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Browse by Artist: MUSICA TRANSONIC
Artist:
MUSICA TRANSONIC
Title:
Introducing.....Musica Transonic!
Label:
PSF (JAPAN)
Format:
CD
Price:
$18.00
Catalog #:
PSF 061CD
Debut CD by a Tokyo supergroup featuring Asahito Nanjo (High Rise) on bass, Tatsuya Yoshida (Ruins) on drums, and Hajime Kawabata (Toho Sara) on guitar. Totally distorted monster heaviness in an early High Rise meets Ruins mode. Essential.
Artist:
MUSICA TRANSONIC
Title:
2nd
Label:
PSF (JAPAN)
Format:
CD
Price:
$18.00
Catalog #:
PSF 076CD
Second album by the trio of Tatsuya Yoshida (Ruins), Asahito Nanjo (High Rise) & Hajime Kawabatat (Toho Sara). "Improvised heavy psychedelia from the Magnificent Three. If you've heard the staggering first album by this PSF supergroup then you'll know what to expect. Basically, more of the same. Totally over the top, utterly stupid, hugely inventive, loud and obnoxious -- in other words, just what you need. the sound has been slightly cleaned up this time, so you can hear a bit more of what is going on."
Artist:
MUSICA TRANSONIC
Title:
The World Of Musica Transonic
Label:
PSF (JAPAN)
Format:
CD
Price:
$18.00
Catalog #:
PSF 091CD
"Third PSF album. If you haven't heard Musica Transonic before, where have you been? They describe themselves as a 'Contemporary Improvised Psychedelic Group', and the music itself is the most hyper over-the-top rock mayhem imaginable. If anything, this set tops their amazing previous record in pure sonic collision, ludicrously over-amped guitar solos, spastic time-changes. In other works, the usual staggering sonic alchemy take to unforeseen heights of majestic stupidity."
Artist:
MUSICA TRANSONIC
Title:
Swing Strong Mod
Label:
PSF (JAPAN)
Format:
CD
Price:
$18.00
Catalog #:
PSF 108CD
The trio of : Asahito Nanjo (bass), Makoto Kawabata (guitar) & Tatsuya Yoshida (drums). "Latest two blasts from the hyper-productive Asahito Nanjo camp. Fifth album overall from the speed-fuck volume terrorists, following up their last PSF release (PSF 098) which saw Keiji Haino cranking up his amp alongside the band. For this release, Nanjo has been strongarmed into tuning down his usual all-in-the-red speaker-destruction mix -- and as a result, the full range of amazing punk interplay and crazed rhythmic invention is a hell of a lot easier to appreciate. Kawabata's soloing is a real standout this time around, hitting an eye-glazing fractured jazz style at times. No one's going to mistake him for Pat Metheny though. . ." -- Alan Cummings
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