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Artist: MASTER MUSICIANS OF JOUJOUKA, THE
Title: Joujouka Black Eyes
Label: SUB ROSA (BELGIUM)
Format: CD
Price: $13.00
Catalog #: SR 087CD
"The master Musician of Joujouka come from the Rif mountains of Morocco. They are one of the best sufi music players of the world. The result is a unique records with the real thing, something to do with the day-by-day life -- a very intimist mood. One of the few legitimate recordings of the legendary Moroccan ensemble, recorded in Joujouka, 1994. Once a strange boy from the Greatest Rock'n'Roll Band In The World visited Joujouka. He proved to be a the catalyst for the ongoing interest in the music of the village. Hamri brought him there because he hoped something positive and serious would come of it for The Master Musicians and for the village. Those adventures lead to the album Brian Jones Presents The Pipes of Pan at Joujouka. The album is lasting testimony to a mass collaboration between a motley crew of delinquent artists: Bowles, Burroughs, Hamri, Gysin, Jones and the individual musicians of Joujouka. Jones was honorable in his dealings with Joujouka but, in the years since his death, much that is dishonorable has been said, written and done. There has been the remorseless tokenism of 'World Music'. There have been myriad attempts at cultural hegemony on the broad-spectrum 'Beat Generation' scene. Many pseudo-hip figures with pristine international reputations have been shameful in their uncharacteristically discreet negotiations with Musicians on the mountain. The rock remains. The music of Joujouka is still one of the most liberating of musics, a secret message to the soul at a time when the soul has been effectively discredited by conservative forces. Hamri, the Painter of Morocco, believes that the world now needs the healing powers of The Master Musicians. The people of Joujouka share this belief. Their village, sublime in it's silence and tranquility, is by the way of sharp contrast with the post-modern cosmopolis. For sure, the world outside the village is a battered and tragic place where there is no respite from moribund philosophy or from an increasingly malevolent media/State interface. The time for the music of Joujouka has assuredly arrived."


Artist: MASTER MUSICIANS OF JOUJOUKA, THE
Title: Boujeloud
Label: SUB ROSA (BELGIUM)
Format: CD
Price: $13.00
Catalog #: SR 243CD
The Master Musicians of Joujouka are often credited with being the first "world music" group. The Joujouka music for Boujeloud, or the Father of Skins, is frantic and has several movements which would equate to a symphony or the score of an opera if it were European classical music. The festival and ritual originate in the worship of the God Pan. In 1994, Frank Rynne began a two year long project recording the Master Musicians of Joujouka in their village. Sub Rosa released two CDs from these recordings, Joujouka Black Eyes and Sufi to critical acclaim in 1995 and 1996, respectively. This is the third and final CD from these intimate recordings to be released by Sub Rosa. Boujeloud contains several different renditions of the ritual music Boujeloud. Each version has a widely different character which is determined by the combination of musicians and the spontaneous improvisation of the lead players. Tracks 1, 2, 6, and 8 are flute versions from various combinations of the Masters, while track 3 features the intense sound of the massed rhaitas playing the ritual. There are also songs which are used in lead up to the ritual, and songs that the musicians use to drive Boujeloud/Pan out of the village. The musicians recorded on this CD span four generation of Joujouka masters. Master musician Mujehid Mujdoubi was 83 years old when he recorded his music for this CD: though he had lost the ability to play the double-reed rhaita, Mujehid's lira playing fully demonstrates the musical dexterity which seventy years of playing honed to perfection. The core group who still live and play in the village are widely represented on this CD. The different versions of "Boujeloud" and the related songs allow the listener to experience the melodies and the improvisational nature of Joujouka music played live in its natural setting. These recordings are an intimate and unique experience.

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