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2LP
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VP 4256LP
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"First time on vinyl for Chapter One of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. Kicking off with the joyful ska of Lord Creators' Independent anthem, Chapter One runs the true course of Jamaican music in the 1960s with a virtual who's who of reggae music including Bob Marley, Peter Tosh, Toots & The Maytals, Rico, Skatalites, John Holt & Alton Ellis. Beautifully packaged with inner sleeves featuring rare photos and liner notes by Blood & Fire's Steve Barrow."
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2LP
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VP 4257LP
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"First time on vinyl for Chapter Two, the second part of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. From Augustus Pablo's groundbreaking 'Java' to Carl Malcolm's UK pop crossover hit 'Fattie Bum Bum,' Chapter Two showcase classic after classic from an all-star line-up of the '70s reggae music greats including Black Uhuru, Horace Andy, Dennis Brown, Gregory Isaacs, The Heptones & Big Youth. Beautifully packaged with inner sleeves featuring rare photos and liner notes by reggae historian, Dennis Katz."
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LP
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WHYT 092LP
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Repressed! Joanne Robertson follows up on AD 93 with the album Blurrr. Written between painting sessions and also whilst raising a child, Blurrr is a record of loose and playful intuition. Robertson's vocals and guitar drift, murmur and whisper across the record; fostering a deep intimacy as unknown emotions rise up from the well. Robertson's intuitive approach to music making co-exists alongside her improvisatory and collaborative nature. She has collaborated regularly with artists such as Elias Rønnenfelt on Heavy Glory, Dean Blunt on Backstage Raver, and Black Metal, and Sidsel Meineche Hansen on Alien Baby. In Blurrr Robertson turns to previous collaborator and friend: cellist, composer and producer Oliver Coates.
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LP
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N 103LP
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Moving freely through time and space via experimental DIY recordings since 2009, Joasihno return with their fourth album Spots. Southern German experimental pop duo Joasihno -- initial solo founder Cico Beck (The Notwist, Aloa Input, Spirit Fest) and drummer/composer Nico Sierig (Instrument, Fehler Kuti) -- seem to know exactly when it's time to shine. Idiosyncratic genre tweakers since day one, they have been operating at their own pace, mostly staying in their own shady corner. Yet, almost a decade after their most recent Meshes (N 047CD), it's high time for them to take over more corners, to reclaim even more spots between lo-fi and sci-fi, retro electronica and contemporary classic. Drawing upon influences as varied as Reich, Riley, Ryuichi, múm, Meek, and Moondog, while also nodding to other experimental twosomes (e.g. The Books), the duo's fourth full-length Spots arrives via Alien Transistor. Electronic shapes align and things lift off -- with a majestic 8-bit sunrise soon appearing right in front of the listener. Whereas playful title song "Spots" is a miniature Rube Goldberg kind of device, with quirky plucked strings and glitches setting off more and more contraption layers, "Crackleboom" is uncharted energy, an open landscape, an expanding bonfire that leads to a long-forgotten piano, all dust-covered in some kind of saloon. Things break and shatter in the distance, but this spot right here is for hypnosis, dancing, sylvan spirits. And yeah, it's surprisingly hot down here in the undergrowth. It's all DIY spots, spots that leave room to dream or dangle, drape yourself over or dive into. Returning to the leafy bower on a melancholy post rock tip, we eventually learn that "Death Is Real" -- and so the listener is left with a laterna magica that turns and turns and turns. It's a beautiful spot where light and shadows keep on dancing, just like they've always done, ever since the dawn of this madcap universe.
