moods. From crazed ethno folkrock, to magical, gentle, jungle folk psych zones, to hard hitting, coke dusted fuzz rock, to insane mutant disco dance floor groove, to tweaked Americana, to acid vocal raga trance, and way beyond. All throughout Lula's beautiful tricordio work pins things down, and for the first time he is the main vocalist (this is, after all, his first 'solo' album!) His is a smoke and booze steeped voice darting between crazed abandon, deep sadness, and glowing soulful humor. When things are mellow, you could easily imagine you're hearing an outtake from Marconi Notaro or Paebiru, but the next moment you're dropped into a raging street party or dimly lit booze drenched bar scene vibe. Frenzied guitars all over, including some tough fuzz, as well as powerful rolling bass groove, soaring violin, moog weirdness, dusted backup vocals, and great drum kit/regional percussion interplay. Psychedelic at heart, but brimming with flashes of tropicalia, punk, prog, and pure hot blooded rock and roll. A bizarre and amazing album. But of course, the story doesn't end there. At some point while the album was being recorded and pressed, Lula signed a major label contact which would produce 1981's far tamer
O Gosto Novo Da Vida
LP. When his new label got wind of
Rosa De Sangue
's eminent release, they were displeased to say the least. As soon as the pressing was complete, the entire small edition was seized and destroyed, making this album by far Brazil's rarest. So rare, in fact, that even among the most hardcore Brazilian collectors the original LP is often only rumored to exist, often cited as 'unreleased.' A few copies did however survive, and now, 29 years later, the world can finally hear this 'golden key' from a truly visionary artist. Packaged in a heavy vintage style cover with exact reproduction original artwork, including the huge full color, double sided, foldout poster insert, plus an extra insert featuring new liner notes from Lula Cortes as well as translated song titles. 180gm audiophile virgin vinyl pressing with exact repro label art. Limited edition one time pressing of 1000 copies."
Artist:
AHMED, ILYAS
Title:
The Vertigo of Dawn
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLR 042CD
"Much anticipated first proper release after a string of ear tugging and increasingly impressive private press CDRs. A real shining spirit in these somewhat goofy times of 'folk-psych' abuse, this guy nails it like it's in his DNA. Way beyond a simple formula, this is a complete tonal voyage. Opening the album with a dark ritual of dueling reeds and buzzing drones, things then erupt into some seriously burning psych raga excursion built from totally heavy, jamming, acoustic guitar licks, eastern grooving hand percussions, stoned backwards or fuzzed-out electric guitar splatters, and subtle creaky drones. The vocals are nearly unintelligible but swirl beautifully through most songs like floating smoky ripples. Woozy, head-bobbing, and completely there. Yow... Packaged in a matching fabric textured, golden hued, mini LP style gatefold cover with black and blood red printing, plus insert and woven Japanese inner sleeve."
Artist:
AHMED, ILYAS
Title:
The Vertigo of Dawn
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$28.00
Catalog #:
TLR 042LP
LP Version. "Pressed on 180gm audiophile vinyl and packaged in a custom fabric textured, golden hued, heavy gatefold cover with black and blood red printing, plus insert. Un-numbered limited edition of 750 copies."
Artist:
VALENTINE, MATT
Title:
P.K. Dick
Label:
TIME-LAG RECORDS
Format:
7"
Price:
$6.00
Catalog #:
TLR 043EP
"A-side is a dusty gem of a solo track, unearthed on a mysterious
Space Shanties
-era tape reel last New Years day, and now presented to the masses after quite a time lapse. A prime slice seeped in the lo-fi analog glow of Tower Recordings, with MV spilling some lucid lyrics & smokey vibes. B-side is a more recent counterpoint, a bit more bent on the rural/spectra solo wandering of his most zoned & serene acoustic/electric back porch pickings. Sweet vibrations, folks... packaged in a two tone heavy textured art paper cover, with silver/blue/black offset printing & silver/blue labels. Edition of 550 copies."
