Pop-leftists Schwabinggrad Ballett founded the collective in 2000 at an antiracist No Border camp. The group developed a flexible performing strategy, with which it wants to create confusion, to break up old forms, and to politicize and reactivate. The Schwabinggrad Ballett is an open collective and understands itself as part of a network, which among other activities runs the Buttclub in Hamburg, which in turn organizes discussions, readings, exhibitions, concerts and reading groups. Resisting the band format and its marketing treadmill, inspiration for much of the musical output derives from the marching band and free jazz: accordion, timpani, shopping carts, chair improv, and brass. Instead of a lead singer, there are hoarse choirs, and instead of "discourse pop," Dadaist agitprop takes its place. Members of the Schwabinggrad Ballett are: Der Buttclub, Thomas Butteweg, Christine Eder, Ekkehard Ehlers, Ted Gaier, Bernadette Hengst, Frank John, Thomas Lörtsch, Heiko Marn, Roberto Ohrt, Peter Ott, DJ Patex, Tina Petersen, Knarf Rellöm, Christoph Schäfer, Barbara Schulz, Christine Schulz, Christopher Twickel, Kathrin Wildner, Frank Will. Described by Christopher Twickel as: "seventeen killer tracks between caterwauling and 'the collective.' Seventeen sips of musical rotgut between punk and Penderecki. Seventeen pieces of adutainment between the critical mass and massive criticism. Really difficult and really beautiful."