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LP
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BAADM 019LP
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With Processing Music, Dutch composer and electronic musician Casimir Geelhoed offers a compelling meditation on sound transformation as a metaphor for psychological and emotional processing. Operating at the intersection of overstimulation, introspection and fragility, the album unfolds as a deeply immersive and personal exploration -- one that invites the listener to inhabit a space of their own projection, memory and reflection. Rather than imposing a fixed compositional structure, Processing Music follows a bottom-up approach, allowing form to emerge organically from the interaction of sonic materials. Digital signal processing is not used here as a mere technical tool, but as a poetic device: transformation as narrative, delay as memory, distortion as tension. Through slowly eroding loops, gently collapsing textures and shifting layers of timbre and space, Geelhoed crafts a delicate sound world that is charged with friction. What may at first seem abstract gradually reveals an emotional core. The album evokes the suspended time of a largo, the layering of memory like an excavation, the psychological tension of perceived spatial expansion. These are not literal themes, but associative keys to a music that operates in a distinctly human sonic language. Emerging from a series of live performances, Processing Music retains a performative sensibility: the music breathes, transforms, and invites attention to nuance. It slowly unfolds a landscape shaped by the subtle interplay between structure and dissolution. Casimir Geelhoed has presented performances and installations at festivals such as CTM, Sonic Acts, Rewire, Fiber, SPATIAL, and Aural Spaces. He studied computer science, composition, music technology, and sonology in Amsterdam, The Hague, and Utrecht.
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Cassette
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BKE 022CS
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A decade after its release, A Fragile Geography returns transformed. This limited-edition cassette accompanies the AFG10 anniversary reissue, offering an inspired re-envisioning of Rafael Anton Irisarri's landmark compositions. Reworks presents distinctive readings of these pieces, with each artist leaving their personal mark on the material. The titles remain unchanged, with the sole exception of "Hiatus," reborn here as "Ausencia." Together, these reimaginings extend the emotional cartography of the album into new terrains. KMRU reframes "Displacement" with expansive, glimmering layers that open into meditative ambient landscapes. Penelope Trappes renders "Reprisal" as a voice-led invocation of the delicate and the intimate. Her wistful vocals bloom with fragile sorrow, rising over shimmering strands of strings to create a sound world at once sacred and shadowed. Kevin Richard Martin (a.k.a. The Bug) transforms "Empire Systems" into a cavernous "Iced Mix," driven by polyrhythmic double bass motifs and sculpted from subterranean pressure and negative space. On Side B, Mabe Fratti opens with a cinematic, dreamlike, Lynchian reimagining of "Hiatus" in her native Spanish ("Ausencia"). She threads cello and voice so wondrously that her rendering feels at once hauntingly beautiful and disquieting. Abul Mogard stretches "Persistence" into a vast drone elegy. A master of patient sound sculpting, Mogard layers evolving waves of analog synths into a dense shroud that radiates its own internal light. William Basinski and Gary Thomas Wright close the cycle with a spectral version of "Secretly Wishing for Rain." Basinski's field recordings of Reseda rainfall and birdsong, which open and close the rework, add a personal touch and evoke the imagined sound of a grainy film reel flickering to life. A final gesture that dissolves the album into vapor, leaving the listener adrift in its lingering afterglow. Mastered with great care by Stephan Mathieu and featuring a remixed version of the original artwork by Daniel Castrejón, this edition refracts the language of the original through new prisms. Less a return than a passage, across time, across interpretation, into uncharted emotional realms.
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LP
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BYT 002LP
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Born from a profound devotion to the piano and a reverence for the organic flow of life, byt' surprises listeners by presenting Paths Of Sand, a remarkable creation by Amsterdam-based composer xico, offering sound and soul to those willing to listen beyond the surface. Through the magic of experimentation, xico captured the fleeting beauty of the muse of improvisation, as described by Nachmakovich, transforming the ephemeral into something lasting. Performances recorded on the same old piano during the 2023 Kaalstaart Festival in the Netherlands have since evolved into a fully realized work. A journey of nearly three years of dedicated silence that began with Telva's intuitive recognition of xico's voice, starting with an invitation to her radio show and blossoming into a captivating fascination with what unfolded. This process led to the art of shaping the selected live recordings into a collector's item, now materialized as a limited edition of 200 pressed vinyl copies, forever remaining as an artistic memento. Perfectly attuned to the energy of the autumn equinox, Paths Of Sand unfolds as an intimate reflection of music's ability to hold what cannot be held, to speak what cannot be said, and to embody what can never be described. xico is a sound artist and improviser from Ibiza whose work explores the merging point between disruptive and post-natural soundscapes, crafting immersive sonic environments through compositions that unfold like ecosystems. Encouraged by an understanding of chance as nature's and awareness' most accessible voice, he focuses on creating generative live-sets with varying degrees of unpredictability. For him, subordinating human intention to nature's order is a conscious choice, and making art through this lens becomes a statement and a spiritual practice. With his distinctive touch, his compositions resonate with the world in unexpected and profound ways, offering experiences you may never have heard before.
