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Artist: BOSETTI, ALESSANDRO
Title: Her Name
Label: CROUTON
Format: CD
Price: $16.00
Catalog #: CROU 035CD
"Her Name is a record founded on meetings and voices. Having toured extensively throughout Europe, China, Japan, and the U.S., Bosetti's performances consisted of some of the music you'll hear within. During the performances he sat, with a computer sitting on a table next to him, his voice at the aural focus, coming from his mouth in the middle of his face, he translated the recorded voices of the people he's met along the way. Those voices appear in this recording. However, many more things also appear: guitar, piano, harmonium, double bass, trumpet, electronics, cello and field recordings combine in small ensembles and reconstructed jazz groups to create songs (yes, really!) that take the listener on an amazing trip around this world and others. Recorded in Amsterdam, Sangha, Berlin, Milan, and Baltimore and featuring a full cast of guest musicians and vocalists such as Ernst Karel, Koen Nutters, Morten J. Olsen, Ana Djangouno Dolo, Ibe, Adachi Tomomi, Mariangela Tinelli, Paul Glazer, Ayako Fukunaga, Chico Mello, Fernanda Farah and Die Maulwerker, Her Name is a powerful record about the collective voice, cohesively honed into an amazing listening experience that speaks to everyone. Beautiful recordings craftfully mixed by Alessandro Bosetti and Giuseppe Ielasi and mastered by Giuseppe Ielasi. Her Name is released in an edition of 500, packaged in an oversized die cut wallet designed by Jim Schoenecker."


Artist: BOSETTI, ALESSANDRO
Title: Exposé
Label: DIE SCHACHTEL (ITALY)
Format: CD
Price: $17.00
Catalog #: DSZEIT 005CD
"Based on a series of 33 musical ideas written, printed, framed and 'exposed' in a recent installation in Milan, Exposé is the first of a new cycle of works as well as the result of Alessandro Bosetti's fascination with speech loops. The mesmerizing voice of Audrey Chen, endlessly repeating the same sentence over the entire duration of each piece, is full of musical nuances, and it rewards close attention. The result is a weird and fascinating experience, that takes the listener through a surreal sonic space. The misty, microtonal electronics and instrumental layers are arranged and recorded in an extremely precise fashion. The slowly shifting speech-derived rhythmical patterns provide a subtle, low-key backdrop to the vocal parts, perhaps suggesting the option of adopting an ambient-like listening strategy, while at the same time the use of headphones will enhance the work's strangely compelling blend of the surreal and hypnotic."

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