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Browse by Artist: FAHEY, JOHN
Artist:
FAHEY, JOHN
Title:
America
Label:
4 MEN WITH BEARDS
Format:
2LP
Price:
$27.00
Catalog #:
4M 117LP
"Originally released in 1971, America is one of the artistic high points of John Fahey's career. And yet, for nearly 30 years it was not heard in its entirety, as what was originally intended as a double album was pared down to a single LP. 4 Men With Beards is proud to present the complete
America
double album, released on vinyl for the first time ever. Fahey himself had this to say about
America
:
'Out of all the songs I ever wrote, I consider only two of them 'epic' or 'classic' or in the 'great' category and they are both on this record.'
Deluxe gatefold packaging that includes a reproduction of the original illustrated booklet. Limited edition of 3,000 numbered copies." 180 gram vinyl.
Artist:
FAHEY, JOHN
Title:
1978 Live At Audimax Hamburg
Label:
BLAST FIRST PETITE (UK)
Format:
DVD
Price:
$17.00
Catalog #:
PTYT 037DVD
Shot live for TV by the legendary German music show "Rockpalast," this DVD represents the earliest example of a complete
John Fahey
concert performance, given on March 17, 1978. The multi-camera filming features detailed close-ups of Fahey's playing style, giving Fahey fans a rare insight into what
Pete Townshend
has called the
William Burroughs
of the guitar. Fahey's 1978 visit to Europe saw him in fine wild form, performing an 10-track set and, as an incredibly rare bonus, a short interview with the maverick iconoclast. All-Region NTSC-compatible DVD in CD digipak. Location: Audimax, Hamburg. John Fahey: vocals, guitar.
Artist:
FAHEY, JOHN
Title:
How Bluegrass Music Destroyed My Life
Label:
DRAG CITY
Format:
Book
Price:
$18.00
Catalog #:
DC 124BK
2009 reprint, originally published in 2000. "John Fahey is feared and revered around the world as a guitar player and composer. His inventions for acoustic and electric strings are the stuff of legend. Since he began recording in Maryland in the late 1950s, Mr. Fahey's access to the unknown tongue has been made manifest on over 30 albums, and his presence has unsettled audiences from here to Tasmania. He has served as a spiritual model for guitarists as disparate as Leo Kottke and Thurston Moore. He has been called a musical visionary by everyone from
The New York Times
to
Ptolemaic Terrascope
. John Fahey is a giant of 20th Century American Music. This is well known. It is perhaps less well-known that Fahey's pen has the same world-gobbling ferocity as his guitar. His early records included savagely hilarious liner notes, and other sightings of his clamorous writerly discourse have surfaced over the years. Now, finally, here is a collection that makes an explosive selection of his work available for general public consumption. What else can we possibly say, except, 'Grab your ankles, dear readers. It's kingdom time!'." -Byron Coley, 1999. Introduction by Jim O'Rouke. 291 pages, paperbound. $19.98 suggested list price.
Artist:
FAHEY, JOHN
Title:
Vampire Vultures
Label:
DRAG CITY
Format:
Book
Price:
$16.00
Catalog #:
DC 245BK
"The publication of
How Bluegrass Music Destroyed My Life
did a great deal to spread the word of Fahey's literary talents, though sadly only a year before he died.
Vampire Vultures
is an unexpected gift and should ease the grief of those who thought they would never hear anything from John Fahey again. Originally a project of his own conception, it was to be an epic work that would expand on many of the characters and experiences he introduced in
Bluegrass
. Compiled from his private papers,
Vampire Vultures
includes notebook entries, short stories, and letters never sent, revealing the struggles and victories of a cult artist's life in modern America."
Artist:
FAHEY, JOHN
Title:
Your Past Comes Back To Haunt You
Label:
DUST-TO-DIGITAL
Format:
5CD BOX/BOOK
Price:
$81.00
Catalog #:
DTD 021CD
Subtitled:
The Fonotone Years 1958-1965
. More than 10 years in the making, this box set features the earliest recordings and the first book ever written about one of the most influential guitarists from the 1960s and '70s,
John Fahey
. The five CDs feature 115 tracks, most of which are available on CD for the first time. The audio was remastered from
Joe Bussard
's reel-to-reel tapes to achieve pristine sound quality. As for the accompanying book, the list of scholars who contributed essays includes
Eddie Dean
,
Claudio Guerrierri
,
Glenn Jones
,
Malcolm Kirton
,
Mike Stewart
and John's childhood friend
R. Anthony Lee
.
Byron Coley
contributed a poem about John, and
Douglas Blazek
's 1967 interview with Fahey is published for the first time. Released 10 years after John Fahey's death, this set puts one of the final puzzle pieces of Fahey's career in place. Everyone can now hear where this guitar legend got his start -- a smoky basement in Frederick, Maryland. Co-produced by
Dean Blackwood
of Revenant, Glenn Jones, and
Lance Ledbetter
of Dust-to-Digital, this set is released with the support of
Joe Bussard
and the John Fahey Estate. The set is dedicated to John's mother,
Jane C. Hayes
and the late musician
Jack Rose
. Includes a 88-page hardcover book with 5 CDs in a separate gatefold portfolio -- all housed in a deluxe slipcase. Book measurements: 12 x 12 x 1.25 inches.
