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Browse by Artist: BOCOUM, DAMON ALBARN, TOUMANI DIABATÉ AND FRIENDS, AFEL


Artist: BOCOUM, DAMON ALBARN, TOUMANI DIABATÉ AND FRIENDS, AFEL
Title: Sunset Coming On
Label: HONEST JON'S RECORDS (UK)
Format: 12"
Price: $11.00
Catalog #: HJP 002EP
Two track single with a remix of the album track "Sunset Coming On", (by Phil Asher/Restless Soul, featuring Kaidi Tatham) and an exclusive instrumental track.


Artist: BOCOUM, DAMON ALBARN, TOUMANI DIABATÉ AND FRIENDS, AFEL
Title: Mali Music
Label: HONEST JON'S RECORDS (UK)
Format: 2LP
Price: $20.00
Catalog #: HJR 001LP
"In July 2000, Damon Albarn travelled to Mali for Oxfam's On The Line project, which focussed on people living along the Greenwich Meridian. He seized the chance to meet and play with the Malian musicians whose recordings he loved, to exchange ideas with them in their own backyard. Damon's chosen instrument was a battered melodica. His musical encounters were leisurely, low-key and immersive, as natural and spontaneous as could be. Touring the capital Bamako and its surrounding villages, he sat in on club and private jam sessions, playing concerts and street corners, bars and boats. He hooked up with practically any musician he came across, from enthusiastic amateurs to such master-musicians as Toumani Diabaté, Lobi Traoré, Afel Bocoum, Kassé Mady Diabaté, and the only female ngoni-player in Mali, Ko Kan Ko Sata Doumbia. 'One of my favourite memories is Les Escrocs playing a party at Toumani's house', says Damon. 'Bass and drums doing dead funky Malian reggae, with them in shell-suits and patent-leather shoes doing a kind of feminised ragga version of the James Brown shimmy.' The tapes kept on running, for more than forty hours, capturing the volatile collage of sound that would become Mali Music. Back home in Damon's London studio, the recordings take a few more spins. In line with their original, inherent diversity, they make nods to reggae, house, rock, ragga; and some stay just as they are. The bass-playing of Junior Dan emerges with a unifying authority which recalls his years with Augustus Pablo. Then the tapes return to Mali, for further contributions from the musicians there. 'My idea is to set up loads of dialogues between this music and other music that I love', says Damon. 'I'm sick of the cultural self-assurance you get in the West. I want to get everyone into Malian music.'" [CD version is on Astralwerks in the US]

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