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2LP
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CTZ 055LP
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Double LP version. Originally released in 2005, OK Cowboy, Vitalic's first album, is celebrating its twentieth anniversary with a reissue in several formats, enriched with rare tracks and previously unreleased versions. OK Cowboy is a landmark album in electronic music, a pivotal record between eras. It perfectly captures that period while also anticipating the raw, abrasive new sounds of French Touch 2.0 (the movement led by Justice and the artists of the Ed Banger label). Twenty years later, the impact and power of this major album still mark it as a defining release of the mid-2000s, retaining its full sonic relevance today.
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LP
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CMAR 007LP
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Acclaimed Scottish composer Craig Armstrong presents his new work Pacific via his own label CMA Records. Written for piano, cello, and electronics, the three-movement piece was originally commissioned in December 2024 by Christian Kellersman, a pioneering figure in contemporary classical and jazz music, for his new live event series Berlin Confidential, co-curated with Alexander Szlovák. Armstrong was among the first artists invited to perform as part of Berlin Confidential, premiering Pacific at Berlin's historic Meistersaal concert hall in March 2025. The concert featured Armstrong on piano alongside cellist Lena Angelina von Almen and producer and musician Guy Sternberg, combining acoustic instruments with live electro-acoustic treatments to create a rich and atmospheric sound world. Recorded in May 2025 at Lowswing Studios in Kreuzberg, Pacific continues Armstrong's ongoing exploration of blending acoustic and electronic sound in a natural, seamless way. Over several days in the studio, Armstrong, von Almen and Sternberg developed the work's intricate textures and dynamic interplay, resulting in a recording that captures both the intimacy and expansiveness of the original live performance. Across its three movements, "Pacific 1" is elegiac in nature, with the main themes stated and developed throughout the piece, punctuated by recurring piano motifs. The second movement is arrhythmic in nature, following shifting time signatures that reflect a sense of uncertainty - the music is searching and static, ending without resolution but leaving hope for one to come. "Pacific 3" moves towards peace and resolution, bringing the work to a close with quiet strength and emotional release. The limited-edition vinyl release has been pressed on Eco Vinyl at SeaBass Vinyl, a sustainable plant near Edinburgh. The record features striking cover art by Dirk Rudolph, who has designed several of Armstrong's previous releases.
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Book
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9798993404004
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270 pages. Soft-cover, fully illustrated. 196 x 268mm. Edited by Eva Prinz. Preface by Neneh Cherry. Afterword by Joe McPhee. New York, NY, USA -- musicians Mats Gustafsson, Neneh Cherry, Joe McPhee, and Thurston Moore, along with music writer Byron Coley, have contributed to an illustrated collector's guide to records -- replete with 270 pages of beatific album art, labels, sleeve notes and collector musings on their life-long obsessions of record collecting, with a distinct focus on the recorded history of free jazz and free improvisation. Compiling personal archives of their selections of recordings which could be contenders within a list defined by a parameter of 100 of the most essential releases presented in chronological order, acknowledging the music to be preternaturally noncompetitive, non-hierarchical, and of equal value, Now Jazz Now is a book for all adventurous music lovers, whether ravenous record collectors, avant-garde jazz enthusiasts, students of radical culture, or simply curiosity seekers in wonder to this music's illustrious history and lineage. The gleanings of Cherry, Coley, Gustafsson, McPhee and Moore will enlighten, delight, amuse, and bemuse all who follow their streams of consciousness, knowledge, perception, and, most importantly, unbridled respect and regard for a genre of music dedicated to the dignity of practicing freedom. All copies of first printing distributed by Forced Exposure in the USA will have an exclusive bookplate signed by Thurston Moore, Byron Coley and Mats Gustafsson; edition of 999.
