Browse by Artist: DRUMM, KEVIN

Artist:	DRUMM, KEVIN
Title:	Sheer Hellish Miasma
Label:	EDITIONS MEGO (AUSTRIA)
Format:	2LP
Price:	$25.00
Catalog #:	EMEGO 053LP

At last, Kevin Drumm's classic 2002 album sees a full vinyl release, including a bonus track. Crank it! Utilizing guitar, tapes, mics, pedals, analog synthesizer and some computer assistance, Chicago's own Kevin Drumm concocted a sonic beast with Sheer Hellish Miasma. One is taken on an intense journey of storming feedback, open audio onslaught and somewhat savaged sonics. The extreme end of anarchic electronics and possibly a hint of musical violence is present throughout much of the disc. An essential release capturing Drumm at his most ferocious and most inventive. It's an exhilarating, visceral test of endurance brimming with demonic humor and a tour of Drumm's ever-expanding sonic palette. For seasoned noise veterans, Sheer Hellish Miasma offers a bracing soundscape filled with exquisitely abrasive textures and more than enough hidden detail to warrant repeated listening -- a distinct voice in the increasingly same-sounding world of abstract electronic noise. For everyone else, Drumm's journey through the noisy underworld is likely to inspire fear or, in an optimistic case, fearful admiration. This reissue comes with an additional track, "Impotent Hummer," taken from the same period -- a 13-minute drone piece that draws the listener into the forthcoming blizzard. In total? A din of arms, the fierce swell of damaged drone and the shriek of subtle, shifting sonic slaughter ... for the seasoned, a bountiful sonic feast awaits, for the meek it's intense and rewarding -- noise rarely sounds this exhilarating. Cut at Dubplates & Mastering, Berlin, September 27, 2010 by Rashad Becker. Deluxe gatefold sleeve with gold foil lettering on the cover.

Artist:	DRUMM, KEVIN
Title:	Imperial Distortion
Label:	HOSPITAL PRODUCTIONS
Format:	2CD
Price:	$17.00
Catalog #:	HOS 134CD

Repressed! "What does a person do when faced with a work like Imperial Distortion? There are rare moments in an artist's work where they reveal a greater truth. Kevin Drumm has already made such a statement with his last major solo work, 2002's Sheer Hellish Miasma. Where that record took noise music to a new level of near-impenetrable exactitude, Imperial Distortion is an altogether different beast. Beauty as an aesthetic can be as terrifying as horror, desire unfulfilled, romance that lingers and never goes away, no matter how disappointing. A preoccupation with death can be the only result. On this extended long-form release, Kevin Drumm comes face to face with minimal drone music and confronts the genre by providing one of its absolute pinnacles at the forefront; movement. Dron e music at its most concentrated and ably performed has build and depth in its tones. Although there might be the illusion of stasis, the opposite is true. From the opening 20-minute track 'Guillain-Barre,' the mood of the album is laid clear. The arrangements are shadowy layers of soundtrack-like tones not entirely unlike the work that Popul Vuh provided for Herzog's films. By track two, 'More Blood and Guts,' with its ominous bell tones, it becomes apparent that there is a true nothing that's associated with these sounds, other than the mood-inducing hypnosis and the feeling of drowning, yet having no ability to fight the slow pull. The middle portion of the record is 'Snow,' which was released as a limited cassette last year on Hospital Productions. This material was a teaser for the full album Imperial Distortion. The tracks have an almost ballad-esque sense of elegance, using tone and frequency as melodic portals to nowhere. The sustain in the piece suggests a weight while remaining alarmingly pleasant to the ears. The tension suggests an anxiety that never truly dies. The alarm comes from the juxtaposition of tones and mood. While the tones may sound gorgeous in their purity, the mood implies a profound sense of unease and perhaps an acceptance of the inevitability of existential dilemma. This point is most thoroughly evidenced by the albums closer, 'We All Get It In the End.' While the piece starts out with lullaby ease, a few minutes in, an equally severe dark drone eclipses the light and the night takes over. Here in the enveloped sounds, the clouds pass over the moonlight creating a spectral dark that is unforgettable in its intensity. To answer the initial question of Imperial Distortion, this is a work that commands intellectual and emotional commitment on the levels of the greatest works to come from this genre. Kevin Drumm has accomplished that rare balance to create a masterwork that no one has yet to come close to in this era. Your best bet is to surrender."

