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Browse by Artist: EVOL
Artist:
EVOL
Title:
Evol
Label:
GEAR FAB
Format:
CD
Price:
$13.00
Catalog #:
GF 255CD
"Our first release in digipak format, a newly-discovered, one of a kind acetate recording from an obscure West Virginia band. Recorded in 1970 and sounding remarkably like the Byrds, Buffalo Springfield and early Grass Roots, their effective blend of twelve-string guitar, haunting harpsichord, and beautiful harmonies definitely will have this band near or at the top of 2012's most popular and best-selling reissues."
Artist:
EVOL
Title:
Evol
Label:
GEAR FAB
Format:
LP
Price:
$25.00
Catalog #:
GF 255LP
"Our first release on thick 24 pt. board, 180 gram vinyl. A newly- discovered, one of a kind acetate recording from an obscure West Virginia band. Recorded in 1970 and sounding remarkably like '65-'66 Byrds, Buffalo Springfield and early Grass Roots, their effective blend of twelve-string guitar, haunting harpsichord, fuzz guitar, and beautiful harmonies definitely will have this band near or at the top of 2012's most popular and best-selling reissues. Comes completely replicated with original LP back liner notes, hand drawn acetate labels, and transco recording blank sleeves! A limited 500 pressing."
Artist:
EVOL
Title:
Magia Potagia
Label:
MEGO (AUSTRIA)
Format:
CD
Price:
$15.50
Catalog #:
MEGO 038CD
"Evol is a computer music duo formed in 1996 by Roc Jiménez de Cisneros and Anna Ramos in Barcelona. Their recordings and performances explore the many sides of digital noise and algorithmic-driven composition. Harsh and bloody trips along the most extreme path of academic music, putting together sonic brutality, crazy algebra, fractal structures and a slight ironic touch. When they are not working on Evol, they are probably playing Playstation, building Lego robots, trying to run their home-imprint Alku, spreading digital Chindogus from imbecil.net or feeding Perkele, the luckiest chinchilla in Europe.
Magia Potagia
is a document of the work Evol have been doing within the field of algorithmic composition for the past three years. It features three tracks from two different periods, all of them 100% computer-generated and almost no edited at all, to preserve their fractal nature. 'Punani Potagia' is the fourth composition in a series of pieces that started in early 2002, involving a combination of complex Frequency Modulation techniques and strange attractors. Previous tracks of this ongoing series have been released on Fals.ch ('Super Punani'), Scarcelight ('Punani Shell') and Alienation ('Redneck Punani').
'Pus pus pus' and 'Walpurgis' are part of a series of stochastic generative works from 2001. These pieces mark the beginning of Evol's interest for what they call anti-climax tracks, where despite constant nano-changes in pitch, velocity or general structure, there's no relevant variation from beginning to end."
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