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Browse by Label: YIK YAK


Artist: MARTIN, ROBERT
Title: Long Goodbye
Label: YIK YAK
Format: LP
Price: $13.50
Catalog #: YIKYAK 013LP
"Long Goodbye opens with some broken acoustic noodling that sounds like a Derek Bailey slow motion replay, over which a double-tracked cry of voices transmits mournfully, meticulously, and with an unnerving sense of purpose. From there it gets stranger and more beautiful, as Martin sings with unique abandon -- is there such a thing as sad joy? -- often wordlessly, frequently incoherently. The tunefulness of Martin's achingly beautiful voice sits in sharp contrast to the crudely played guitar, and sets Martin apart from his lamentably more 'in the know' contemporaries. There are few touchstones for the magic contained herein -- Bobb Trimble at his most wounded, Tony Caro and John's All On The First Day LP, the earliest blues recordings of Guitar Roberts -- but Martin's intensely private music is all his own. And now, ours to share." --James Jackson Toth, San Francisco, July 2007


Artist: HOTOTOGISU + BURNING STAR CORE
Title: Hototogisu + Burning Star Core
Label: YIK YAK
Format: LP
Price: $14.00
Catalog #: YIKYAK 014LP
Hototogisu -- the duo of UK experimentalist Matthew Bower (Skullflower/Sunroof et al.) and New York-based-guitarist Marcia Bassett (Double Leopards/Zaimph/GHQ) -- are all about impact, about taking the physical aspect of sound and hallucinating it to the point of abstraction, so much so, that for all of the complexity of their music, it often sounds like it's standing still, simply hanging in the air and vibrating without anything approaching a 'plot' to bring it to a point. By contrast, Burning Star Core, the trio of drummer Trevor Tremaine, Robert Beatty on electronics (both of whom also play in Hair Police alongside Mike Connelly of Wolf Eyes) and C. Spencer Yeh on violin and electronics, are more overtly propulsive, usurping 'classic' rock form via electronics and drums, but still focused on momentum, on the jam as a form of structural gravity, on the unfolding of action via development over time. This all-improvised studio meeting is the perfect reconciliation of both tendencies, of Hototogisu's obsessive layering of strata after strata of violently-conceived noise and of Burning Star Core's epic, post-Kraut thunder-punk style. Bower has long been on record about his opposition to anything approaching 'dialogue' in improvised music, favoring a senses-devouring simultaneity over anything that might pass for actual exchange, so it's no surprise that there is little on this new record that sounds even close to conventionally-improvised music. Instead, it feels more focused towards the zone where energy begins to spontaneously birth form, where the monomaniacal pursuit of the nowhere zone bears fruit in the shape of a music that transcends its constituent parts while being totally based around -- and rooted in -- the individual response to the moment. BXC play it ginchy and garage-pop right from the start, simultaneously inverting and amplifying Bower and Bassett's vertical constructs with drums that sound like they might have been lifted straight from the most flower-power parts of the Silver Apples' back catalog and bass patterns that are as tactile and rock-anchored as Can's Holger Czukay. To hear Hototogisu's music given this kind of injection of dynamic energy makes them seem more obviously sourced in 'classic' rock music than you might otherwise have guessed, with a dense, implosive sound that feels like a hyper-distilled take on all of rock's most outlaw aspects, the feedback that makes you feel like you could explode in a ball of electricity, the anti-gravity effect of heavy fuzz, the seductive, alien tongues. It's certainly the most 'garage band' side that either of the groups have cut to date, albeit in the form of a Gnostic, post-acid re-think where the vibration is more important than the outer forms, where energized enthusiasm makes for a more fundamental guiding principle than verse/chorus/verse and where the only direction left is out. Which is another way of saying it feels genuinely bad-ass. In an era where even the best groups seem polite, pro, participatory, democratic, this is music that is disregarding in its overwhelming power, exhilarating in its irresponsible spontaneity. And in an underground scene where self-conscious notions of avant-garde and 'free improvisation' have long displaced any concept of an intuitive rocks-off style, well, it feels like a re-connection to the source. So file this one closer to Kill City or Sticky Fingers than Persian Surgery Dervishes or The Black Album and feel the gravity of your whole record collection shift." --David Keenan, Glasgow, November 2008.


Artist: SHEARER, DYLAN
Title: Planted/Plans
Label: YIK YAK
Format: LP
Price: $17.00
Catalog #: YIKYAK 015LP
"Written, performed and recorded by Shearer in 2007, Planted/Plans is beautiful melancholic avant-pop informed by west coast luminaries such as Van Dyke Parks and Harry Partch. A nice follow-up to the Robert Martin LP (Yik Yak 013) from another Santa Cruz long-gone. Second edition of 100."


Artist: SIC ALPS/MAGIK MARKERS
Title: Tour 12
Label: YIK YAK
Format: LP
Price: $11.00
Catalog #: YIKYAK 017LP
Repress of a December 2009 West Coast tour split 12", with different colored artwork. "Sic Alps give up three tracks with help from Lars Finberg (Intelligence) and Ty Segall, the highlight being a great punched-in guitar solo from Matt Hartman that makes one song reminiscent of a Safe As Milk outtake. Markers show up with a 7ft bass player who throws the band into Guru Guru mode. Great all around. 600 copies."

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