Artist:
KUUPUU
Title:
Lumen Tähden
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLR 044CD
"Digital version packaged in a miniature laminated LP-style gatefold cover. Edition of 1000. Perfect for recommended extended repeat listening. Although Finlander Jonna Karanka has been slowly leaking out little Kuupuu jewels for six years now, somehow it's taken just that long to materialize her first 'proper' album. Maybe it has something to do with the time she's devoted to her beautiful artwork, or her time spent in a highly impressive string of other bands, including Hertta Lussu Assa (with Islaja and Lau Nau), Anaksimandos, Avarus, and many others. But, you know, I always figured Kuupuu music didn't have much to do with 'time' anyway. It's music from another reality, to put it bluntly. A beautiful place no doubt, but somehow totally other. You could call this music a lot of things, all without really saying much. Post-everything? Pre-birth folk? Bedtime acid-art? Naive avant-garde loop witchcraft? Maybe something like a thousand memories & vague images folded into each other and spooled out infinitely like a sloppy film loop. The sound of tiny bioluminescent insects systematically devouring an urban cityscape in hyper-speed, while just as quickly slithering neon flora entwine the metallic gray remains, only to then be gobbled themselves by a leaderless army of pulsating micro-robots. Got that? Now play backwards in slow motion. Surreal might just be an understatement."
Artist:
KUUPUU
Title:
Lumen Tähden
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$24.00
Catalog #:
TLR 044LP
"Although Finlander Jonna Karanka has been slowly leaking out little Kuupuu jewels for six years now, somehow it's taken just that long to materialize her first 'proper' album. Maybe it has something to do with the time she's devoted to her beautiful artwork, or her time spent in a highly impressive string of other bands, including Hertta Lussu Assa (with Islaja and Lau Nau), Anaksimandos, Avarus, and many others. But, you know, I always figured Kuupuu music didn't have much to do with 'time' anyway. It's music from another reality, to put it bluntly. A beautiful place no doubt, but somehow totally other. You could call this music a lot of things, all without really saying much. Post-everything? Pre-birth folk? Bedtime acid-art? Naive avant-garde loop witchcraft? Maybe something like a thousand memories & vague images folded into each other and spooled out infinitely like a sloppy film loop. The sound of tiny bioluminescent insects systematically devouring an urban cityscape in hyper-speed, while just as quickly slithering neon flora entwine the metallic gray remains, only to then be gobbled themselves by a leaderless army of pulsating micro-robots. Got that? Now play backwards in slow motion. Surreal might just be an understatement. Packaged in a stunning ultra-heavy laminated full color gatefold cover with full color art labels, all created by Jonna. Pressed on audiophile 180gm vinyl. Limited edition of 750 copies."
Artist:
SILENT LAND TIME MACHINE
Title:
& Hope Still
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$7.00
Catalog #:
TLR 045CD
CD version in a tri-fold, double sided, offset printed cover. Woven Japanese inner sleeves. Edition of 500. "Here's something a bit different. A collaborative release with the band's own Indian Queen label. Pretty hard to pin this one down, but it's a trip for sure. A rather mysterious one-man band solo outing from Texas, who builds up layer upon layer of violin, viola, acoustic guitar, slippery electric slide, percussion, electronics, accordion, buried vocals, and found sounds into haunted, rollicking, thick sonic blankets of sound. Many simple parts entwined, looped, and orchestrated into an undulating whole, like naive bedroom folk rock filtered through some blissed-out minimalist phase experiment. Ecstatic, post-psychedelic chamber rock -- maybe? Really doesn't sound like much else out there, but it's instantly enjoyable, energized, and grooves freely in its own uplifting way."
Artist:
CURSILLISTAS
Title:
Les Biches
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$7.00
Catalog #:
TLR 046CD
"Packaged in an offset printed tri-fold art paper cover with vellum insert & woven Japanese inner sleeve. Edition of 700. Originally presented in 2006 as the first L'animaux Tryst release, an extremely limited 3inch CD-R. This new version fills out the album with four previously unreleased bonus tracks from the original recording sessions. Each track is newly mixed and the whole album features super nice warm analog remastering for the ultimate in hi-fi lo-fi. These recordings represent a definite turning point in the Cursillisitas trajectory, with the sparser intimate acid-folk-pop sound of the earliest releases blending easily into a more filled-out and improvisation based psychedelia. Heavy use of layered overdubs, xylophone, live looping, and more experimental atmospheres added to the reverbed vocals, acoustic guitar, and crude percussion push things towards the more free-wheelin' full band sound of the present. A drifting trip that wobbles between the dark & the light."
