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12"
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SKUDGEW 014EP
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Skudge White return with Finnish legend Mono Junk. He delivers three tracks that together span 23 years. First off is "November Bass", a 14 minute journey taking us to the far depths of electronic music. Made in 2016, it has rolling and thundering beats and perfected synth work. On the B side are two pumpers from the archives. "Disillusions" resembles the forgotten experimental touches of techno's early days. "Melody Boy's Melody" goes into a sing-a-long (in the right way) appeal, with enchanting rhythms and a perfected melody - a heady piece with IDM resemblances.
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12"
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W 014EP
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Following his 2014 album When You Feel Me (W 002CD), French underground house legend DJ W!ld presents a two-part selection of album tracks and remixes (this EP and W 015EP). Slo-mo house affair "Au Bout Du Tunnel" features classic electro cowbells and rubbery broken beats; "Humide" features lo-fi percussion and warm synth smears. Underground Quality label boss and singular New York soundsmith Jus-Ed delivers a remix of "Ac!dmat!k" that's typically stripped-back and textured, with itchy hi-hats running on top of a deep, sublime bassline. Fellow French luminary Chris Carrier delivers a tough, barreling house remix of "End of My Summer."
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12"
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OW 014EP
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"After one year of silence, Carsten Franke is back on the front. He is the graphic guy and also one of the label heads of Ostwind Records. With the Dancebreakdance EP, he delivers the third release for his homebase after the highly-acclaimed Open_Closed and Shadows & Signs EP. On this release, Carsten Franke comes with more reduced minimal techno, styled up with some Detroit chords and melodic electro-pop elements! Again on the remix side, we have our Ostwind friend John Spring from Sub Static Records. He turned Carsten's 'Ramba Samba' into a more peak-time friendly and more topical & hypnotic techno version. All in one, a solid, timeless minimal techno to tech-house four-tracker."
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12"
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WNW 014EP
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"You will realize this smashing new 12" will animate your body to move the same way like last time...but first things first. The dance starts with 'In Doubt,' a fiendishly cleverly produced hard-hitting basskick and a Detroitish bassline gravitate this track to the first peak level, a nasty and dirty string chord and a harder produced rhythm section will shake everybody's convolution of the brain, and that for sure, don't stop the tune, party hard and please play the tune again and again and again.......enough for snipers first shot and please, ladies and gentlemen, if you don't object, let me say some more words about the flip called 'Buddah Call,' cause this one also offers unequaled opportunities. 'Buddah Call' is more or less based on a typical house structure, I would say somewhere between 'new spiritual electronic house music' and 'uplifting neo tech,' with a heavy drumwork and warm chords and of course, the right feeling for what people will play, listen and dance to. There are serious consequences, which are tattered dancing shoes or sneakers, internal bleedings (maybe) and more often, a grin like a Cheshire cat."
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