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Index of Artists
Browse by Artist: HAYNES, JIM
Artist:
HAYNES, JIM
Title:
Eraldus/Eravaldus
Label:
ELEVATOR BATH
Format:
PIC. DISC
Price:
$21.00
Catalog #:
EEAOA 026LP
"Beautiful picture disc LP featuring two full-color reproductions of visual works by Jim Haynes and two new side-long solo compositions. The ideal companion piece to Jim Haynes' masterful album,
Telegraphy by the Sea
. 'Eraldus' and 'Eravaldus' are both shadowy concoctions built from agitated objects and amplified spaces (a lighthouse, some high-tension wires driven by wind, a very large pile of sand, etc.). These are subtly manipulated field recordings, rusted to perfection and fine-tuned into scraping and humming machinations. The artwork comes from two corroded photographs, one of which was created especially for this LP. Haynes has worked with this process for almost 15 years and, here, the resulting images are as beautiful and mysterious as the audio is nuanced and evocative. In addition to his solo work, Jim Haynes has participated in a number of fruitful collaborations over the years with Loren Chasse (as Coelacanth), Keith Evans, Steven Stapleton/Nurse With Wound, and irr. app. (ext.)/M.S. Waldron. He currently resides in San Francisco." This picture disc LP has been released in an edition of 260 copies.
Artist:
HAYNES, JIM
Title:
Telegraphy by the Sea
Label:
HELEN SCARSDALE AGENCY
Format:
CD
Price:
$13.00
Catalog #:
HMS 009CD
"'
I prefer abstract recorded sounds to the point that I can't remember how I made them,
' says rust-tinged artist Jim Haynes. '
This way I can't go back and reverse engineer anything.
' The source material for
Telegraphy by the Sea
spans four years and several continents. During the time between conception and completion, Mr. Haynes perfected fragments of the album in numerous contexts, including an exhibition in Melbourne, Australia, a marathon six-hour performance at the Diapason Gallery in New York City, and a fortuitous encounter with a rainy stairwell. As a result of this process, Mr. Haynes has forged a breathtaking album of mangled field recordings and droning techniques perched at the allegorical intersection of electromagnetic landscapes and meteorological phenomena. Here, it is not uncommon to find exasperated blasts of air bellowing in harmony with a swarm of mechanical locusts and a tumbling landslide of jagged rock. Yet Mr. Haynes grounds the bulk of the album in a dynamic play of sinusoidal drones. At times, these timbral flutterings waver into asymmetrical smears of holy-minimalist splendor; at others, monolithic grey slabs of drone collapse upon themselves into turbulent oceanic currents. If comparisons must be made, perhaps
Telegraphy by the Sea
parallels William Basinski at his most fortified or The Hafler Trio at his least arcane."
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