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Browse by Label: TILIQUA (JAPAN)
Artist:
URABE, MASAYOSHI
Title:
Urklang
Label:
TILIQUA (JAPAN)
Format:
CD
Price:
$16.00
Catalog #:
TILIQUA 001CD
"Introducing the first solo European CD release by Niponnese contemporary alt saxophone player Masyoshi Urabe (sparse discography with previous releases on PSF and SIWA). The music is minimal but intense, featuring unusual solo sax improvisations which explore the relationship between sound and silence." Two long solo tracks, one for alto, one for soprano, recorded live in Japan in 2001. Limited stock.
Artist:
TREE PEOPLE, THE
Title:
The Tree People
Label:
TILIQUA (JAPAN)
Format:
CD
Price:
$21.00
Catalog #:
TILAR 5003CD
"Tiliqua Records is psyched about being able to present a whole new audience and generation with the lysergic beauty of the Tree People's sole recorded artifact, a privately released acid folk gem out of 1979. In times when people are all getting excited about media-created scenes like 'New Weird America' and 'Freak Folk,' they seem to overlook the fact that such music was already being created decades ago. The Tree People is evidence of such a splash of creativity that sadly enough was doomed to disappear within the cracks of obscurity. Until now. Tiliqua was granted the opportunity to restore this gem and with the kind collaboration of Mr. Stephen Cohen of the Tree People, who provided me with the master tapes and a seemingly unlimited support, Tiliqua was able to prepare this reissue. To me, this album is one of the singular most beautiful gems to have crossed my path and words always fall short in an attempt to describe the aural sensation it unleashes. 'Upon listening today this hushed and intimate feeling still resonates through the music - the record possesses an extraordinarily potent atmosphere that still intoxicates the senses after so many years. Over a combustible backing dominated by shimmering strings, bone-shaking hand percussion rhythms, and quivering sensuous threads of eastern-toned flute playing, the group succeeded in concocting up a syncretic combination of meditative Indian raga, western folk stylings and idiosyncratic melodic ideas. The music breathes out intimacy and communicates with a rare directness - hooking you instantly with sheer aural bliss derived from the melody, from the flowing beat, from the sound of the words and syllables and of all those separate elements interacting with each other, rendered into a concentrated, gracious flow of lunar notes. The album's compositions have so many hidden qualities, all breathing out deep and affectionate sentiments that reveal, just like a lotus flower centered on the axis with its petals unfolding towards the circumference, a streamlined adhesion towards the group's own singular creed. Listen to it and you may feel like awakening from a deep slumber, your unconsciousness leaking away as aspects of reality slowly mix in with the rest of your already blurred mindset.' First time ever official reissue, housed in a sturdy mini-LP styled gatefold sleeve. Original artwork with reproduction of a rare Tree People concert poster opening up in the gatefold. Comes with salacious obi strip and 4 pages of extensive liner notes. Limited pressing and bound to move fast."
Artist:
MASAYUKI, TAKAYANAGI
Title:
Independence - Tread On Sure Ground
Label:
TILIQUA (JAPAN)
Format:
CD
Price:
$27.00
Catalog #:
TILAR 5008CD
"New release in Tiliqua Records' ongoing Archival series is this quintessential album by Takayanagi Masayuki. It was his debut recording as a leader with his newly erected unit The New Directions, a trio consisting out of bassist Yoshizawa and drummer Toyozumi 'Sabu' Yoshisaburô. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970),
Independence - Tread on Sure Ground
, is largely regarded as the first true classic of Japanese free jazz. The group thrashes out an entirely new Japanese methodology for improvisation based on Takayanagi's theories about progressive art. As Alan Cummings explains in his liner notes, the group's sonic outburst is pregnant with an urgent intensity similar to a violent rotating windstorm. 'An electric guitar string is pinged with a sour and markedly unlovely resonance. It is left to fade away naturally, its dying whisper replaced with a wavering feedback tone that grows steadily in volume and thickness. Against the slow feedback wave, a sudden loud percussive crash, urgent staccato rolls across the toms, and the dry rasp of a rattle. A choppy, non-sequential series of chords from the guitar, still mouth-puckeringly bitter is set against the warmer resonance of an alternately bowed and plucked double bass. Each instrument sounds self-contained, like lunar bodies spinning on their own axes at different tempos, but locked together by unfathomably complex rules of motion. Additional percussive rattles and scrapes have been overdubbed to fill in the blank space. Tendrils of feedback snake in and out, like cosmic dust from some cataclysmic celestial event. The playing is exploratory and deliberate, technically adept and keenly judged, easily sustaining interest and motion across the track's eleven minutes. Its sense of focused concentration is more akin to the European free improvisation of AMM or The Spontaneous Music Ensemble than the violent ecstasies of American fire music.' The CD reissue includes also the bonus track 'Mass Projection' which was originally issued on the compilation album
Guitar Workshop
(Teichiku, 1970). This CD is housed in a high quality mini-LP styled gatefold sleeve, completed with obi and extensive 4-paged illuminating liner notes by Alan Cummings. Original artwork is faithfully reproduced. One time only limited pressing."
