Browse by Label: BLACK DIRT

Artist:	PIGEONS
Title:	Virgin Spectacle
Label:	BLACK DIRT
Format:	LP
Price:	$21.00
Catalog #:	BD 001LP

"Beautiful dream-dementia pop from a couple tangentially related to the Sea Donkeys/Sublime Frequencies camp in Seattle." -S@1. "Pigeons and doves are so closely related, they are practically interchangeable in the minds of the people who classify such fowl. But in the eyes of the general public, the dove is a beautiful bird symbolizing freedom and peace while the pigeon is a dirty rat with wings that eats our city's garbage and craps on our cars. But maybe the pigeon is a crafty bird, content with its own beauty and happy to obscure it to avoid the glare of our ever intrusive public eye. Virgin Spectacle is a distorted, hungover, and elusive statement. And it's in French. Except one word at the end. Or more, if you are to believe those responsible. Regardless, amongst all the fog and feathers is a collection of comely pop and sonic excursions guaranteed to lodge itself in your waking subconscious. Hell, you might even dream of a few of these songs. The fine people who constitute the band named Pigeons would like you to believe that they have stumbled incidentally upon such charm, like a diamond in the mine. Don't believe it. Take yourself out of your particular urban situation. Look toward the skies, and see the besmirched bird for what it really is. They have laid out a sonic journey meant to disorient on the surface, but if you follow their flight you'll find yourself cruising along and singing in a language you may not understand. Edition of 500 Recorded at Black Dirt Studio" --Black Dirt. Black Dirt is the new in-house label from Jason Meaghers (NNCK, K Salvatore, Coach Fingers, D Charles Speer and the Helix, etc...).

Artist:	THORNTON, CARTER
Title:	Ten Fingers for Forefathers
Label:	BLACK DIRT
Format:	LP
Price:	$21.00
Catalog #:	BD 002LP

"Odd serially-inflected compositions for classical guitar. A wide breadth of obscure and fragmented influences represented here, all internal. Carter Thornton of Izititiz and Zakashi-Warashi." - S@1. "If you are a fan of the archaic format of music storage and delivery known as vinyl then you are also probably experienced in the art of search and rescue when faced with a pre-auction era, dusty, moldy shop filled to the rafters with such blasts from the past. Every now and then one comes upon a platter in one of these fading outposts, marked at about $3.99. Cover seams split, maybe some radio call letters scrawled in marker, maybe a booze/coffee/bongwater spill splayed like a Rorschach on the back. Perhaps it is the cover art itself that draws your attention... black and white photos seemingly from another time in content and message. Or perhaps it is the title of the album... the way it rolls off the tongue, its playfulness marked by a seemingly obscure reference. The fact that there are no song titles may pique your interest... why is this? Are there even songs on there? You can see the gaps in the grooves so there is some sound being broken up with seconds of silence. You wipe the grime off the grooves with your shirt sleeve and take the disc over to the crappy player up by the register. You pop it on, slip the needle in the groove, and immediately you have the thought 'What the hell is this?!?!?' You're hearing one of those rare recordings of a singular and personal vision. A solo guitar performance that not only operates outside any current or previous fashions, but one that seems to render the idea of recorded music as commerce a nonreality. Although you are carried away with delight by the sounds you are hearing, you can't help but wonder why this person recorded this music. His intent is as elusive as the music he is presenting. It seems as though you are there with the player, this audio mirage helped by sounds of his chair creaking, his arm brushing against the side of his instrument, his fingers scraping across the strings. You purchase the item straightaway, as determined to figure out the history of the recording as you are to wear out its grooves with repeated listenings. With Ten Fingers for Forefathers the proverbial chase has been cut right to. Take a listen and see if you can crack the sonic code contained therein. Edition of 500 Recorded at Black Dirt Studio" --Black Dirt

Artist:	SPEER & THE HELIX, D. CHARLES
Title:	After Hours
Label:	BLACK DIRT
Format:	LP
Price:	$21.00
Catalog #:	BD 004LP

"The much-anticipated blast-off release for Speer and his band. Recently rewarded 5 stars in Time Out mag by the music editor, this album is a landmark in laid-back blues and country songwriting, feat. members of NNCK and Sunburned." -S@1. "The inimitable Mr. Speer coined the term himself upon titling his pre-Helix full length release... Forgotten Country. Not so much a forgotten people of a state or a rural area. Not so either some Souths gonna rise again moonshine. More so a return to a way of presenting a music in the context of a tradition (something those boys in the band are pretty high on.) But this isn't your grandfathers Bakersfield we're dealing with. Tho the tongue of the balladeer may spin tales ripe with a cast of characters including 'the Pastor' Randolph Healey, Cheese Frog, the man from HHS, Uncle Ernie, that guy with the black mustache and red Caddy who stole your girl, and the true born sons of Levi, he sings them not only with the twang of the roadhouse, but tainted with the grit of the streets of the big city. As one casual listener once noted to the band after a performance, 'You guys play both types... country and psych.' And it's true that the sounds contained on After Hours do act on the mind as much as they tug at the heartstrings. Replete with tales of mental instability, infidelity, drunken advice, wartime hucksters, heartbreak, and redemption, the first album by D. Charles with his backing band will surely immediately stand out amongst the shards of gothic Americana that litter our fair sonic landscape. Edition of 500. Recorded at Black Dirt Studio" -- Black Dirt.

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