Browse by Label: YOUNG AMERICANS (UK)

Artist:	SUUM CUIQUE
Title:	Midden
Label:	YOUNG AMERICANS (UK)
Format:	LP
Price:	$23.50
Catalog #:	YOUNGAM 002LP

Suum Cuique (pronouned "su-um-kwi-kwe" -- Latin for "to each his own") follows the remit of Young Americans to explore uncharted, experimental, and personal synthscapes, guided by the hand of intuition with an entirely analog array of machines. In "Lithic Reduction," concrète textures grind like a millstone to release powdery clouds of analog dust, settling only to be dispersed by gusts of blackened distortion, whereas "Red Binary" is distinctly electronic, revolving around muted radar bleeps like the resonance from Selected Ambient Works II soundtracking a speckly pill experience that's starting to go west. The album's centerpiece, the aptly titled "Entropy" nods to the sublimely stoic work of Eleh, radiating microtonal bass shifts while a bitter northerly wind builds in intensity. "Cyclic Redundancy" opens the flipside with a majestically submerged slab of completely obliterated and submerged 4/4, like an unholy collusion between Mika Vainio, Sandwell and Bernard Parmegiani soundtracking a trade union rave in the 1950s, before "Even In Death..." conjures imagery of a eulogy given by a Mongolian throat singer with crows circling overhead. Limited to 400 copies for the world, comes in a deluxe white-on-white embossed sleeve. Mastered at Dubplates and Mastering in Berlin.

Artist:	ORAM, DAPHNE
Title:	The Daphne Oram Tapes: Volume One
Label:	YOUNG AMERICANS (UK)
Format:	2CD
Price:	$23.50
Catalog #:	YOUNGAM 003CD

2CD version. Daphne Oram, founder of the BBC Radiophonic Workshop, died in 2003 leaving a colossal archive of reel-to-reel tapes and documents behind. This important collection of material eventually made its way to Goldsmiths College, London, who have been administering it on behalf of the Daphne Oram Trust for the last few years. The collection holds over 400 tapes made by Oram during her lifetime, and 211 of those have been archived and catalogued by the college so far. The Daphne Oram Tapes: Volume One is the result of almost two years spent trawling through the archive in an attempt to piece together a coherent document of one of the most pioneering and genuinely experimental characters in electronic music history. Although some of Oram's recordings have surfaced on the Oramics compilation (YOUNGAM 001LP), this compilation reveals a complex, dark and sometimes disturbing body of work which has, until now, been partially obscured by the more recognizable Radiophonic bleeps and whirrs the Workshop is best known for. This first volume focuses on Oram's love of experimental forms, of musique concrète, of the science and mystery of sound and composition. It comes at a time when her work is only just starting to gain wider acknowledgment in scholarly as well as popular circles. The "Oramics" machine (the first electronic musical instrument in history to be designed and built by a woman) has gone on display at the Science Museum in London, an important step in what will no doubt be a sustained effort to assert Oram's rightful position as one of the most important figures in modern music. Working through the archive has been a life-changing experience, revealing a wealth of musical treasures that include recordings and sound effects made for Stanley Kubrick's 2001: A Space Odyssey and Jack Clayton's The Innocents, all the way through to field recordings made in Africa. This first volume, put together with the help of Goldsmiths and Daphne's family, is the first in a planned series that will, for the first time, make Oram's most important and personal recordings available for public consumption. The audio has been carefully mastered and cut by Lupo at Dubplates & Mastering, Berlin. Deluxe 2CD edition comes in a 6-panel oversized digipak.

Artist:	ORAM, DAPHNE
Title:	The Daphne Oram Tapes: Volume One
Label:	YOUNG AMERICANS (UK)
Format:	4LP
Price:	$47.50
Catalog #:	YOUNGAM 003LP

Daphne Oram, founder of the BBC Radiophonic Workshop, died in 2003 leaving a colossal archive of reel-to-reel tapes and documents behind. This important collection of material eventually made its way to Goldsmiths College, London, who have been administering it on behalf of the Daphne Oram Trust for the last few years. The collection holds over 400 tapes made by Oram during her lifetime, and 211 of those have been archived and catalogued by the college so far. The Daphne Oram Tapes: Volume One is the result of almost two years spent trawling through the archive in an attempt to piece together a coherent document of one of the most pioneering and genuinely experimental characters in electronic music history. Although some of Oram's recordings have surfaced on the Oramics compilation (YOUNGAM 001LP), this compilation reveals a complex, dark and sometimes disturbing body of work which has, until now, been partially obscured by the more recognizable Radiophonic bleeps and whirrs the Workshop is best known for. This first volume focuses on Oram's love of experimental forms, of musique concrète, of the science and mystery of sound and composition. It comes at a time when her work is only just starting to gain wider acknowledgment in scholarly as well as popular circles. The "Oramics" machine (the first electronic musical instrument in history to be designed and built by a woman) has gone on display at the Science Museum in London, an important step in what will no doubt be a sustained effort to assert Oram's rightful position as one of the most important figures in modern music. Working through the archive has been a life-changing experience, revealing a wealth of musical treasures that include recordings and sound effects made for Stanley Kubrick's 2001: A Space Odyssey and Jack Clayton's The Innocents, all the way through to field recordings made in Africa. This first volume, put together with the help of Goldsmiths and Daphne's family, is the first in a planned series that will, for the first time, make Oram's most important and personal recordings available for public consumption. Deluxe quadruple vinyl housed in a gatefold sleeve.

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