Artist:
SKOGSBERG, JOAKIM
Title:
Jola Rota
Label:
TILIQUA (JAPAN)
Format:
CD
Price:
$27.00
Catalog #:
TILAR 5011CD
"First time official reissue of one of Sweden's greatest and sadly unknown psychedelic treasure is this sole album by Joakim Skogsberg out of 1971. Tiliqua acquired the exclusive rights to this gem and this reissue comes with a remastered sound taken directly from the original master tapes and with the kind assistance of Mr. Joakim Skogsberg himself. The album
Jola Rota
is about Joakim Skogsberg's love for the grandiose Swedish landscapes, which has put its imprint upon his songs. On
Jola Rota
Joakim single-handedly created a minimal psychedelic and acid folk masterpiece infused with incredible soundscapes of derailed fuzzed out violins, soaring guitars, rattling hand percussion, droning vocals and pulsating bass rhythms, complimented by Joakim's 'jolor,' a special singing style with roots in an ancient Swedish tradition of folk music. The album was for the most part recorded out in the woods, with a portable Nagra reel-to-reel tape recorder and a simple Philips cassette recorder. Upon completion it was suggested for the album to appear on Gump Records, a subsidiary of Metronome. The music was just too underground and weird to be in Metronome's register. Apart from Joakim's original recordings, some overdubs and effects were done in the studio during the autumn of 1971. Some of the droning sounds on the record were recorded in a tiny closet in Kärrtorp; a suburb to Stockholm where Joakim was living at the time. The album was pressed into approximately 1000 copies and only about 300 to 400 copies were actually sold. The rest of them were melted down and used in the pressing of other Gump records, making
Jola Rota
a much rumored and sought after Swedish droned-out and mesmerizing psychedelic artifact. This edition
Jola Rota
comes housed in high quality sturdy hard card mini-LP styled gatefold sleeve. Original artwork is faithfully reproduced and previously unpublished archival pictures can be found within the liner notes and gatefold. The liner notes are by the hand of Adam Gustafsson. Digitally remastered from the original master tapes and graced with faithfully reproduced artwork and obi. One time only limited pressing."
Artist:
AKIRA & COUNT BUFFALO, ISHIKAWA
Title:
Uganda: Dawn Of African Rock
Label:
TILIQUA (JAPAN)
Format:
CD
Price:
$31.00
Catalog #:
TILAR 5012CD
"The start of a new series focusing on lost and obscure sonic treasures birthed out of the underbelly of Japan's New Rock revolution during the period 1969-1978 is spearheaded by the long announced reissue of one of the rarest discs to seep out of that seedy, incestuous scene. Ishikawa Akira & Count Buffalo's
Uganda: Afurikan Rokku no Yoake
originally saw the light of day on February 5th, 1972 on Toshiba Records as part of their '4 Channel Q.M. Sound' series but quickly sank into the depths obscurity, making that only a handful of copies were actually sold while the remaining stock was withdrawn due to very depressing sales and eventually melted down and destroyed. The disc remained a well kept secret for all these years and only a small circle of die-hard music lovers have ever seen an actual original copy, making it these days one of the most treasured and hunted down Japanese rock artifacts. A couple of years ago a bootleg LP edition of the LP came out, sadly sounding quite mediocre but nevertheless rejuvenating a new awareness for the album. Still, rumors as to who were the actual performers on the album floated around freely since the group was simply listed as Count Buffalo with no detailed breakdown of who actually played on the album, and as a result, there has been much fevered speculation over the years. Therefore, Tiliqua Records thought it wise to release this sonic gem properly -- they hunted down the license, unraveled the legal entanglements, acquired access to the original mastertapes and subsequently also took on the quest to track down the actual players involved. So now, with this fully-authorized reissue, we can finally reveal the full line-up or the key players involved and add some insight into the record's background, thanks to the kind participation of Uganda's composer, Mr. Muraoka Takeru. Musically speaking, Ishikawa Akira & Count Buffalo's
Uganda - Afurikan Rokku no Yoake
is a vicious psychedelic whirlwind monster of a disc where primitive Afro-spiritual and tribal ethnic percussive blow-outs cross-pollinate with lysergic New Rock fuzz-a-delic dementia, stirring up enough dust and boulders like two-barreled guns coming out of the demon hole. Still,
Uganda
is more than just that, and although it is deceptively intense, it is simultaneously casual in feel yet meticulous in its musical detail and lyrical economy. And seen in retrospect, I can now proclaim that this album stands shoulder-to-shoulder with the best records of that golden era, and it was one of Japan's 1970s underground scene's defining moments. In short. it is a totally lethal slide that does not fail to create an arresting listening experience. As is the case with all of Tiliqua Records' releases, this one is also crafted out with meticulous care and eye for detail. The CD comes housed in a miniature version of the actual slim-cased LP box set, complete with obi and extensive 8-paged Japanese/ English liner notes, illustrated with some archival footage. One-time only, very limited press, housed in a sturdy hard card mini-LP styled slim box set-styled gatefold jacket. Digitally remastered from the original master tapes and graced with faithfully reproduced artwork (although slightly adapted for the single CD box set version) and obi. One-time limited press due to the nature of the box set jacket."
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