Browse by Artist: HAYNES, JIM

Artist:	HAYNES, JIM
Title:	The Wires Cracked
Label:	EDITIONS MEGO (AUSTRIA)
Format:	LP
Price:	$20.00
Catalog #:	EMEGO 171LP

The recordings for The Wires Cracked were completed in a frenzied two week period in October of 2012. I had mentioned in discussing a previous album's construction that I prefer to forget how I build any particular electro-acoustic amalgam. This is so that I don't get to precious with them, so that I could refine them further, so that the sounds themselves speak beyond their aggregate parts. With the album being relatively fresh in my mind, I can still recall various components to "The Wires Cracked" -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the SLAC National Accelerator Laboratory operated by Stanford University, and the tremolo rhythms from a thin wire that still get me thinking fondly of Günter Schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. That's probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal. Describing his work through the pithy phrase "I rust things," Jim Haynes is an artist who has developed a vocabulary of decay that he has applied to photography, video, installation, and sound. Haynes' sound work draws from shortwave radio static, electric field disturbances, controlled feedback manipulation, and numerous textural scrapings, manifesting broken minimalism of magnetic drones and volatile tactility. This engineering of disparate materials and media seeks to evince the unpredictability of decay, to manifest its potential for a rough hewn beauty, and to bare witness to its inevitability. He has exhibited internationally at Electric Works (San Francisco), the San Francisco Museum of Modern Art , the Bekerley Art Museum, The Exploratorium (SanFrancisco), WestSpace (Melbourne, Australia), Jack Straw Productions (Seattle), Eyedrum (Atlanta), Diapason (New York), and The Lab (San Francisco). Haynes has published his work through the Helen Scarsdale Agency, 23five Incorporated, Intransitive, Observatoire, and ElevatorBath. He has collaborated with Steven Stapleton (Nurse With Wound), M.S. Waldron (irr. app.(ext.)), Keith Evans, Allison Holt, and Loren Chasse. Haynes is one of the directors for 23five Incorporated and is the sole occupant at the Helen Scarsdale Agency.

Artist:	HAYNES, JIM
Title:	Eraldus/Eravaldus
Label:	ELEVATOR BATH
Format:	PIC. DISC
Price:	$21.00
Catalog #:	EEAOA 026LP

"Beautiful picture disc LP featuring two full-color reproductions of visual works by Jim Haynes and two new side-long solo compositions. The ideal companion piece to Jim Haynes' masterful album, Telegraphy by the Sea. 'Eraldus' and 'Eravaldus' are both shadowy concoctions built from agitated objects and amplified spaces (a lighthouse, some high-tension wires driven by wind, a very large pile of sand, etc.). These are subtly manipulated field recordings, rusted to perfection and fine-tuned into scraping and humming machinations. The artwork comes from two corroded photographs, one of which was created especially for this LP. Haynes has worked with this process for almost 15 years and, here, the resulting images are as beautiful and mysterious as the audio is nuanced and evocative. In addition to his solo work, Jim Haynes has participated in a number of fruitful collaborations over the years with Loren Chasse (as Coelacanth), Keith Evans, Steven Stapleton/Nurse With Wound, and irr. app. (ext.)/M.S. Waldron. He currently resides in San Francisco." This picture disc LP has been released in an edition of 260 copies.

Artist:	HAYNES, JIM
Title:	Telegraphy by the Sea
Label:	HELEN SCARSDALE AGENCY
Format:	CD
Price:	$13.00
Catalog #:	HMS 009CD

"'I prefer abstract recorded sounds to the point that I can't remember how I made them,' says rust-tinged artist Jim Haynes. 'This way I can't go back and reverse engineer anything.' The source material for Telegraphy by the Sea spans four years and several continents. During the time between conception and completion, Mr. Haynes perfected fragments of the album in numerous contexts, including an exhibition in Melbourne, Australia, a marathon six-hour performance at the Diapason Gallery in New York City, and a fortuitous encounter with a rainy stairwell. As a result of this process, Mr. Haynes has forged a breathtaking album of mangled field recordings and droning techniques perched at the allegorical intersection of electromagnetic landscapes and meteorological phenomena. Here, it is not uncommon to find exasperated blasts of air bellowing in harmony with a swarm of mechanical locusts and a tumbling landslide of jagged rock. Yet Mr. Haynes grounds the bulk of the album in a dynamic play of sinusoidal drones. At times, these timbral flutterings waver into asymmetrical smears of holy-minimalist splendor; at others, monolithic grey slabs of drone collapse upon themselves into turbulent oceanic currents. If comparisons must be made, perhaps Telegraphy by the Sea parallels William Basinski at his most fortified or The Hafler Trio at his least arcane."

Artist:	HAYNES, JIM
Title:	The Decline Effect
Label:	HELEN SCARSDALE AGENCY
Format:	2LP
Price:	$24.00
Catalog #:	HMS 021LP

"Parapsychology introduced the notion of the decline effect as a statistical phenomenon of diminishing results whilst investigating extra-sensory perception and psychokinesis. Where initial findings might substantiate proof of such abilities, further studies would almost always demonstrate the contrary. As such, this ontological disappearing act stands in allegorical parallel to the entropic art of Jim Haynes and frames his 2011 opus of the corroded drone and a compacted disintegration of sound. This San Francisco Bay Area artist has long defined his work through the pithy phrase: 'I rust things.' The Decline Effect continues his investigations with electroacoustic decay through four bodies of evidence left behind from ephemeral aktions, shipwrecked electronics, re-engineered field recordings, and transmissions from the ether. Haynes composes through all of these sources through a patient suturing of sympathetic elements, whether they be textural, tonal, visceral, heavenly, sodden, or monolithic. Here, embers foretelling a nuclear winter gently waft upon industrial chorales amassed from an army of fidgeting motors; the sulfur-laden hiss from volcanic vents erupts from an organic thrum into boiling crescendos of environmental noise; geiger counter palpitations stream along a leaden sea of modulated radio noise; a warm explosion of sun-bleached distortion caresses the evanescent halos from an undulating mesmerism inexplicably not sourced from a guitar and/or digital patch authored by Christian Fennesz. Haynes' broken minimalism orbits somewhere near the work Joe Colley, G*Park, Nurse With Wound, and BJ Nilsen. The 2LP of The Decline Effect is strictly limited to 350 copies, comes in a handsome gatefold sleeve, and sports the necessary download coupon. Zener cards not included."

Artist:	HAYNES, JIM
Title:	Sever
Label:	INTRANSITIVE
Format:	CD
Price:	$13.50
Catalog #:	INT 032CD

"It gives me great pleasure to present Sever, the third solo album by San Francisco-based composer Jim Haynes, whose singular music evades simple attempts to describe it. The process of decaying and wearing down materials is implied in Sever; its passages of rough clang and cyclic scraping metal seem implacably tangible, as if one is witnessing time-lapsed erosion in action. For me, Sever conjures images of oncoming storms, abandoned industrial sites, huge empty warehouses, creaking glass, ships rocking in a port, the middle of the ocean far from land. Sever is an engaging album of evocative, highly visual drone music made up of layers upon organic layers that are in constant motion, and yet seem somehow still. Jim Haynes has collaborated with Loren Chasse (as the duo Coelacanth), Keith Evans, Steve Stapleton (Nurse With Wound) and irr.app.(ext.)."

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