Artist:
ELEPHANT MICAH
Title:
Plays The Songs Of Bible Birds
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$12.00
Catalog #:
TLR 047CD
"We'll let Joe himself shed a little light here: '
touring the East Coast in 2003, someone asked, 'you're from Indiana - have you ever heard of the Bible Bird man?' I hadn't, so I did some research. His video had already been stolen from the library at Earlham College, but I stole it back and returned it. I began to imagine what the musical equivalent of his evangelical bird act might sound like. I wrote a song about the Bird Man, thinking of releasing it as a 're-issue' of a central Indiana country-gospel group that had never existed - the Bible Birds. Then I thought maybe I would do an Elephant Micah album of covers originally written by this (non-existent) Bible Birds band. In the end of course the concept kind of dissipated and it just became an Elephant Micah album. I recruited Beth Remis from Static Films (and more recently Pillars And Tongues) to help arrange/sing harmonies for the songs, and generally bring them up to pseudo-gospel snuff. We played the songs around the upper midwest once with Ben Racher on a portable pump organ and Jason Henn on upright bass. All of us got together in Indianapolis in 2006 and recorded this. I drove everyone crazy with my insistence on weird recording methods. I think i was kind of trying to approximate the timbres of the hymn sing broadcast on Salem, Indiana's WSLM. Who knows? I was critical of the results and didn't finalize them for several years. Here it is finally, a kind of 'prequel' companion to the
Hindu Windmills
(Time-Lag 035) album.'
-- Joe O'Connell 2010. So there you have it. An overlooked chapter from this wonderful artist finally seeing the light of day, and a perfect companion piece to the highly praised
Hindu Windmills
album. Both albums are clearly united by their warm, lo-fi intimacy, sparse production, and stunning song-craft. Strikingly simple & beautiful stuff... Packaged in a lovely three color screen printed heavy stock tri-fold art paper cover, with offset printed lyric insert. Limited edition of 500 copies."
Artist:
ELEPHANT MICAH
Title:
Plays The Songs Of Bible Birds
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$24.00
Catalog #:
TLR 047LP
LP version. "Finally available on vinyl. Packaged in a lovely three-color, screen-printed heavy stock tri-fold art paper cover, with heavy stock offset printed lyric insert. Limited edition of 500 copies. We'll let Joe himself shed a little light here: '
touring the East Coast in 2003, someone asked, 'you're from Indiana - have you ever heard of the Bible Bird man?' I hadn't, so I did some research. His video had already been stolen from the library at Earlham College, but I stole it back and returned it. I began to imagine what the musical equivalent of his evangelical bird act might sound like. I wrote a song about the Bird Man, thinking of releasing it as a 're-issue' of a central Indiana country-gospel group that had never existed - the Bible Birds. Then I thought maybe I would do an Elephant Micah album of covers originally written by this (non-existent) Bible Birds band. In the end of course the concept kind of dissipated and it just became an Elephant Micah album. I recruited Beth Remis from Static Films (and more recently Pillars And Tongues) to help arrange/sing harmonies for the songs, and generally bring them up to pseudo-gospel snuff. We played the songs around the upper midwest once with Ben Racher on a portable pump organ and Jason Henn on upright bass. All of us got together in Indianapolis in 2006 and recorded this. I drove everyone crazy with my insistence on weird recording methods. I think i was kind of trying to approximate the timbres of the hymn sing broadcast on Salem, Indiana's WSLM. Who knows? I was critical of the results and didn't finalize them for several years. Here it is finally, a kind of 'prequel' companion to the
Hindu Windmills
(Time-Lag 035) album.'
