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viewing 1 To 21 of 21 items
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LP
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BEWITH 049LP
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2025 restock. Be With Records presents a reissue of James Clarke's Mystery Movie, originally released in 1974. Mystery Movie was originally billed as "modern, small group compositions in various moods. Ideally suited to the new Americanized style of T.V. and cinema film where music is used to create the mood and carry the action". So this collection covers a lot of bases, but it does so brilliantly and has absolutely no right to be such a fantastic listen from start to finish. Mystery Movie is best known for the slick drum breaks underpinning the top-notch jazz-funk chase theme "Car Patrol", the fuzz riffing and ARP soloing of "The Heavies" and the slow-mo strut of "Mystery Moll". "Study In Fear" and "Empty Streets" are horror soundtrack fodder of the finest sort. However, it's the understated, plaintive pieces that are the most rewarding. Ambient feels and strung-out fried-folk treats, full of cyclical naïve melodies, this is music that evokes the "downlifting" Ronnie Lane and Ron Wood instrumentals from their great Mahoney's Last Stand (1976), as well as the beautiful soundtrack work of Jack Nitzsche and Ry Cooder. One might also recognize "Waiting Game" from being sampled by melodic downbeat masters Express Rising. Check "Relaxed Theme", "Quiet Girl", "Routine Procedure" and "Quietness Sustained" for a melodic, melancholic set, with the last three performed on just acoustic guitar and harp. Be With has worked with the hallowed KPM to re-issue ten of our favorites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship. Whether it's killer soul-funk, sweet jazz-samba, scuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century. These records were never readily available, being originally released as a ready-made, affordable alternative to commissioning music for television and radio. Consequentially the originals have been unobtainable for decades by all but the most dedicated collectors. The audio for all ten re-issues comes from the original analog tapes and has been remastered for vinyl by Be With regular Simon Francis. The same care has been taken with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity. 180 gram vinyl.
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12"
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DIALECT 038EP
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To celebrate the tenth anniversary of the Surf Rider EP (originally released in 2015 on Lumière Noire), Dialect Recordings publishes a limited vinyl edition featuring an exclusive edit of "Lies" by Blackjoy. For the occasion, Il Est Vilaine's long-time collaborator Apollo Thomas has designed a brand-new cover and created a mini comics included with the vinyl. A beautiful collector's item to honor this classic!
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LP
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LPSPI 001LP
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2025 repress; First release on the new French label Disques de la Spirale, featuring an experimental motorik-kraut-dub infused, semi-improvised live act built by Tamara Goukassova, Axel Larsen, and Théo Delaunay (Panoptique, Succhiamo, Violent Quand on Aime, Radiante Pourpre) from Simple Music Experience; featuring Maoupa Mazzocchetti, Fiesta en el Vacío, Ventre de Biche, Kyle Knapp (Deliluh). French non-jazz trio overflowed by Simple Music Experience's funders Tamara Goukassova, Théo Delaunay and Alexandre Larcier, offering a 40 minutes of non-simple music madness, and navigating between a dozen of etiquettes from undecided space rock to motorik-infused-dub, medieval folk, cartoon trance; everything under the seal of psychedelia and half-improvisation. Built from drums, violin, springs, samples, reiterations, overdubs, trumpets, synths, distortions; and the appearances of Luna Cedrón, Luca Retraite, Kyle Knapp (Deliluh), F. Mazzocchetti (Maoupa Mazzocchetti). Chimera embraced by three members of the Simple Music Experience label, also (co-) liable at one point for the acts of Axel Larsen, (The) Simplists, Violent Quand On Aime, Constance Chlore, T. Goukassova, Radiante Pourpre, Succhiamo, or Panoptique; Parasite Jazz emerged in 2016 in the smoke of a suspicious performance on Simple Music TV. An improvised and protean artifact at birth, the project settled down at the end of 2020 as a trio (Axel Larsen, Constance Chlore, Tamara Goukassova) in Marseille, then as a sextet during the Illusio festival in the summer of 2021. A series of concerts with a shifting line-up followed -- Kyle Knapp, Luca Retraite and Luna Cedrón sometimes appeared and with them, spontaneous incandescences. This first series of collective hallucinations took the form of an album during a perilous recording at Grrrnd Zero (Lyon) in October 2021, and is completed by live recordings gleaned over the course of the summer episodes. For fans of Faust, Tomaga, Tony Conrad.
