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LP
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MSLP 004LP
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Limited repress. "Released in 1996, and long out of print vinyl, Slayer's Undisputed Attitude is a tribute to the punk and hardcore bands that marked the band´s crushing sound. 19 covers from the Stooges to GBH to Minor Threat, Verbal Abuse, Suicidal Tendencies or D.R.I. (and an original) that show the band digging with fury through their punkest roots. Includes all the extra tracks from the European and Japanese editions, new artwork and an unstoppable discharge of metal punk anthems sure to send your day into a headbanging frenzy!"
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LP
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BSLP 004LP
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LP version. Triston Palmer, aka Triston Palma, was born in 1962 and grew up in Waltham Park, Kingston. Triston knew from a very early age that he was destined to become an entertainer and his first visit to a recording studio at the age of 16 was with Ossie Thomas. Their initial release was A Class Girls (1979), which was a hit in England, and Triston's subsequent releases on their Black Solidarity label laid the foundation for his rapid rise to dance super stardom. As the '80s progressed and dancehall began its inexorable rise to ubiquity, the popularity of Triston Palmer, who had nine songs in the Top Forty, was unstoppable. So sit back and enjoy this selection of killer tunes. "Favourite tunes... The tunes are like my children... There is a whole heap of them! I want to tell you this though... some of them I never released properly but A Class Girls through it was the first one me love that, the rhythm! I don't know how the song never hit in Jamaica but listening to it back now it's like you are branding the girls A and B so (perhaps) the girls weren't happy with it. But it was a good tune, wicked tune. Tony Chin wrote it, but it was Tony Chin and Chinna who taught me these things so I have to love those men forever." --Ossie Thomas. CD version includes four bonus tracks.
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LP
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JRSLP 004LP
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RSD 2016 release -- late addition. Johnny Clarke is one of the great vocalists who ruled the Jamaican dancehall scene from the mid-'70s to early '80s. While Bob Marley was out conquering the world, Dennis Brown, Gregory Isaacs, and Johnny Clarke were winning the hearts of the Jamaican people. Clarke's use of the "flying cymbals" sound took the island by storm and produced a run of hit singles few could match. Johnny Clarke (b. 1955 in Jamaica) cut his first record, "God Made the Sea and the Sun," in 1972, after winning a local singing contest in the Bull Bay area of Jamaica. Although the single was not a hit, it led to two follow-up tracks for producer Rupie Edwards -- "Everyday Wondering" and "Julie" -- which fared much better, on the island and overseas in England and Canada. These tracks also brought him to the attention of Bunny Lee. The two began a working relationship that would go on to produce a prolific catalog of music. Jamaican Recordings has compiled some of Johnny Clarke's killer tracks cut with the great Bunny Lee, and presents them alongside their dub cuts, which were worked over at King Tubby's studio. "Roots Natty Roots Natty Congo," "King Of The Arena," "Move Out Of Babylon," and "None Shall Escape The Judgement" all ruled the sound systems when they first appeared in the 1970s. So sit back and enjoy the Roots Natty Sessions, where vocal meets version.
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LP
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KSLP 004LP
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2005 release. Kingston Sounds unearth a gem in the shape of an album's-worth of previously-unreleased Cornell Campbell material, recorded during the 1970s and produced by Bunny Lee. Tracks include "How Does It Feel," "Politricks," "Have Some Mercy," "Righteous Man," "Keep the Fire Burning," and the title-track.
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