-- Joe O'Connell 2010. So there you have it. An overlooked chapter from this wonderful artist finally seeing the light of day, and a perfect companion piece to the highly praised
Hindu Windmills
album. Both albums are clearly united by their warm, lo-fi intimacy, sparse production, and stunning song-craft. Strikingly simple & beautiful stuff."
Artist:
LUBELSKI, SAMARA
Title:
Did You See?/Spectacular Of Passages
Label:
TIME-LAG RECORDS
Format:
7"
Price:
$5.50
Catalog #:
TLR 048EP
"Two stunning exclusive tracks finally unleashed after (too many) years on the shelf, just in time to coincide with Samara's wonderful new album
Future Slip
on Thurston Moore's Ecstatic Peace! label. A sweet little dose of hushed and fragile melancholy folk-pop-drone fluttering. Samara's unmistakable slow-bliss songforms are at their most stripped down and psychedelically entwined, with thick hovering violin tones, distant reverbed atmospheres and gentle swirls of quivering guitar feedback all lifting things just high enough. Totally bleary-eyed and beautiful, hitting that perfect spot just between your heart and gut. To these ears it's that golden zone where the sound of her past in bands like Hall Of Fame, Tower Recordings, Metabolismus, etc., merges effortlessly with her sublimely structured solo vision. Packaged in silver and black on bright red offset printed art paper covers, with simple hand stamped labels. Edition of 400 copies."
Artist:
WOODS FAMILY CREEPS
Title:
Woods Family Creeps
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$16.00
Catalog #:
TLR 049LP
"New vinyl edition of the instantly sold-out Red Record first edition, co-released with the Woodsist label. Newest incarnation of NYC's wondrous Woods, as the trio of Jeremy Earl, Jarvis Taveniere, and G Lucas Crane. For sure, the finest yet from these folks. Lysergic and infectiously bent acid-folk mashed into Faust
IV
-style electronically dosed pop grooving, all awash in odd studio effects, motorik percussion, cracked fuzz, unique vocal gush, twisted lyrics, and burning psych jams. Plus enough sweet hooks to get yr next freak-out party moving right. Hell yes, it's a wicked one. 140 gram black vinyl packaged in a heavy '60s style cover with insert. Edition of 1000 copies."
Artist:
PRISMA
Title:
The Cosmic Coil
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$8.50
Catalog #:
TLR 050CD
""The feminine entities of Visitations/Attar Cups step forward, duo style, for their debut longplayer -- and what a debut it is. These magical ladies have been oh-so-subtly wowing locals with their rare live sets for a few years now, and as hard as it is to imagine, this album manages to surpass their live wonder in both intimacy and intensity. A mesmerizing cycle of ultra-hush dreamtime lullabies, ethereal ghost pop, lost folk, and trance-state sonic whirlpools. The songs are hazy shimmerings of dusty splendor, delivered with utter beauty and fragility, yet shrouded in a thick veil of mystery and sadness. The drones seem to be pulled from between the cracks in silence by some woozy late-night ritual, summoning an edgy and ecstatic presence into the very spirit of the sound. Recorded to analog tape with minimal equipment and much spontaneity, the rural autumn/winter setting of the process has no doubt penetrated the creation, and suits the cozy/lonely vibe perfectly. Nice price digital version of the LP in a two-color, offset-printed, double-sided foldout cover, with woven inner sleeve. Limited to 600 copies."
Artist:
PRISMA
Title:
The Cosmic Coil
Label:
TIME-LAG RECORDS
Format:
LP+CD
Price:
$31.00
Catalog #:
TLR 050LP
"Packaged in a truly cool and unusual three-color, screen-printed, double-sided foldout art paper cover, with a flocked/screen-printed fuzzy, mini-poster insert. Pressed on highest quality 180 gram vinyl with full-color photo-printed labels. Each copy also includes a bonus CD version of the album in its own metallic-printed cover (different from the standard CD cover) for easy all night repeat-o-play. Edition of 400 copies."