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LP
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FTR 799LP
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Duncan Park, from Johannesburg, South Africa, has been releasing music since 2017 on labels such as Ramble Records from Melbourne Australia and Aural Canyon from Texas, as well as numerous self-released digital releases. Duncan draws inspiration from Six Organs of Admittance, John Martyn, Nick Drake, Bert Jansch, Robbie Basho, Daniel Bachman, Spiral Joy Band, Pelt, Liam Grant; from jazz giants like Alice Coltrane and Charles Mingus, and also from extreme metal and noise. Path To The Gallows was recorded in Beeston, UK and Durban, South Africa straight to cassette and engineered by the wizard Rob V. It's Duncan's ninth "proper" album (but could also be his twelfth or sixth depending how you count them). Leaning into the lo-fi world, Gallows is a great representation of Duncan's expertise in playing, composition, variety, and open mindedness. The LP begins with the epic "A Moon Possessed Corpse," which starts with the classic handheld cassette handling racket, setting up the tone of the release, before sliding right into Duncan's frenetic fingering and pull-offs, like he's desperately trying to document something before heading off on a one-way trip, all while his dog moans in the background, knowing what's in store. In much the same way countless people have captured themselves on cassette, Duncan documents his mindset on to tape, with tracks like "Talking and Tuning," setting the recording in a particular time and place, while he tunes and warms up, getting ready for the rising waters that are coming next "Flood Warning" sees him picking up the banjo, staying in the American Primitive world, before heading into a more classical guitar jaunt with the aptly titled "Allegro Op. 50, No. 13." With "Leaving Beeston Blues," Duncan gets back to the slower paced primitive guitar work, with some swelling background keyboard work. "Thistle On the South Coast" is a short ditty on flute, with feelings and imagery of coastlines, either here or there. "Waltz No. 1" returns to the more classical realm, before eventually settling back into the raag stylings of "Weaver's Nest," which ends with over a minute of the sounds of insects, a wind chime, and the return of the dog, letting the listen catch their breath before turning the record over to start it all over again.
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12"
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FIGURE X049EP
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Promising label newcomer IGLO returns to Figure with his second EP, building on a distinct sonic identity shaped by a background in classical music and live performance. Across five tracks, he further refines his mix of atmospheric depth, precise rhythms, and melodic nuance. This time, his own voice takes on a more central role, adding a personal and expressive layer to the productions. On opener "Computed Love," restrained, longing vocals blend into squelchy synths and minimal grooves -- hauntingly beautiful, yet gritty with rumbling machine funk. Determined follows with a more menacing tone, its sharp percussion cutting through a bleak, shadowy atmosphere -- perfect for building tension on the floor. On the flip, IGLO switches up the mood: "Enter the State" runs on hypnotic loops and chopped-up piano riffs, peppered with cheeky, spoken-word style vocals that nod to ghetto house traditions. It breaks into an irresistible, swinging groove that hits with full force. Offering a smooth counterpoint, "Enlighten" drifts into dubby terrain. Soft, ricocheting vocal snippets and warm chords conjure a hopeful, human glow -- a bouncy balm for the soul, without losing its forward momentum. With X49, IGLO deepens his connection with Figure and sharpens his unique voice -- equally grounded in introspection and dancefloor impact, continuing to shape a sound that's thoughtful, bold, and marks him as one to watch.
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LP
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GRZ 039LP
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Autarkic is back with Tahor, a bold sonic collage where history, nostalgia, and raw emotion collide. This limited-edition vinyl release weaves together vintage samples, archival snippets, and hypnotic beats, crafting a personal and collective memory trip. 14 tracks of euphoric highs, hazy melancholy, and wry humor. The artist, DJ, and producer Autarkic (Nadav Spiegel), one of the most influential underground figures in recent years and a key player in TLV electronic scene, releases a new Hebrew-language album, available as a limited-edition vinyl and on digital platforms. Tahor is Autarkic's sixth album and his second in Hebrew. It is entirely composed of a mosaic of samples from his personal music collection, cuts from archival recordings, and historical references that hint at events that shaped him. The result is a personal and collective memory machine -- 14 tracks that take the listener on a journey through euphoric joy, subdued melancholy, and playful sarcasm. Tahor is a journey that emerges from Autarkic's private consciousness, offering a sober reflection on his unwavering insistence on being an artist who neither knows nor wishes to "play the game" for popularity ultimately finding peace with himself. Throughout the album, Autarkic ventures beyond his own mind into the outside world, confronting social and political realities and adding his own musical document about life in Israel.