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LP
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ELA 005LP
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Elations Recordings presents Return of the Airpoets, an exploratory recording from longtime collaborators Reuben Lewis and Adam Halliwell, occupying a unique space between contemporary experimental music and avant jazz. Engineered and mixed by Reuben Lewis in 2023, and featuring guest appearances from acclaimed Australian drummer Ronny Ferella. Return of the Airpoets continues a conversation begun with "Cygon Dance", an extended duo between Lewis and Halliwell from Halliwell's 2023 LP Freedom Lapse; a dialogue that stems from a shared love and respect for Jon Hassell's Fourth World music. Sonic pioneer and adventurer, Hassell's futuristic vision advocated possible musics, stressing plurality and multiplicity. Faithful to his vision, Adam and Reuben, as trailblazers rather than imitators, delight in boundless musical possibilities, adopting Hassell's futurism as stock-in-trade, making it their own while augmented with neo noir hues and hints of the tilted electro-funk of Miles Davis' collaborations with Marcus Miller. These nine tracks flow together as a unified suite, their shadowy presence stitched from fractured narratives: imaginary crimes, murders, dreams, the unspoken. At the same time, you can detect the artists' meticulous attention to sonic detail, feel the undercurrents, the complex layering. This music has been distilled, winnowed, from extended improv sessions, with the artists -- as producers -- zeroing in on offcuts, shards, and splinters, seamlessly patching together fragments in post-production to construct intricately layered sound collages, taking a leaf out of Tao Macero's book, building from the ground up.
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12"
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FM 12075EP
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Orange color vinyl. Knob twisters Biesmans & Johannes Albert are back at it with another sun-drenched late summer weapon. This time they shine a "Tangerine Beam" straight onto the dancefloor. Expect a cheeky disco spark that might remind you of something at the core, bouncing rhythms, and a melody so infectious you'll catch yourself humming along after the first round. Both playful and relentless, "Tangerine Beam" connects the dots between timeless disco heat and modern club thunder. One spin and you'll know: this beam is unstoppable.
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LP
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GET 51293LP
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2025 repress. "Cypress Hill's self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren't usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice. From the opening notes of the group's first single, 'The Phuncky Feel One,' to deeper album cuts like 'Stoned Is The Way Of The Walk' and 'Tres Equis,' it was clear that Cypress Hill was something different. And very, very dope. The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real's back, to bring intensity and a no-bullshit gruffness that made the group both menacing and unpredictable. When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group's relationship in the reissue's liner notes (which is included only in limited edition Skull) saying, '[By the late '80s] the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter's deep wrangle, the former's inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop's most formidable young producer, while straddling the bi-coastal gap.' Cypress Hill's debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of 'The Phuncky One' and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group's live set to this day."
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LP
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GET 51304LP
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2025 repress; white vinyl. "In the 4 years after The Clipse dropped their sophomore classic Lord Willin' the duo was able to build a legacy that had fans hungry for new material. After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for their unconventional radio smash 'Grindin',' Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha's inventive drug-game metaphors and Malice's soul-baring confessionals. Get On Down now proudly issues this Neptunes produced favorite on LP for the first timel."
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GLOSSY 023LP
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Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection. Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection -- offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence. Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
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LP
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HOS 727LP
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Proper hybrid techno for all collective submissions which presents the thesis of seasonal listening all year round. Snowy dub, bright warehouses, vast intimacy, suffocating isolation. Rolling tracks with a dynamic range between female and disco nouveau balanced with appropriately tense percussion and punchy low-end grooves that feel more like vacuums pulling you into torn space and reassembling the listener from a place before they started. The opening track suggests a contemplative quiet morning ritual. "Treycee" moves through a busy metropolis to various engagements in efficient tempo. "Oleg" demands and forces you to get out of your home and move yourself in ruthless and twisted energy. The Rules deliver administrative coldness complete with a convincing namesake track which earns this album's title. Clear vinyl. Digital download code included.
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2LP
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GIGOLO 369LP
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The album of the year -- and the beginning of a new era at Gigolo Records. Ten club tracks packed with pure impact, crafted by one of today's most talented and innovative producers: Aziz Haddad from Tunisia. His sonic fingerprint breaks all genre boundaries -- impossible to categorize -- and fits perfectly into the Gigolo Records family and history. Aziz's uniqueness lies in his anarchic definition of sound: 4-to-the-floor house, '80s synth pop, techno, and hypnotic beat programming merge into a cinematic, magnetic whole. Selected Bangers rewrites the rules -- every beat counts. Featuring Dolo Desir.
