Search Result for Catalog RS 100LP
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RRS 100LP
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2022 repress; Black vinyl version on Radiation Reissues. Formed in Fullerton, CA in 1978, Social Distortion were one of the original LA punk groups and their first single was released on legendary LA punk label Posh Boy. But far more rare than that first single ("Mainliner" b/w "Playpen") is the unreleased EP Poshboy's Little Monsters. This EP only made it to the test pressing stage back in 1981, and featured those two tracks from the first single along with "All The Answers" and "Justice For All". This is the absolute holy grail for Social Distortion fans and it's finally available in commercial form. Includes two bonus tracks.
"Of the three teenagers who recorded for me, one has died, another was believed to be dead and one became immensely wealthy from playing music. The one who did hard time in prison was not Mike Ness. It was the drummer Carrot, better known as John Stevenson, now living a very ordinary life in rural Florida. I now count John as a dear friend. Apparently, he was only 16 years old when he rolled into the studio that day in April 1981, armed with a taped-up pair of drumsticks. He played great as did both Mike and Dennis (RIP). This time there was no fighting in the studio over production values. I had promised Ness that we would not fight so once there was a minor disagreement over the artwork for the proposed 12", I dropped the project in favor of the Playpen/Mainliner 7" which sported iconic artwork from the band." --Robbie Fields, New Year's Day, 2019
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LP
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RS 100LP
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Precipice is Byron Westbrook's first long-playing record under his given name. Operating under the handle Corridors for many years, Westbrook has established a reputation for creating immersive, multi-channel, site-specific live experiences using sound, image, and light. Precipice expands upon these ideas as a collection of approaches to texture, landscape, perception of time, and the potential for sound to generate visual space. Like climbing a column that inexplicably leads to a plateau of glass, the topography above and below visible in crystal clear relief. Byron Westbrook is an artist and musician based in Brooklyn, NY. He works with listening, space, perception, and awareness, often pursuing routes with social engagement. His electronic sound interventions play with dynamics of perception of space, sometimes manifesting as multi-channel sound performances or as small- or large-scale installation work using video or lighting. He has presented work at the Institute of Contemporary Arts (London), Clocktower Gallery (NYC), ISSUE Project Room (NYC), Abrons Arts Center (NYC), Roulette Intermedium (NYC), Diapason Gallery (NYC), Eyebeam (NYC), BRIC Arts Media House (NYC), LMAKprojects (NYC), Human Resources (Los Angeles), The Lab (San Francisco), International House (Philadelphia), VIVO Media Arts Centre (Vancouver), Les Voƻtes (Paris), Festival Colla+eral (Bologna), O' (Milan), Cyberfest (St. Petersburg), and many others. He studied with David Behrman, Marcus Schmickler, Laetitia Sonami, and Marina Rosenfeld for his MFA from Bard College, and has also toured and collaborated with Rhys Chatham. He has also worked closely with Phill Niblock at Experimental Intermedia in NYC since 2005. He has been an artist in residence at Clocktower Gallery, The Wassaic Project, Diapason Gallery, and HotelPupik, and was a 2014 Civitella Ranieri Fellow. LP includes download code.
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