Index of Artists
Browse by Artist: MASATO, MINAMI
"Born in Asagaya, Tokyo on 3 March 1944, Japanese folk singer Masato Minami began his musical career after spending a few years bumming around Mexico and the US and taking in the burgeoning beatnik (and related drug) scene. While in the US Minami saw one of Dylan's early performances and returned home to Japan to start a band. After the release of two singles (in 1969 and 1970), 1971 saw the release of his debut LP,
. For this opus Minami enlisted the considerable talents of guitarist Takashi Mizutani (of Les Rallizes Denudes fame) and bassist Haroumi Hosono (of Apryl Fool and Happy End) resulting in this incredibly rare example of early Japanese acid folk. Featuring bonus track 'It Can't Be Over'."
SHOWBOAT/SKY STATION (JAPAN)
2nd CD reissue from Showboat of this classic Japanese underground folk-rock album, originally released by RCA Japan in 1971. Great mini-LP gatefold packaging, but very few made and not long for this world. "
was Minami Masato's first record on which he got assisted by Mizutani Takeshi of the Rallizes Denudes, his only appearance on record ever. Minami Masato was one of Japan's first beatnik hippie scum singers, who before venturing into the music world, spent some time in Mexico where he indulged himself in the narcotic goodies the country had to offer, went to America and witnessed in 1964 the rise of the beatnik movement and saw one of Bob Dylan's early performances. Minami's life would never be the same again. He crossed the Atlantic Ocean, criss-crossed through Europe and returned to Tokyo in 1966. He participated at the 1968 Kyoto Folk Jamboree Festival. However, his debut single did not appear until October 1969, followed by a second single in 1970. This album, his debut appeared in July 1971 for which he got assisted by a loose collective of fan musicians and befriended artists. Hadaka no Rallizes' Mizutani Takeshi was such a fan collaborator since he was quite in awe for what Minami stood for, being the unattached beatnik and drugged singer-songwriter he was. He let loose some ear shattering electric guitar on the album's closing track. This is the sole recorded output of Mizutani on disc. At least officially, if one ignores the dozen bootlegs and unofficially released music of his (like the Arthur Doyle-Mizutani 2LP set that was released without his consent). An unbelievably valuable document of the early Japanese underground. Hyper-rare and demented all the way. For lovers of Hadaka no Rallizes, Tomokawa Kazuki, acid folk, Jandek, and obscure and psyched-out sounds."
Index of Artists