Artist:
BIG BLOOD
Title:
Dead Songs
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$14.00
Catalog #:
TLR 051CD
"CD version, packaged in an identical mini-LP style gatefold cover with clear varnish overprinting and offset printed vellum insert. First pressing of 1,000 copies."
Artist:
BIG BLOOD
Title:
Dead Songs
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$26.00
Catalog #:
TLR 051LP
"Much anticipated proper full-length release from this wonderful Maine duo after a long running string of self-released CD-Rs and a collaborative 7-inch with Visitations. Colleen Kinsella and Caleb Mulkerin have been key personages of the Portland/South Portland sonic underground for over a decade, as members of Cerberus Shoal,Threads, Fire on Fire, etc. While those groups have no doubt left an impressive body of sound, the intimacy and directness of their Big Blood recordings take things to a higher plane of personal expression, freed from the group mind/'serious' band trapping of their past musical outlets. Here they are free to romp in their personal micro-verse, following whim and fantasy through the gates of acoustic transcendence. All of the off-the-cuff spontaneity, intimate home fidelity, and deep personal charms of their older releases are as present as ever, but the duo's scope is now focused to a crystalline clarity of vision.
Dead Songs
is as sorrowful and joyful in its mirrored symmetry as the infinite life cycle itself, flowing on cleansing waves of inner release and spirit absorption...wailing fuzzed-up garage folk anthems mesh into twisted poetic acid-folk and drift to expansive melancholic meditations of boundless depth. Two voices howl, swoon, alternate and join; lyrical layers peel away endlessly, tiny amps weep in pain, crude percussion booms thunderous, and ragged, beautiful hooks unfurl straight out of the void. Packaged in a suitably gorgeous full-color heavy '60s style gatefold cover with clear varnish overprinting, Large offset printed vellum insert, full-color art labels, etc. Pressed on the highest quality 180 gram virgin vinyl. Limited edition of 700 copies."
Artist:
HEITKOTTER, STEPHEN DAVID
Title:
Heitkotter
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$30.00
Catalog #:
TLR 052LP
Reissue of this legendary super-rare private press. A three-piece band plays sprawling, inept baked blues led by a mysterious mental patient. Housed in an ultra heavy cardboard sleeve on 180 gram vinyl, with an insert of insightful and speculative liner notes -- the most information you'll ever find about this mythic record. Truly one of the great outsider creations ever spawned under a full moon. "The circumstances behind
Heitkotter
are obscure and confusing: all that is known for certain is that Steve Heitkotter recorded the LP sometime before 1971, when he and his reluctant brother Bill took unsolicited promotional copies to eight local FM station in California's San Joaquin Valley. Whoever else may have participated is a mystery: Steven had spent the mid '60s drumming for Fresno garage mainstays the Road Runners, so he had some connections left, but the time after the Runners had reportedly brought him to psychotropic drugs and mental instability, and his family doubts that he was on good terms with enough musicians even to organize a drag jam of 'messed up desert loner westcoast churning and meandering, like a Magic Band gig falling apart' (Paul Major). The LP's murky sound and symbiotically disintegrating musicianship do seem to suggest that the session was cut live to four track, but Bill Heikotter swears that Steve was a loner at the time, alienated from his former bandmates, and that he recorded the album entirely by himself. That makes the amnesia of the musicians, who intermittently forget how to play their instruments, all the more curious, as Steve himself was a good guitarist and quasi-professional drummer, though the influence of drugs, fatigue, or apathy seems plausible enough."
