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Browse by Label: MEGAPHONE UNLIMITED
Artist:
VA
Title:
Music De Wolfe Vol. 1
Label:
MEGAPHONE UNLIMITED
Format:
CD
Price:
$14.00
Catalog #:
MEGAU 001CD
"The De Wolfe Sound Library is a fifty-year-old business, headquartered in London, that provides soundtrack material for film, video and television commercials. Their name crops up on
Monty Python
records for having provided incidental music, and their web site boasts that they have a track on the
Brokeback Mountain
soundtrack. And these days, in the spirit of sustaining a great multi-generational business, they license out material to hip-hop producers looking for great, unknown beats and sounds. But I like to imagine the de Wolfe offices in the heady days of the late '60s and early '70s. Picture them: a constant flow of entertainment industry types in reflective aviators, patterny neckerchiefs and loafers (and maybe the handy, little leather-bound coke kits -- the kind with gold-plated straws and razors), mouths full of name-dropping, industry yacketing and nice lines of corporate-backed credit, pulling up in Alfa Romeos and MGs. They're young or wishing to be young, swinging or on the lookout, and making their business rounds to the de Wolfe offices to get hot new sounds for their film projects or car commercials or nation-wide radio spots. The almost-as-groovy de Wolfe staff guides them to the stacks of small-run, in-house-only LPs with psychedelic, if somewhat industrial covers, and the hipsters begin listening to evocatively named tracks like 'Silver Thrust,' 'Heavy Gravy,' and 'Sweet Destruction,' while scanning the little back-covers blurbs ('contemporary blues-rock with flute,' 'swinging piano with solid rock beat and electronic flourishes,' or some such) looking for just the right background to their television special or whatever. Did any track on this disc of music from the de Wolfe library from that era ever make it into some forgotten car-chase or nightclub scene? Were any of them the lead-in track to a sports program or chat show? Was a nightclub opening or home stereo hawked over the radio to the sound of any of these tunes. Who knows... and if so, how did the clearly brilliant, boldly creative and genuinely hip musicians whose work was used anonymously feel about the fit of their ideas to the contexts? Did musicians like Nick Ingman, Keith Papworth, Alan Parker, or Roger Webb (to name a few notables) who played, composed and/or produced these tracks even give a damn what happened to the tracks which they sold, rights and all, to de Wolfe, so long as the check cleared? We don't know. None of it mattered to Baltimore DJ Jason Willett when he heard this collection's opening track, 'Hard Hitter.' That dramatically flashing boogie sent him quickly down a rabbithole of research, resulting in this monstrous, little piece of vintage, European instrumental soul. Since Willett first started spinning it, I have seen many dance floors light up with crazy moves to 'Hard Hitter,' and I am sure 'Down Home,' 'Sweet Lace,' 'Stomp,' and more of these bad boys will loosen a few necks (and underthings.) All of it is dazzlingly constructed and performed, with subtle care given to the warmth of sounds and the vigor of the rhythms. And, most likely, virtually all of it would have remained the exclusive intellectual domain of a tiny elite of obsessive Sound Library fanatics. It is not music which needs to be recontextualized to be seen as beautiful or funky. It just is."
Artist:
VA
Title:
Music DeWolfe Volume 1
Label:
MEGAPHONE UNLIMITED
Format:
2LP
Price:
$16.00
Catalog #:
MEGAU 001LP
Double vinyl version. "Fifteen slices of late '60s & early '70s instrumental soul from the library of DeWolfe music compiled by DJ Jason Willett. Hard hitting grooves & otherworldly funk from swinging London featuring legendary composers Nick Ingman, Alan Parker, Keith Papworth and many more. The DeWolfe Music Library (aka Music DeWolfe) was started in 1909 by Meyer DeWolfe to provide musical scores for silent movies, but as the decades passed the library quickly established a reputation for production music for both TV and radio. In the '70s, DeWolfe demonstrated their uniqueness from their rivals by employing a number of young and enthusiastic British composers, true musical innovators of their time, who all possessed the creativity and ability to experiment with new studio techniques and electronic instruments. Not surprisingly, music from the De Wolfe vaults has produced ample fodder for DJs, providing funky breaks, wailing horns, groovy strings and the like to many a hip-hop track or club mix. Baltimore's Jason Willett put together this thoroughly enjoyable collection of DeWolfe instrumental funk classics from the '60s and '70s. From the opening salvo of bongoes and driving bass on Keith Papworth's 'Hard Hitter' to the screaming horns that close out P. Kass' 'Sweet Destruction,'
Music De Wolfe Volume 1
is a relentless mix of driving beats, joyously swinging jazz, and cinematic funk."
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