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LP+CD
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BEC 5156099
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2025 restock; gatefold LP version. Includes CD. Legendary French record executive, talent agent, and producer Jacques Canetti recorded French singer Jacques Higelin's first disc in 1965, though their meeting dates back to 1954, when Higelin was 14 years old and was already singing Trenet -- at the time, Canetti refused to work with teenagers, whatever their talent. To celebrate the 2015 50-year anniversary of his career, the release of his 2013 album Beau Repaire, and a 2015 residency at the Philharmonie de Paris, Jacques Canetti Productions reissues his first album, with two bonus duets with French poet and vocalist Brigitte Fontaine.
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LP
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KK 139LP
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Lilac is the first Donna Regina album since 2019's Transient. The world has changed considerably since then, which has also left its mark on the Berlin indie pop duo. "In Lilac, I imagine good ol' Earth as a big ol' bear shaking us off because it can't stand us anymore," says Regina Janssen. "It has become a serious album," Günther affirms, but he is also adamant that it is not a sad one. Musically, Donna Regina have remained true to the spirit of their early work, recently re-released by Karaoke Kalk: their arrangements are as minimalist as they are emotionally rich. Samples play a smaller role this time than on earlier albums, with analogue instruments such as a monophonic synthesizer and, above all, guitars coming to the fore again. This frames lyrics that are being delivered by Regina in German, English, or in both languages. They delve even further into the intricacies of urban life. Starting with the ominous sounds of "Whole World In My Town," through the dreamscapes of "Autumn In Paris," to the elegiac conclusion of "No More Roses," Regina and Günther Janssen move through different timbres and styles with a few select means. Their preference for minimalist electronics becomes evident at times, while elsewhere the pieces open up to balladic arrangements in which the guitar plays a leading role. This turns Lilac into a city by itself, the songs forming its soundscape: every neighborhood looks different, every street has its own character.
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LP
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KEPLARREV 022LP
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Aoki Takamasa and Tujiko Noriko's 2005 album 28 has become a cornerstone in the artists' respective discographies. 20 years after its initial release, Keplar issues it on vinyl for the very first time. Three years in the making, 28 saw the sound artist and the avant-pop singer-songwriter combine their distinct aesthetics for an album that defied categorization. Their combination of advanced electronic experimentation and pop appeal paved the way for a new generation of artists and turned 28 into an enduring fan favorite. Remastered by Stephan Mathieu, the reissue comes with a brand-new artwork by Joji Koyama and a changed track listing -- authorized by Takamasa and Tujiko -- for the vinyl version to fit it on a single LP, while the digital version remains identical to the original release. Tujiko and Takamasa first shared the stage together after the turn of the millennium. Both were emerging solo artists, with Takamasa a mainstay on the Progressive Form label and Tujiko forging a connection with Mego in Vienna, Austria. They first collaborated in 2002 for two shows at the Fondation Cartier in Paris and at SonarLab in Barcelona, respectively. The first joint piece was a rework of Tujiko's "Fly" from "Hard Ni Sasete (Make Me Hard)" by Takamasa, appearing as the album opener Fly2 on 28. After that, the Paris-based Tujiko and Takamasa, still based in Osaka, worked sporadically and remotely on new material. For the first two years of their collaboration, the two met in the context of live events or Takamasa's visits to the French capital to discuss their process and exchange hard drives while also occasionally sending each other CDrs in the mail. Takamasa used hardware such as the Nord Modular, the Korg Z1, and the Korg ER-1, while also working with different kinds of software and plug-ins as well as Logic. Tujiko was using Cubase, her preferred piece of gear at the time being an AKAI MPC. After Takamasa moved to Paris in 2004, this enabled the duo to finish the album together in person. Starting with its subtle use of glitches to the almost-anarchic way in which it deals with the structures of a song, »28« came to be an incomparably intricate album. 20 years on, it remains timeless because of its flawless synthesis of the cutting-edge avant-garde ideas of early 2000s electronica with an idiosyncratic but accessible pop sentiment.