Artist:
RICE, LARRY 'SUNSHINE'
Title:
Here's Sunshine
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$27.00
Catalog #:
TLR 053LP
"Top quality official reissue of this wonderful album. This project is a bit different from other Time-Lag reissues, as the original isn't exactly a mega-rarity. That's not to say that they're easy to find, but our motives for the reissue have more to do with the fact that this great LP has been seriously overlooked by so many, and feels very ripe to reach some new ears. This one's got a pretty wild backstory too, being a rather undiscussed piece of 60s Texas underground history: in 1966 Larry 'Sunshine' Rice was feeling burnt by the increasingly superficial hippy scene in San Francisco, so headed to Dallas, Texas, the 'center of darkness' and the place he was raised, with a vision to transform minds. A random gig doing psychedelic light shows at a local bar led to a job managing a new 'hip' church. And so the 'Satori House' was founded. Through this outlet Sunshine held experimental light & sound worship sessions, began hosting underground rock concerts, launched a free press, and just about any & all other activities towards the goal of turning on Dallas. It was, of course, a great success while it lasted, which was not long once a federal drug bust (total set-up) went down, and the higher-ups in the parent church organization got wind of just exactly what their cash had been backing. During the extended trial that followed Sunshine split the city for tiny Justin, Texas and founded 'The Church Of Changes' Texas' first marijuana church, claiming grass as their sacrament and legal right. It was at this point that a series of truly unlikely synchronicities led to a record deal & recording session, but by the time
Here's Sunshine
was released in the summer of 1969, Sunshine was back in California living as a fugitive. He never showed up at his meeting with the bigwigs at blue thumb records who were planning to release his follow up album, thus quickly and purposely ending his connection to the music industry. If that's got your head turned, you'll almost certainly dig the music. It's a mystical and convoluted folk trip, executed with the lonesome single-mindedness of a true searcher. Warm intense vocals are delivered in a magically loose, flowing style. Tim Buckley comparisons pop up, and that's not totally off the mark if you replaced any avant/jazz leanings with more of a tripping-in-the-desert vibe. Lyrically things get truly bent, venturing into some deeply surreal & glassy-eyed zones. There are a few grasps towards religious ponderance, but it's very far from a 'xian' album. Stream of consciousness broodings on nature, work, love, god, Satan, sex, hallucinations, and so forth. It's a totally solo recording centered on understated but effective acoustic guitar, and fleshed out via overdub with rather unusual use of electric bass, organ, banjo, mandolin, and harmonica. Things get especially psychedelic when the bass comes in, either as an ultra-minimal echo-drenched pulse or a flowing tonal improvisation. The hyper compressed and reverb saturated production somehow suites the material perfectly, and the combination of elements creates quite an immersive, mirage-like and exploratory space. This one is far stronger, more hallucinogenic, and has gobs more personally then most of the over-hyped, mega-bucks coffee house folk strummers passed off as loner/downer/acidfolk these days. This record's got a real spirit of its own, that with repeated listens will sneak right into your mind before you even know it. And I'm sure that's the way Sunshine intended it. Beautiful exact reproduction art packaged in a lovely heavy 60s style cover and pressed on 180gm audiophile vinyl. Includes an insert with new notes from the artist, as well as a short except from his book 'Morning Glory,' which was written in 1968 and tells the story behind the album, but has yet to be published. One time vinyl only edition of 500 copies."
Artist:
VIRGIL CAINE
Title:
The Great Lunar Oil Strike, 1976
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$31.00
Catalog #:
TLR 054LP
"First ever reissue of this hopelessly rare and obscure 1971 rural Virginia private press folk masterpiece. A true anomaly in the seemingly bottomless world of self released albums, this one charts a truly unique realm all its own. While the sound itself may draw some clear influence from classics of the day, even lifting the band name from a song by the band, the mood & vibe here is ponderously uncharted territory, seemingly birthed complete from some parallel sonic reality. Crude lo-fi metaphysical basement folk rock filtered through a deeply southern gothic/Appalachian/Americana band aesthetic and executed in the purest, most sincere, spontaneous, vibe-thick sense possible. The atmosphere trapped in these grooves is truly as strong as it gets and is sure to engulf any open-minded listener given half a chance. The near magical power of the album seems to lay in its extreme polarization; on the one hand there is a fully developed lyrical depth and intellect that's profoundly poetic, even novelistic, yet the music & recording is shockingly raw, unhinged, completely unselfconscious, and downright weird. It's a dusty, creaky, ebb & flow of clackity percussion, acoustic strum, shaky low-watt electric guitar licks, occasional floorboard rattling bass, and thick southern drawl. Even the recording quality has a bizarre lo-fi character of its own, with some sounds seeming to barely hit the tape at all, while others are wildly overblown, wrapping the whole deal in a gauzy tape hiss fog, with hints of garagy distortion. The album progresses with a casual but surprisingly purposeful intent, hitting an intimately mystical, visionary, dream-like arc through the entire second side of the record and ending in complete dissipation. All taken together it's a seriously teleportive trip to a flicker in time & place that is really quite special. The scratchy textless black & white band photo cover art suites the album perfectly: striking yet vague, timeless yet ancient, simple yet mysterious. Pressed on highest quality 180gm virgin vinyl and packaged in an exact reproduction heavy old-style cover, with exact repro labels. Also includes a double-sided heavy stock insert with new liner notes from main songwriter and vocalist Roger Mannon, as well as introductory notes from band scholar and devoted fan Jack D. Fleischer. One time vinyl only pressing of 500 copies."
