Browse by Artist: FERENC

Artist:	FERENC
Title:	Yes Sir, I Can Hardcore
Label:	KOMPAKT (GERMANY)
Format:	12"
Price:	$8.00
Catalog #:	KOM 078EP

"To make a long, long story short: this record was meant to be released a year ago on Nitsa -- the label and also one of the world's most wonderful clubs based in Barcelona. But due to thousands of mishaps and blows, this record has never been released so far, apart from various promos mercilessly hammered by their lucky owners. Ferenc is Nitsa's resident DJ Fra and his co-partner Autan, both sharing a mutual passion for early-90ies Brooklyn bass, also called hardcore, with releases on labels like Nu Groove, City or Bonebreaks and produced by Lenny Dee, Joey Beltram, How & Little and the scuffproof Frankie Bones. 'Yes Sir, I Can Hardcore' is meant to be a homage to the era when hardcore was not yet gabber and simply was the most intensive form of house music. Michael Mayer -- also one of the biggest fans of Nu Groove hardcore -- has been made weak with a number of drinks while DJing at Nitsa club (where he is regular guest-DJ) and has put on his remixing machine. The result may be called insane hardcorediscohouse and it just got licensed for the busy Tigersushi collective's new How To Kill The DJ compilation. That's all for now. Get your clothes off and put your hands in the air!"

Artist:	FERENC
Title:	Fraximal
Label:	KOMPAKT (GERMANY)
Format:	CD
Price:	$14.50
Catalog #:	KOMP 041CD

Debut full-length album of Spanish techno from Ferenc, aka Maxi Ruiz and Fra Soler. 2003 saw the release of their sensational track "Yes Sir I Can Hardcore," released in 2003, featuring M. Mayer remix) which paved the way for a new sound that Tiefschwarz, Blackstrobe and many others would later adapt excessively to their own music to create sure-fire hits. These well-intended creations raised a monument for the almost forgotten early '90s style pioneered by Frankie Bones, early Joey Beltram, How & Little, NuGroove, and City Limits, etc. They were a tribute to Brooklyn hardcore -- the hardest dance music of that period. But those times are over... and it's high time to go back to the future! Via trend-spotting in Barcelona's Club Nitsa, Soler manages to combine the past fifteen years of club music into a refreshingly complex eclecticism that retains a homogeneous quality throughout his sets. Ferenc's Fraximal presents a successful result of this story, spiced up with new anecdotes. By using sophisticated arrangements, a subtle selection of sounds and endless quotes and references, Ferenc creates a romantic approach to techno music provoking warmth and emotion under a completely upfront sound surface within the vivacity of the bass drum. At times epic, sometimes wild, occasionally yearning, and obviously introspective, Ferenc always lean fervently to the dancefloor. A perfect example of Ferenc's success in achieving (dare we say) coziness in techno can be found in "Vinagreta" which features a cameo appearance by Paris-based techno queen Jennifer Cardini. This wonderful Balearic techno-house track simply falls apart in the middle as the bass drum is denied in favor of one of the most beautiful summer-fuelled love songs ever. Tracks like "Nitsa is 11" and "Sandia" are certain to thrill anyone who can spell Border Community or who have found themselves united with their soul on the dancefloor while experiencing Choice's "Acid Eiffel." Fraximal is an outstanding debut album that communicates techno passionately in all its horizons to be experienced just as well in the club or on your sofa at home.

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