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12"
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H 007EP
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For the seventh installment of his Hardspace series, Len Faki selects three standout tracks from his personal vault -- polishing them up with signature flair for maximum impact. The A-side features a powerhouse mix of Jimmy Edgar´s "Strike." Len Faki brings extra drive and spatial depth to the mix: sizzling hi-hats pan sharply across a tight stereo field, vocal chops flicker in and out, and the groove is stripped, slick, and forceful. A subtle reverb treatment adds atmosphere without compromising punch. On the B-side, Faki dives into Robert Armani's 1994 album Right to Silence, revisiting two Chicago-style jacking tracks that are nodding to the Dance Mania era. Up rides on a fierce hi-hat shuffle and a pounding stomp, centered around a bold vocal loop that captures the rough, battle-cry attitude of classic Chicago jack tracks. Faki's edit sharpens the angles and tightens the structure, giving the track even more bite. "Road Tour" originally leaned on a harsh, detuned lead synth. Len´s Hardspace version removes the abrasive top line and lets the looping arp take center stage, which subtly shifts in tone and pans across the stereo field. The groove doesn't push forward so much as it sways side to side, creating a warped sense of motion. A pitched-up vocal samplehalf command, half tease-injects just the right dose of jack attitude. HS007 channels the raw, functional energy of vintage Chicago trax through Faki's modern lens -- respectful to its roots, but fully tuned for today's sound systems.
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LP
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HBR 012LP
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2025 repress. "On May 27th 1983, drummer Masahiko Togashi and guitarist Masayuki Takayanagi, two pivotal figures in the Japanese free jazz scene that had been working together since the 1960's, performed and record this unique set at Zojoji Hall in Tokyo. At the time, Japanese jazz musicians were trying to find their own voice, welcoming creative elements coming in from the USA and Europe. The two musicians were at the fore-front of this generation, with Takayanagi developing his own guitar style through influences of mainstream and more extreme jazz, and drummer Togashi had developed a unique approach to drums and percussions, using silence as an integral part of music making, also due to an accident that forced him on a wheelchair after 1970. The record is divided in two tracks ('Inner Pulsation' and 'Outer Pulsation'), each one about 22 minutes in length, mirroring the original LP sides. The performance can be regarded as a single piece though, with a clearly symmetrical structure, even if the musicians cover much musical ground over the course of the album. The extreme abstractness of the music guarantees many possibilities, but the main themes here are pure sound and space, investigated through a massive use of silence, ever-changing dynamics and slow structural developments unfolding with a mysterious musical logic. Originally released on iconic Japanese label Paddle Wheel and out-of-print for a very long time, the album has become a very sought-after collector's item and we are glad to bring this back on vinyl in collaboration with King Record Co."
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3LP
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IMPREC 399LP
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"Grayfolded is literally a hundred or so great nights rolled into one extraordinary extended high. Gorgeous sonic origami." --Rolling Stone
"An extended time-warped psychedelic jam that is meticulously hallucinatory." --New York Times
This deluxe 2025 vinyl edition of The Grateful Dead's Grayfolded was pressed at Optimal in Germany, known for their high-end audiophile pressings. In 1993 Canadian composer John Oswald was invited by Phil Lesh to transform historical recordings of the Dead into something new, along the lines of what they had attempted in their Anthem of the Sun album. Oswald chose to focus on the Dead's Dark Star, which, over the course of a quarter century, they had expanded and transformed in myriad ways in live performances. Oswald was given access to the Vaults, where over the course of a month, with the guidance of the Dead's resident archivist Dick Latvala, he collected 105 performances, which through the following year he formed, folded, fondled, and finessed into a kaleidoscopic unstuck-in-time documentary of the Grateful Dead in some of their most psychedelic, symphonic, and rocking excursions -- a singular 110-minute fantasy performance. Here it is, Deadheads, the ultimate Dark Star. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy-duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six "time maps" which chart the source concerts of Dark Star. Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishing Inc. Taken from over 100 performances of Dark Star recorded between 1968 and 1993. Built, layered and "folded" to produce one large, new re-composed Dark Star. Original recordings of the Grateful Dead in performance have been processed using Plunderphonic techniques. John Oswald is best known as the creator of the music genre Plunderphonics, an appropriative form of recording studio creation which he began to develop in the late sixties. This has got him in trouble with, and also generated invitations from major record labels and musical icons. Meanwhile, in the '90s he began, with several commissions from the Kronos Quartet, to compose scores for classical musicians and orchestras, the latest of which is an orchestral work, commissioned by the BBC, combining aspects of The Beatles, Gyrgy Ligeti, and Terry Riley. He also improvises on the saxophone in various settings, dances, and is a successful visual artist, best known for the chronophotic series Stillnessence.