Artist:
CALLAHAN, EDDIE
Title:
False Ego
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$14.00
Catalog #:
TLR 056CD
"CD version. Packaging in an exact reproduction heavy mini-LP style cover, with Japanese woven inner sleeves, and a double-sided insert with a bunch of great vintage photos of Eddie rockin' the Marshall stacks at the
False Ego
sessions, and new notes from Eddie, his wife Donna-Davi, and album producer Robert Berry. Edition of 500 copies."
Artist:
CALLAHAN, EDDIE
Title:
False Ego
Label:
TIME-LAG RECORDS
Format:
LP
Price:
$31.00
Catalog #:
TLR 056LP
"First ever reissue, deluxe and legit, of this quite rare 1976 southern California private press gem. It's a strange, fantastical, and totally distinct album that will have you sucked in almost instantly. This one is extremely hard to pin down - think something like a loner powerpop rock opus, heavy on the psychedelic production values, studio dreamer vibes, and timeless hooks. The songs are unusual but infectious, the production is breezy and expansive but not polished, and the vocals are constantly morphing yet always effective. In fact, the hazy chameleon-like personality here might be one of the best things going for the album, as not only does Eddie seem to be channelling a handful of different vocalists, but the whole mood and sound shifts around unexpectedly as well. Even the potential low points somehow work, and there are surprises around every turn. The often questioning, self-reflective lyrics add yet another layer of mystique to the trip. Musically the mellowest points hover around gorgeous, airy, rural-tinged, floating psychedelia with beautifully layered acoustic & electric guitars, tinkling keys, and lush mellotron. When things pick up they're truly rocking, with tight punchy rhythms and Eddie firing off big chunky guitar riffs like he's playing to the packed stadium behind his third eye. All the studio tricks at hand are put to full use with sweet Leslie guitar effects, special tones, backwards solos, elaborate multi-tracked sound fields, and some of the most wonderfully bent synthesizer soloing ever laid to tape. The perfectly strange and beautiful cover art seals the deal.
False Egos
is mastered from the artist's well preserved and great sounding master tapes. Pressed on highest quality 180gm virgin vinyl, and packaging in an exact reproduction heavy old-style cover, with exact repro labels. One time pressing of 700 copies. Includes a double-sided insert with a bunch of great vintage photos of Eddie rockin' the Marshall stacks at the
False Ego
sessions, and new notes from Eddie, his wife Donna-Davi, and album producer Robert Berry. "
Artist:
BURKETT, JOSHUA
Title:
Where's My Hat?
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLRRR 001CD
"Digital version of Red Records #1. A lucky few got to hear this little gem as the tiny self released CDR edition, but here's the real deal. An absolutely lovely album and surely Joshua's finest dose yet. Oozing with a perfectly warm lo-fi bedroom glow, and full of Joshua's most direct and achingly melancholy song forms. Totally hitting a whole new level of intimate vibrations, full of fragile hushed vocals, gentle acoustic guitar plucking, somber dirges and electronic bagpipe mantras. Beautifully formed lyrics step up the forefront as a rare treat, and the effect is just as stunning as it is simple. We just can't get enough of this one. The kind of record you'll want to spin again and again to soothe a busy mind. Truly psychedelic folk music for late night soul searching. Sweet custom art paper mini LP style gatefold covers with full color art to match the LP version. Woven Japanese inner sleeves. Edition of 1000."