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2CD
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LMS 1725521
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Originally released in 1995, Jimmy Somerville's Dare To Love stands as a powerful statement of pride, passion, and pop brilliance, carried by one of the most unmistakable voices in modern music. It embodies Somerville's gift for marrying political conviction with irresistible melodies. Produced by Stephen Hague and other longtime collaborators, the album traverses bass-laden house grooves, slower, dubby reggae numbers and classic pop ballads. Featuring the UK Top 30 hits "Heartbeat" and "Hurt So Good," along with the poignant "Safe in These Arms," Dare To Love explores love, loss, and identity, both on and off the dancefloor. London Records now celebrate 30 years of Dare To Love with a full remaster and expended editions. Collector 2CD version contains 31 tracks and features previously unreleased B-sides, rarities and remixes from the likes of Todd Terry, The Beatmasters and more. Comes as 4/4 digisleeve with three wallets, 20-page booklet, and marketing sticker. 2LP version contains 21 tracks and comes as two crystal-clear blue curaçao vinyl with 5mm spine sleeve and two printed inner sleeves plus marketing sticker.
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2LP
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LMS 1725522
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Double LP version. Originally released in 1995, Jimmy Somerville's Dare To Love stands as a powerful statement of pride, passion, and pop brilliance, carried by one of the most unmistakable voices in modern music. It embodies Somerville's gift for marrying political conviction with irresistible melodies. Produced by Stephen Hague and other longtime collaborators, the album traverses bass-laden house grooves, slower, dubby reggae numbers and classic pop ballads. Featuring the UK Top 30 hits "Heartbeat" and "Hurt So Good," along with the poignant "Safe in These Arms," Dare To Love explores love, loss, and identity, both on and off the dancefloor. London Records now celebrate 30 years of Dare To Love with a full remaster and expended editions. 2LP version contains 21 tracks and comes as two crystal-clear blue curaçao vinyl with 5mm spine sleeve and two printed inner sleeves plus marketing sticker.
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2CD
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LMS 1725529
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FYC40 celebrates 40 years of Fine Young Cannibals, the British trio who stormed the global music scene in the mid-to-late '80s. Their journey began with the soulful, new wave energy of their 1985 debut Fine Young Cannibals, before reaching new heights with 1989's The Raw & The Cooked, a worldwide smash that fused rock, funk, and house, all powered by Roland Gift's unmistakable voice. Across their career, the band scored eight UK Top 40 hits, two U.S. Billboard #1 singles, multiple Grammy nominations, and two BRIT Awards -- cementing their place in pop history. The Raw & The Cooked delivered enduring anthems like "She Drives Me Crazy" and "Good Thing," both U.S. chart-toppers whose influence still resonates today, from hit shows like The Bear to Chanel campaign featuring Dua Lipa and BLACKPINK's Jennie. Includes new artwork and new liner notes. Fully remastered. Also available on clear vinyl (LMS 1725531), double vinyl (LMS 1725532), and as a 4CD/DVD box set (LMS 1725530). DVD is NTSC format, region 0.
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4CD/DVD BOX
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LMS 1725530
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Deluxe hardcover boxset with heavyweight slipcase, 24-page book, 4CD + 1 DVD version. FYC40 celebrates 40 years of Fine Young Cannibals, the British trio who stormed the global music scene in the mid-to-late '80s. Their journey began with the soulful, new wave energy of their 1985 debut Fine Young Cannibals, before reaching new heights with 1989's The Raw & The Cooked, a worldwide smash that fused rock, funk, and house, all powered by Roland Gift's unmistakable voice. Across their career, the band scored eight UK Top 40 hits, two U.S. Billboard #1 singles, multiple Grammy nominations, and two BRIT Awards -- cementing their place in pop history. The Raw & The Cooked delivered enduring anthems like "She Drives Me Crazy" and "Good Thing," both U.S. chart-toppers whose influence still resonates today, from hit shows like The Bear to Chanel campaign featuring Dua Lipa and BLACKPINK's Jennie. Includes new artwork and new liner notes. Fully remastered. DVD is NTSC format, region 0.
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12"
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MTB 022EP
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Techno with Detroit soul. Warm chords, tough drums, no excess. Built for the floor, refined in spirit. Mastering and lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin.
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