Artist:
FAHEY, JOHN
Title:
The Mill Pond & Collected Paintings
Label:
IMPORTANT RECORDS
Format:
CD
Price:
$13.00
Catalog #:
IMPREC 183CD
"
The Mill Pond
was originally released in 1997 as a double 7" that went immediately out of print. For its 10th anniversary, we're issuing it on compact disc housed in a deluxe letterpressed jacket and including an extensive booklet collecting John Fahey's paintings for the very first time. Limited edition. On this release, Fahey uses heavy reverb, electric slide and feedback to create an eerie mood. He gets a bit of help from Jeff Allman, who recorded the songs and adds some electronic noise in spots, and from Scott Colburn, who mixed the tracks, but this record is all Fahey.
The Mill Pond
is all over the place stylistically, so it should confuse those who try to pigeonhole Fahey into any one category.
The Mill Pond
further proves that there is only one category into which he fits: truly innovative guitar genius."
"Four ecstatic, lo-fi grabs for the ring of eternity, recorded in Fahey's Oregon hotel room. Containing the first graspable evidence of John's throat-singing abilities, this represents the merging of the bull and the china shop. The crudity of the electronics and the delicacy of the stringwork makes for a wonderful match."
--Byron Coley.
Artist:
FAHEY, JOHN
Title:
Red Cross
Label:
REVENANT
Format:
CD
Price:
$17.00
Catalog #:
RVN 104CD
"Our late founder John Fahey's final album,
Red Cross
. An intensely personal project for John which he completed a few months before his death and originally intended for release in 2001.
Red Cross
can be heard as Fahey coming full circle, reinvigorated, at peace with both past and present. Includes spine-tingling interpretations of Irving Berlin's 'Remember' and the Gershwins' 'Summertime' alongside a number of stellar new Fahey originals. Featuring the acoustic fingerpicking of yore as well as some shimmering electric guitar vamps,
Red Cross
touches those peculiarly Faheyian regions in the heart and mind. A final, sparkling gem from a hue American original. Packaged in a special, limited-edition letter-pressed chipboard jacket with an inspirational pamphlet nestled insides."
Artist:
FAHEY, JOHN
Title:
Sea Changes & Coelacanths
Label:
TABLE OF THE ELEMENTS
Format:
2CD
Price:
$22.00
Catalog #:
TOE 085CD
Subtitled: A Young Person's Guide to John Fahey. This compiles Fahey's earlier releases for TOE: 1997's
Womblife
and the live followup
Georgia Stomps, Atlanta Struts
; plus the
Hard Time Empty Bottle Blues
12" (all o/p as individual releases at this point). "In the 43 years between his first recordings and his death in 2001, John Fahey stomped across the American soundscape, leaving behind footprints of influence so breathtakingly vast that entire genres now huddle within them. Fahey's mesmeric guitar compositions fused the blues' syncopated rhythms with contemporary dissonance; Eastern influences with musique-concrete. He was the first to demonstrate that traditional steel-string finger-picking techniques could be used to express a universe of non-traditional ideas, and his contribution to American music is immense.
Sea Changes & Coelacanths
compiles all of Fahey's mid-'90s recordings for the Table of the Elements label and embodies an artistic essence, with sounds that are undiluted, uncompromised, starkly honest, pure of vision, and in every way innovative -- just like the man himself."
Artist:
FAHEY, JOHN
Title:
Requia And Other Compositions For Guitar Solo
Label:
VANGUARD
Format:
CD
Price:
$11.50
Catalog #:
VMD 79259CD
1997 reissue, originally released in 1967. "In his liner notes to this release, John Fahey mentions his desire to have an entire world orchestra in his guitar, Western to Eastern, bagpipes to gamelan. Perhaps it's this mental approach that sets his music so deliciously far apart from other so-called folk guitarists.
Requia
is essentially in two sections. One is a series of blues-based pieces in line with music he had previously recorded. These include the lovely 'Requiem for John Hurt' and a wry 'Fight On Christians, Fight On,' both of which sound remarkably modern more than three decades after they were recorded. The slightly off-center variations he works on these songs are more vital and gorgeous than any ten of his peers."
Artist:
FAHEY, JOHN
Title:
The Yellow Princess
Label:
VANGUARD
Format:
CD
Price:
$17.00
Catalog #:
VMD 79795CD
2006 reissue, originally released in 1968. Includes 3 previously unreleased bonus tracks, recorded in 1965, and a 16-page booklet with Fahey's original liner notes, plus commentary by M. Ward and Glenn Jones. "A musical lam across a mythic America....The seven minute 'Irish Setter' now sounds like a miniature blueprint for Ry Cooder's
Long Riders
soundtrack." --
Mojo
Artist:
FAHEY, JOHN
Title:
The Great Santa Barbara Oil Slick
Label:
WATER
Format:
CD
Price:
$15.00
Catalog #:
WATER 139CD
Live at the Matrix, SF 1968/69. "One of acoustic music's true innovators and eccentrics drawing from blues, Native American music, Indian ragas, experimental dissonance, and pop, John Fahey was living in Berkeley, California in the late Sixties when this set at San Francisco's legendary Matrix club was recorded. Drawing the best material from his two sets at the club that night,
The Great Santa Barbara Oil Slick
shows the influential fingerpicker at the height of his prodigious technique. Deluxe package with detailed liner notes by Fahey expert (and Cul de Sac member) Glenn Jones."
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