Artist:	DRUMM, KEVIN
Title:	Imperial Distortion
Label:	HOSPITAL PRODUCTIONS
Format:	3LP
Price:	$42.00
Catalog #:	HOS 134LP

"What does a person do when faced with a work like Imperial Distortion? There are rare moments in an artist's work where they reveal a greater truth. Kevin Drumm has already made such a statement with his last major solo work 2002's Sheer Hellish Miasma. Where that record took noise music to a new level of near-impenetrable exactitude, Imperial Distortion is an altogether different beast. Beauty as an aesthetic can be as terrifying as horror, desire unfulfilled, romance that lingers and never goes away no matter how disappointing. A preoccupation with death can be the only result. On this extended long form release Kevin Drumm comes face to face with minimal drone music and confronts the genre by providing one of its absolute pinnacles at the forefront; movement. Drone music at its most concentrated and ably performed has build and depth in its tones. Although there might be the illusion of stasis the opposite is true. From the opening twenty minute track 'Guillain-Barre' the mood of the album is laid clear. The arrangements are shadowy layers of soundtrack like tones not entirely unlike the work that Popul Vuh provided for Herzog's films. By track two 'more Blood and Guts' with its ominous bell tones its apparent that there is a true nothing that's associated with these sounds other than the mood inducing hypnosis and the feeling of drowning yet having no ability to fight the slow pull." On white vinyl, housed in a gatefold sleeve.

Artist:	DRUMM, KEVIN
Title:	Imperial Horizon
Label:	HOSPITAL PRODUCTIONS
Format:	CD
Price:	$14.00
Catalog #:	HOS 251CD

"Imperial Horizon by Kevin Drumm is a further examination into sustained tone as most recently heard on his previous Hospital Productions benchmark album, Imperial Distortion, stretching out minimalism to unreached heights of serene ambient, lulling electronic drones slowly transform over the course of the hour plus piece in constant flux, echoing both an existential terror and Zen calm. Mutations grow so quietly only the body opens to identify this change while the mind closes. The ephemeral and seeming lightness of the tones hang with taut balance in contrast to the method in which they are overlapped and rotated with deadly weight. How wildly divergent emotions rise, hover, and fall using so little is a mystery that only Kevin Drumm can provide. While you may not find an answer, you can certainly get lost in the question."

Artist:	DRUMM, KEVIN
Title:	Comedy
Label:	MOIKAI
Format:	CD
Price:	$13.50
Catalog #:	M08 CD

"Comedy is his third album, recorded over two years ago. It floated around in a provisional version, entitled Organ, for quite a while and caused a genuine bidding war between labels, at least five of them, which caused our Kevin to retreat in his special endearing way, and ultimately decide not to do anything at all with it. During this hibernation, Organ underwent some changes, being dissected and bisected and now including three electronically generated magnifications, bookended by the original monolithic organ recording. The album opens and closes with this would be title track, and it's awesome. 'Organ' is firmly in line with monster-minimalists Tony Conrad and Phil Niblock. The recording of this could honestly be heard over a block away from his apartment. The middle pieces are, like his album Second, extrapolations of microscopic detail and will be familiar terrain to fans of Bernhard Gunter and the Mego scene. But Drumm is so all-American, his sense of intuition over form is totally there, that classic intuition that got us all the patents."

Artist:	DRUMM, KEVIN
Title:	Kevin Drumm
Label:	PERDITION PLASTICS
Format:	CD
Price:	$13.00
Catalog #:	PER 007.2CD

"This is the first reissue of Kevin Drumm's self-titled premiere solo recording since its original appearance in 1996. Perdition Plastics is honored to make Drumm's foundational work available again in a limited edition of 500 copies. Kevin Drumm is an established and respected composer and improvisational player. He emerged as a notable presence in the thriving Chicago avant-garde music scene of the '90s. This release introduced Drumm with seven tracks of improvised, advanced tabletop guitar. Recorded directly to Digital Audio Tape without edits or overdubs, Drumm evokes a powerful new perspective in guitar sound and method. By contrasting sparseness and complexity, Drumm links improvised new music with electronic composition. This sedate, monochromatic package helped further obscure listener expectations."

Artist:	DRUMM, KEVIN
Title:	Second
Label:	PERDITION PLASTICS
Format:	CD
Price:	$13.00
Catalog #:	PER 010.2CD

"This is the first reissue of Kevin Drumm's Second since its original appearance and out-of-print status in 1999. In a limited edition of 500 copies, Perdition Plastics is delighted to make this work available once again. Drumm is well-known and respected as a composer and improvisational player. Second is indeed Drumm's second solo release and is comprised of three compositions. By appearing, disappearing, and reappearing, subtle and dissonant sounds characterize an internal dialogue within an almost filmic scenario. Foreshadowing his later, dark, ambient drone work, Second utilizes a variety of sources including: guitar, organ, accordion, and analogue synth finalized to computer to create this unique document within his extensive output. Compositionally precise and intricate, minute details emerge and illustrate the scope of Drumm's range."

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