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LP
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NADA 004LP
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Reissued for the first time, Fragmentos da Casa by Brazilian percussionist Marco Bosco was originally released in 1986 by Carmo, owned by Egberto Gismonti. Carmo also released albums by Gismonti, Piry Reis, Fernando Falcão, Nando Carneiro and André Geraissati, among others. In 1986, Marco Bosco's percussive arsenal was unique and extremely peculiar, containing chizanzhi, caxixis, purrinhola, requo-requo, shequeres, berimbaus and lingo drum, among other instruments. This fusion of acoustic and synthetic, promoted by some Brazilian artists in the '80s and celebrated worldwide, still brings memories to the percussionist. For him, the arrival of those electronic gadgets "was the best thing that happened on the planet." This reissue includes a reproduction of the original artwork, new testimonies by Marco Bosco and a long article signed by Bento Araujo, author of the series of books Lindo Sonho Delirante, which investigates audacious and fearless music produced in the Brazilian underground. The track "Sol da Manhã" was included in Outro Tempo (Electronic and Contemporary Music from Brazil 1978-1992), compilation by DJ John Gomez released by Dutch label Music From Memory.
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2LP
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ADA 004LP
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Matthew P. Hopkins and Chris Schueler were Vincent Over the Sink and 22 Coloured Bull-Terriers was their 23-track opus.
"Think about music, but then dig a hole."
Hidden beneath an astoundingly diverse range of experimental and DIY output by Hopkins (The Bowles, Naked on the Vague; Penultimate Press, Vittelli, Kye) and Schueler (The Bowles; Kye) is the disorienting, psychedelic mess of Vincent Over the Sink's 22 Coloured Bull-Terriers. Written between 2005 and 2007 in Australia's Blue Mountains, Sydney, and Melbourne, its limited 2008 cassette release was lauded by those who heard it and lusted after by those who hadn't. This 2015 reissue, remastered by Mikey Young, comes in the form of a double-vinyl gatefold designed by Hopkins. Ten years on from its conception, 22 Coloured Bull-Terriers is still a rollicking, psychotic, and kaleidoscopic dream that demands reinterpretation on every listen. Made of 23 dazzling lo-fi vignettes and songs that range from tender spoken and vocal excursions ("Number Theory") to acoustic and instrumental sketches ("Santa Maria"), lullaby duets ("Blackbird" and "Rainblame"), and devastating, fleshed-out, no-new-wave songwriting ("Mice in the Ocean" and "Horses Screaming"). Schueler and Hopkins formed Vincent Over the Sink in 2001 and offered little in the way of heralded releases. The project lurked in the shadows of the Australian east coast scene. Even the 2008 cassette release of 22 Coloured Bull-Terriers saw no Vincent Over the Sink shows and only one (excellent) street press interview given by Schueler. Their most penetrating music came on a 7" on Graham Lambkin's Kye label in 2011, sounding like a terrifying washed-out DIY chamber music record. Sadly, it was released posthumously in memory of Schueler who had passed away a year earlier. What little material had arisen from this long partnership would be all the world was left with. These 23 tracks capture one part of the southern zeitgeist in the same way Flying Nun's early archive did. Vincent Over the Sink were two mates who could have been trying to record a Mick Hobbs record in their garage. The album mirrors The Shadow Ring's Put the Music in Its Coffin. It's a work full of the forlorn, dark humor in Pink Reason's alienating lyrics. 22 Coloured Bull-Terriers is all of this but none of it and Another Dark Age is extremely proud to present it with all the fanfare it deserves.
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