Artist:
WOODS FAMILY CREEPS
Title:
Woods Family Creeps
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$11.00
Catalog #:
TLRRR 002CD
"Digital version Red Records #2. Newest incarnation of NYC's wondrous Woods, as the trio of Jeremy Earl, Jarvis Taveniere, and G Lucas Crane. For sure the finest yet from these folks. Lysergic and infectiously bent acid-folk mashed into Faust
IV
style electronically dosed pop grooving, all awash in odd studio effects, motorik percussion, cracked fuzz, unique vocal gush, twisted lyrics, and burning psych jams. Plus enough sweet hooks to get yr next freak-out party moving right. Hell yes, it's a wicked one. Sweet glossy mini LP style gatefold covers. Woven Japanese inner sleeves. Edition of 1000."
Artist:
PHANTOM BUFFALO
Title:
Take To The Trees
Label:
TIME-LAG RECORDS
Format:
CD
Price:
$9.00
Catalog #:
TLRRR 003CD
"Well, its been a damn long time since we released their debut album
Shishimumu
back when they were called The Ponys, but we sure are happy there's finally a proper follow-up, even if it took six years to happen. If anything, the long wait says something to the greatness & humility of the band; never bending to commercial concerns, ego, hype, or changing trends & changing times. In fact,
Take To The Trees
picks up just about right where
Shishimumu
left off all those years back, another little nugget of timeless psychedelic pop perfection. Of course, there is a new level of maturity and depth to the songwriting here, but there's still plenty of slightly naive & youthful charm. And to be certain, the world these guys create is just as surreal now as its always been. Musically, things come together just right, with thick, swirling, chiming triple electric guitar textures, spot-on drumming, liquid but powerful bass, gurgling moog, acoustic strumming, accordion, and sweet soaring fuzz-tones. Vocals hover as high & sweet as ever, harmonizing, doubling, and layering heavenly. The mood of the album floats through drifting fragile melancholy, quirky pop, crunchy psychedelic rockers and anthemic rave-ups, often all within the same track. Beautifully recorded, but never over polished...just the way a great pop record should be. So forget all pretense, folks, maybe not freak folk enough for Kill Rock Stars ain't such a bad thing at all. Packaged in a mini LP style gatefold cover, with folded insert & woven Japanese inner sleeve. Edition of 1000."
Artist:
VISITATIONS
Title:
Visitations
Label:
TIME-LAG RECORDS
Format:
2LP
Price:
$48.00
Catalog #:
TLRRR 007LP
"A deluxe vinyl version of the band's mega-limited private press CD-R debut from about 5 years back. Recorded and self-released at the very inception of the band, this was an out-of-nowhere 77 minute mind-blower. Elements of their more distilled untitled Time-Lag LP are present in new-born form, but overall this is a far wider-ranging and raw trip. A home recorded mix of roughhewed songs and spontaneous improvisation melding together primitive bedroom acidfolk, fuzzy sci-fi psych-outs, bent occult trance ritual, fake xian folk, loose cosmic jamming, spooked drones, pagan mysteries, and some stuff that's just pretty much beyond words... The whole trip is totally psychedelic, deeply textured, dripping vibes, wide-eyed, and more than anything else, wickedly fun. One of those rare documents of a young band unselfconsciously doing their thing, and 'their thing' pretty much rules. Absolutely zero info as always, but this time you get a few rather amusing band photos for extra charm. Pressed on two slabs of 180 gram bright red vinyl and packaged in an ultra-minimal heavy art paper gatefold cover with raised plastic ink screen printed cover text, paste-on interior Polaroid photo sticker, stamped and hand numbered spine. Printed & hand stamped labels. Plus, each copy is enclosed in a two-tone stitched synthetic felt (made from 100% recycled plastic bottles) envelope pouch in various color combinations, hand assembled one at a time by my mom (thanx mom!). Limited & numbered edition of 266 copies."
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