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LP
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MIND 890LP
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Rolling Stones, live at the International Sports Arena, San Diego, CA, USA, Nov 10th 1969.
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Cassette
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OP 085CS
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Earth Sounds Now is a collective made up of community activist and musician Stefan Christoff, drummer, composer, scholar, and bandleader Asher Gamedze, music producer Nicolás Jaar, pianist and composer Büsra Kayikçi, and novelist, poet, and sound performer Kaie Kellough. Over 13 months, they met online to share sounds, readings, writings, and drawings, resulting in Convergence -- a project reflecting their collaborative process. Each member submitted different works, including paintings, poetry, field recordings, and musical experiments, taking turns responding to each other's contributions. Member Stefan Christoff highlights the importance of listening in these sessions: "Sometimes we would listen all together, so there was also silence on the online call as we all listened on headphones to the sounds from our respective places. I am underlining listening here, which the world needs much more of." These submissions were organized into a sound library and finally mixed into record format by Jaar, capturing the essence of their exchanges across global soundscapes.
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7"
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RADRSD 012EP
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2025 limited restock. Twelfth issue in a series of limited picture discs celebrating Radiation Records' storefront in Rome, Italy for Record Store Day. This year, hailing from Sheffield, the legendary Pulp second single on a 7" picture disc. Originally released in 1982 on Red Rhino Records, now limited to 500 copies.
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RRS 113LP
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2025 repress. 140 gram black vinyl. Radiation Deluxe Series present a reissue of The Kids's self-titled debut album, originally released on the Philips label in 1978. Hailing from Antwerp, Belgium, The Kids formed in 1976 to prove to the world that punk was more than just a London vs. New York fashion contest. Highly-acclaimed as one of the best punk records ever, The Kids' debut album is now reissued on vinyl, with two bonus tracks recorded in 1977. This is pure and quintessential punk rock.
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RR 123156LP
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2025 restock, originally released in 2023. "At the beginning of its formation, the ensemble functioned as a jazz group with a wide variety of instruments. During a tour of Europe, the group's line-up was reduced to just three members, with El'Zabar on percussion and two wind instruments. This line-up, born out of necessity, became the ensemble's signature sound. 'We were very scared, having such a unique instrumentation. But we were far from home, we were 20 years old and we had to survive. And we developed a language and a formula that allowed us to play with non-traditional instrumentation all these years,' El'Zabar recounted. 'I didn't realize this until last year when someone said, 'You started the band in 1973,' and I said, 'Yes.' ' And they said, 'Well, won't it be 50 years next year?' reports Zabar, laughing. 'I feel very grateful for the experiences I've had and the musicians I've been lucky enough to work with. If your work is of value to others, then you feel you have served. That has been the main thing for me as an artist.'"
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RL 301LP
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2025 restock. Exact repro of this 1970 compilation, originally released on the Austrian label Roots in 1970. Includes the song "Black Snake Moan." "The father of Texas blues, Blind Lemon Jefferson began a successful recording career for Paramount Records in 1926 in Chicago, recording over 100 sides until his death at age 35 in 1929... his songs have also been covered by many rock artists including, The Beatles, Bob Dylan, and the Grateful Dead."
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Cassette
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RBDETTCS 001CS
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A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back's ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann's curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. The trip begins with a simple pitch-shift skywards, transforming Identified Patient's creeping "The Female Medical College of Pennsylvania" into a peak-time freakout, before an alternate take on Toctronic's "Bis uns das Licht vertreibt" emerges from the vaults for the first time. Dating from 1995, and one of Dettmann's all-time favorites, Cristian Vogel's "Untitled" clambers back into the box with respectable cuts, while John Bender's "Victims of A Victimless Crime" kicks off the flip sporting a new arrangement. A few subtle edits to Clark's perilously funky "Dirty Pixie" leads to Dettmann's remix of Junior Boys. Next comes Experimental Products' explosive proto-electro anthem "Who Is Kip Jones?", empowered from pricey Discogs purgatory with just the slightest of tweaks. It's deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance's raw "The Human Factor" and a shimmering new version of previous solo production "Water," featuring close friend and Ostgut Ton ally, Ryan Elliot. Severed Heads' iconic "We Have Come To Bless This House" emerges with mere nips and tucks, while Nitzer Ebb's "Shame" is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of "Limbo" from Swiss synth heroes, Yello. Core musical memories are shaken and stirred with a context-shifting take on Frank Duval's emotional classic "Ogon," while Ian North's "Sex Lust You" and Ford Proco's notable Coil collaboration "Expansion Naranja" effectively throb with only minor adjustments, respectfully imagined as "shadow versions". Meanwhile, a simple breakbeat lifts Albert Kuningas's "Astraalprojektio" in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby's "Season of The Real" inexplicably emerges somehow even funkier than before. The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann.
