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Browse by Label: GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Artist:
ORGANISATION
Title:
Tone Float
Label:
GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Format:
CD
Price:
$17.00
Catalog #:
GERMAN 941000
"Rare pre-Kraftwerk LP from 1970, originally released only in the UK! On
Tone Float
, the line up consisted of Ralf Hutter on organ, Florian Schneider on violin and flute, Basil Hammoudi on vocals, Fred Monicks on drums and Butch Hauf on bass. The LP features repetitive percussion and bass drum patterns, embellished with guitar, flute, violin and organ. Sections of the music are clearly '60s influenced and have an almost eastern feeling with scratchy violin and bongos.
Tone Float
was the last time that Ralf and Florian would rely on unrestrained expression and improvisation. With Organisation being a democratic five piece band, it was difficult to develop a disciplined approach. Any comparison between
Tone Float
and the later Kraftwerk sound is hard to draw."
Artist:
KRAFTWERK
Title:
Kraftwerk + Kraftwerk 2
Label:
GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Format:
2CD
Price:
$28.00
Catalog #:
GERMAN 941001/2
"Their first two legendary LPs! The 'oscilloscope' gatefold artwork from the rare Vertigo 'swirl' double-LP re-package is used for the first time ever on a compact disc reissue. [The separate CDs of these titles are no longer available]."
Artist:
KRAFTWERK
Title:
2
Label:
GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Format:
CD
Price:
$17.00
Catalog #:
GERMAN 941002
Available again. "When the Kraftwerk
2
LP was released, Ralf and Florian had rejoined forces to continue Kraftwerk's music ideas. The LP was recorded at their own studio in Düsseldorf (KlingKlang) and the Star Music Studio in Hamburg. It was produced in just seven days between the 26th September and 1st of October 1971. It was co-produced by Conrad (Conny) Plank who once again played an important role. The Kraftwerk
2
album was originally released on the Philips label and is a musical extension of the first Kraftwerk LP. The LP is totally instrumental and Ralf is credited with rhythmusmashine (rhythm machine) as well as a host of other instruments. With no conventional drumming at all -- the first 17 minute track 'Klingklang' has an altogether softer sound than most of the first album. The track's constantly shifting tempo is due to the changing beat of the drum machine, giving the impression that it is a machine that is actually driving the music forward. This was in 1971 a totally new phenomenon and it is very much the 'Kraftwerk sound' being born."
Artist:
KRAFTWERK
Title:
Ralf & Florian
Label:
GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Format:
CD
Price:
$17.00
Catalog #:
GERMAN 941023
"Kraftwerk's third album
Ralf und Florian
was released in November 1973 and its title is almost synonymous with a nickname for the duo. The front cover was taken by Florian's then-girlfriend Barbara Niemöller. The LP is a continuation of the ideas on the first two LPs, but the music has a much cleaner sound dominated by electric piano and soft electronic percussion. The first track 'Elektrisches Roulette' (Electric Roulette) is a rhythmically repetitive piece and I think that you can trace the later Kraftwerk sound in this song. The track features electronics, violin, electric piano and drums. It is very much a pop song and maybe the best track on the album.
Next comes 'Tongebirge' (A Mountain Range Of Tones) and it has closer resemblance to earlier LPs. It has Florian's typical flute arpeggios treated to a heavy dose of echo. 'Kristallo' is also the name of a hotel close to the studio and the song featured clear repetitive keyboard arpeggios showing Ralf further developing the automation feel to his playing. The track ends like a catalog of various recording tricks including backward tapes. 'Heimatklange' (The Sounds Of Homeland) which closes side two demonstrates the duo's increasing grasp of dynamics. Side Two opens with 'Tanzmusik' (Dance Music) a strange song with very simple wooden and metallic noises. The rhythm box is naturally present and actual hand claps appear towards the end of the song. The final track 'Ananas Symphonie' features some slide guitar but most important is the emergence of a primitive vocoder through which the words 'Ananas Symphonie' are discernable."
Artist:
A.R. & MACHINES
Title:
AR3
Label:
GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Format:
CD
Price:
$17.00
Catalog #:
GERMAN 941098
"Available again with improved mastering! For Achim Reichel's 1973 release, and first on his vanity label Zebra, the talented Okko Bekker and noted Krautrock producer Thomas Kuckuck were invited along with many others, with the results being a higher-level mix of echo-guitar excursions, imaginative ensemble playing and kosmische folk-blues. Essential A.R.!"
Artist:
DZYAN
Title:
Time Machine/Electric Silence
Label:
GERMANOFON (WORLD'S LEADING TERRORIST STATE)
Format:
CD
Price:
$17.00
Catalog #:
GERMAN 941150
"Two classic LPs on one disc, complete and un-edited! Full-colour jewelcase packaging features all original LP cover art. Dzyan's classic second and third LPs together and complete on one CD, with all original album cover art! 'When the [original] band eventually disintegrated, Reinhard Karwatky was the only member remaining. So, he drafted in jazzers Eddy Marron (ex-Jochen Brauer Sextet and Vita Nova) and drummer Lothar Scharf (from Virgo), who didn't stay long, and was in turn replaced by the much more original percussionist Peter Giger. On
Time Machine
[1973] they played, to quote Eddy Marron: 'in the Kriegel-Doldinger-Association-Et Cetera jazz-rock style,' a very inventive fusion, the spirit of Kraut rock in a radical jazz-fusion. While Peter Giger worked on other commitments as a session musician for ECM and on tour with Eberhard Weber, ex-Dave Pike Set drummer Marc Hellmann filled in. By the time Giger returned, the Dzyan sound had changed considerably, as both Reinhard and Eddy had been experimenting with ethnic musics and a wider range of instruments. Mellotrons, sitar, and the mysterious 'Super String' were added. The third album
Electric Silence
[1974] was even more out on a limb, bringing weird avant-garde elements together with jazz, rock and various ethnic musics; all together in an extreme melting pot of styles, ideas and fertile imagination. Running from free-jazz through medieval cum raga-rock (cf. Third Ear Band) and intense rock improvisation it is indeed one of the landmarks in experimental rock." --
The Crack In The Cosmic Egg
.
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