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Artist: WESTON, RANDY
Title: African Cookbook
Label: ATLANTIC
Format: LP
Price: $11.00
Catalog #: SD 1609LP
Exact repro LP. "This fine, long out-of-print album by jazz pianist/composer Randy Weston is available again. Long one of jazz's best (and most underrated) composers, Weston was one of the first American jazz musicians to investigate and embrace the African influences in jazz. (He lived in Africa for a time in the 1970s.) A spare yet melodic, Thelonious Monk-influenced pianist, Weston led a great band in 1964 -- when African Cookbook was recorded -- featuring the big Texas tenor sax of the late Booker Ervin. The rest of the band plays with inspiration and restraint. Weston weaves the African influence subtly into his inviting compositions -- though the influence, Weston might say, was there all along. His tunes are warm, catchy, rich with the flavors of Monk, Duke Ellington and African music. Listening to this album is like sitting down to a sumptuous meal, one you wish to savor." Personnel: Randy Weston (piano, celesta); Big Black (vocals); Booker Ervin (tenor saxophone); Ray Copeland (trumpet, flugelhorn); Vishnu Wood, Lenny McBrowne (bass instrument); Harrold Murray (percussion).


Artist: MCDANIELS, EUGENE
Title: Headless Heroes of the Apocalypse
Label: ATLANTIC
Format: LP
Price: $11.00
Catalog #: SD 8281LP
Exact repro, manufactured by Rhino under license from Atlantic Records. Originally released in 1971, supposedly shortly after which then-Vice President Spiro Agnew demanded the album be shelved for its content. Heavily sampled freak-funk-jazz classic (J Dilla once hid a copy in some bushes) with a Last Poets lyrical bent. "Sampled to death by the '90s hip-hop elite, including Beastie Boys, Pete Rock & CL Smooth, and A Tribe Called Quest, this administration-upsetting LP showcases this former 'jazz freak' as a slightly less cerebral Gil Scott-Heron, with his direct, socially-conscious lyrics laid over some of the funkiest soul-jazz of the early '70s. A ridiculously rare-groove find for years, the influence of the LP is incalculable, forging a path for hip-hop and soul that would continue to keep the music and message of the album relevant to this day. The man would later produce hit records for Roberta Flack, Gladys Night, and Nancy Wilson, but for for a time Eugene was not trying to please anyone, but just kicking back at The Man a little."

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