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12"
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BARN 118EP
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Bristol-based artist and DJ A.Wild presents his debut EP, Report Deluxe, a striking collection of four hypnotic tech-house-not-tech-house tracks crafted with meticulous care, showcasing adventurous samples and a distinctive, slightly acidic atmosphere. Known for exploring the deeper and more immersive aspects of dance music, A.Wild skillfully integrates an assortment of captivating sonic details that thrive both on and off the club dancefloor. Report Deluxe firmly establishes A.Wild as a true leader of the new school, his fresh and compelling approach to sound set to transport listeners into ever-so-fresh musical spaces.
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SCT 004CS
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Eighteen Berlin-schoolish synthwave tracks published under pdqb's moniker Aipd Q41/B47. Carefully prompted and edited many moons ago with an AI model that is already outdated. To become aware of transience in this fast-paced world, the album is not available digitally or via streaming. It exists only on tape. A relic on a relic! It's as if reading this text on the paper of an extinct tree. To remind the listeners of their own transience, the tape's appearance is mirror-like silver; they can see their reflection in it, look at themselves, and with the next glance, the previous one is gone.
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CD
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EDGE 033CD
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The incredible story that began with "The Most Mysterious Song on the Internet" (TMMS) now enters an exciting new chapter: Skyscraper, the debut album by FEX. Skyscraper features ten original tracks recorded in the early to mid-1980s -- carefully re-transferred, remastered, and brought back to life. The album cover, designed by Darius S., brings the story full circle. Darius is the very person who preserved the now-iconic track "Subways of Your Mind" by recording it from NDR radio in the mid-'80s. Without him, FEX may never have been discovered. FEX's debut opens with its namesake, "Skyscraper" -- a brooding, previously unreleased track the band once described as part of their "psychedelic phase." With haunting synth-helicopter textures and deep guitar riffs, it immediately sets the tone and raises tension. The release flows naturally into the energetic and fully remastered studio version of "Subways of Your Mind." This version of the TMMS was long believed to be from a smaller home studio, but was actually recorded in November 1984 at Hawkeye Studios in Ganderkesee, near Hamburg. Rückwardt's lyrics point to greed and criticizes materialism, and while the music leans toward pop sensibilities, it carries a raw, fractured edge. From a rehearsal tape comes "Dirty Slapstick," its urgency intact. Missing keyboard parts were later reconstructed by Michael Hädrich using his original DX7 synthesizer. The album closes where the legend began -- with the original radio recording of "Subways of Your Mind" from Darius' cassette. Digitally transferred using a high-end Revox machine and carefully remastered, it now has its long-deserved official release. The cover features a photo of the Eichenberg Bunker in Kiel.
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12"
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TOYT 179EP
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Cody Currie & Kapote together in the studio! Delivering a four-track EP that connect proto-disco, neo soul, Chicago house beats and jazz funk in a very spontaneous, super catchy way. Cody, the London multi-talent musician and Kapote, the Berlin based creative head of Toy Tonics have a lot in common. Both come from studying jazz, knowing different instruments, having played in bands and at the same time being DJs with a huge passion and the skill to rock thousands of people every weekend at the Toy Tonics Jams with a wild mix of different music. They have "the vibe." Soulful, catchy, intense. When they play records at a party and when they work on tracks. Both play keyboards, bass, guitar and drums. Both sing. And both have funny nicknames that journalists gave them: Cody Currie was called "the Tom Misch of House music" and Kapote the "Wes Anderson of electronic music."
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12"
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TURBO 247EP
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When the people just gotta dance right now, Turbo Recordings will drop everything to fast-track the hottest, rawest music the moment the download links hit. Such is the case with rising Lithuanian superstar DJ JM's moov EP, which contains five tracks so good they needed to hit today's streets today. To ensure the mind-churning efficiency and logistical brilliance needed to pull off this kind of turnaround, label life-giver Tiga slept and tried to bathe at the office for five straight days before being hospitalized for "caring too much." The result is a thrilling showcase for DJ JM, perhaps the label's favorite current artist working in any medium. His grit-rich beats, his melodist's ear, his sound design -- sometimes it's all too much to bear. But bear it and grin you shall, and as you have the night of your life every night from now into the future untold, take a moment to spare a grin in the knowledge that somewhere there is a man hooked up to a Gatorade IV who wanted all of this for you and could not bear for you to wait a moment longer.
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