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Search Result for Catalog ST 006LP
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GFOST 006LP
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Terence Young became a famous director for bringing the first James Bond movie Dr. No to the screen in 1962. He directed two more James Bond films: From Russia With Love (1963) and Thunderball (1965). Young directed The Rover (L'avventuriero) in 1967. A costume drama after the 1923 novel by Joseph Conrad. The film was shot in and around Rome, Italy in late 1966. It is a colorful adventure set against the infamous Reign of Terror in the eighteenth-century France, starring Anthony Quinn and Rita Hayworth, who danced together 26 years earlier in the film Blood And Sand in 1941. Anthony Quinn plays the eighteenth-century pirate and deserter Peirol, running for the French, who was seduced by an innocent girl named Arlette, played by Rosanna Schiaffino. There were high expectations, but the film was not a great success as hoped. However, the best thing about the film is the fantastic score. Ennio Morriconewrote created a stunning main theme for the film that became a classic. The score is sometimes powerful and recalls the classical symphonic music at some points, but naturally it is completely original, written especially for the film. The main peculiarity is its diversity. Highlights are the Baroque music, as in "il Varo'", and suspense in "un Attimo di Tenerezza" and "Peirol Forza il Blocco" with the chorus I Cantori Moderni di Alessandroni. The score has it all, well conducted by Bruno Nicolaiand, this CD is a jewel in any collection. In 1967, a soundtrack LP was released in Italy on the limited non-commercial RCA SP series. This new CD version is re-mastered and you can hear the soloists Angelo Stefanatoon (violin) and Dino Asciolla (viola) as clear as never before.
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ABST 006LP
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"I close my eyes, I open my memory, the pages go free: infinite images like a book of sand." --Pablo Guerrero
"Creating collages of avant-garde ambience using instruments from the many corners of the earth, along with tape loops and samples, Finis Africae created a fourth world sound that was both exotic and mysterious." --Andy Thomas
First vinyl edition ever of this lost experimental Spanish essential album. A delicate work that absorbs specific aspects of different music -- minimalism, tribal sounds, new age, ambient, spoken word -- to create its particular universe. With an absolutely contemplative recording climate, the poems and their sound environments explore the deepest self of the poet and singer from Extremadura, Pablo Guerrero. The work combines memories of childhood through the valleys of his native village, Esparragosa de Lares, with the evolution of life to reach the contemplative state in adulthood. A score written in a collaboration with two old friends, Juan A. Arteche Gual and Juan C. Fdez Puerta (Finis Africae), who weave a beautiful tapestry of electronic sounds so that the deep and serious voice of the poet shells all the images that his ode encloses. The recording, through fourteen poems, breathes an aroma of maturity, balance and total freedom. Maturity and balance with minimal arrangements, small gestures surrounded by abundant silences. Total freedom with instruments of the most varied, without restrictions or complexes: samplers, synthesizers and field recordings mixed with rattles, self-arches of the Appalachian Mountains, zithers, saxes made with reeds, conches, shortwave radios, plastic pipes, Hindu harmoniums...beauty can arise from any element and all these minimal arrangements come together to create the perfect ambience that sublimates the poem. Completed in the spring of 1996, the recording was moving in no man's land until the end of 1999 saw the light in book format of poems, accompanied by a CD. Abstrakce Records recover this masterpiece of experimental Spanish music, contributing its bit to place the album where it deserves. Folder printed in letterpress with lead types; Includes extensive booklet in both English and Spanish containing liner notes, lyrics, an interview with Juan F. Puerta and a text by Juan A. Arteche about of the recording of the record. Remastered at Sountess Studio in 2018 by Pablo Peiró.
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LIVST 006LP
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LP version. Livingstone Studio present a reissue of Gboyega Adelaja's Colourful Environment, originally released in 1979. Fresh from touring with Hugh Masekela -- The Boy's Doin' It (1975) -- Gboyega Adelaja goes into the lab to drop heavy keyboard science on his Moog and Fender Rhodes. Its Joe Sample meets the Afro funk of BLO. With names like Jake Sollo on guitars, Mike Odumusu (BLO, Osibisa) on bass guitar, and Gasper Lawal on percussion, this is a top quality, Afro funk -- an all-stars affair that shines from the inspired interventions, masterly arrangements to the sublime production.
Adelaja on the period of recording: "I was already following Hugh Masekela when I met him, he was an outstanding musician and I knew of his collaboration with Hedzoleh, that band brought him nearer to many of us, because he was playing authentic African melodies with the Hedzoleh sound which was mostly percussion oriented. Yes I knew about Hugh's music before I met him. In fact when we started playing together, he insisted that I stay with him in our three bedroom apartment, other members of the band had their own apartments, but Hugh and myself shared the same three bedroom apartment". "We were touring, under Casablanca owned by Neil Boggart, we toured as professional musicians, flying to our gigs. There was a time when we were touring with George Clinton and Parliament Funkadelic we had two luxury buses deployed for our use. We made many friends where ever we went to play, we met many big and popular musicians who came to watch our shows, the Spinners came to see us in Detroit, we met Wayne Shorter of Weather Report, Freddie Hubbard, we played a gig with Herbie Hancock at the Carnegie Hall New York City, we toured almost all the 50 States of the US."
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SUBOST 006LP
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Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumous Camille 2000 (BF 103LP). The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines. This is the first ever vinyl reprint of a minor classic.
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2LP
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BLACKEST 006LP
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Gatefold double LP version.
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2LP
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GEIST 006LP
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