|
|
browse New Releases
week of
...new releases are checked in daily throughout each week
|
|
|
viewing 1 To 25 of 38 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
RANDB 174LP
|
Live recordings of Humble Pie featuring both Steve Marriott and Peter Frampton are rare. These seven tracks, recorded in excellent quality by the BBC, show Humble Pie in their element onstage. The setlist includes cover versions such as "Four Day Creep," "Hallelujah I Love Her So," and "I Walk On Gilded Splinters" which were not included on any studio LP. Comes with full recording details and extensive sleeve notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AKENAT 002LP
|
2025 repress. Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and Latin music, to rock-and-roll, rhythm-and-blues, surf, psychedelia, soul, and many more) the few pre 75 Cambodian recordings that survived -- most of them were destroyed -- are enough to make anyone with a taste for good music shocked by the amazing quality of the sounds created during those golden years. Gathered on Cambodian Nuggets are some of the most talented and unique musicians from that amazing era with an explosive collection of tracks sure to blow the mind of the listener. A celebration of some of the best music ever made. Features Ros Serey Sothea, Yol Aularong, Pan Ron, Tet Somnang & Meas Samon, Houy Meas & Dara Chom Chan, Choun Malai, Sinn Sisamouth, Liev Tuk, Thra Kha Band, Yol Aularong & Liev Tuk, Eng Nary, and Baksey Cham Krong + Mol Kamach. Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AKENAT 004LP
|
2025 repress. A collection of mind-blowing songs from Hindi films 1958-1984. 12 musical gems from the Bollywood vaults with a wide variety of styles thrown in the mix, from the classic to the rare, a must! An astonishing overview of the magnificent musical talents populating Bollywood films. With a predilection for movies with a strong musical backbone where songs and musical numbers play a pivotal role, the Hindi cinema boom gave birth to a strong and creative music industry where composers, musicians, musical directors, conductors, producers, singing actors, and playback singers (singers who provide vocals for the musical parts of roles played by actors or actresses) found a perfect place to develop their careers. A sample of those incredible talents is included in this compilation, the ideal point to start digging deeper into the lush garden of musical delights that is Bollywood. Featuring Mohammedd Rafi, Asha Bhosle, Kishore Kumar, Geeta Dutt, Kamal Haasan, Sridevi, Kalyanji & Anandji, P. Susheela, S.P. Balasubrahmanyam, Manna Dey, Lata Mangeshkar, Shankar & Jaikishan, and R. D. Burman.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BTR 130LP
|
Bassist, composer and producer Shay Hazan returns with his third solo album, When It Rains It Pours, on Batov Records. Following the critical success of Reclusive Ritual and Wusul, Hazan takes a bold step forward, shifting from the guimbri-led sound that established his reputation to a broader palette of bass, guitar, and synth-driven compositions. Where his earlier work foregrounded the raw, earthy textures of Gnawa tradition, When It Rains It Pours reflects Hazan's evolution as a producer and multi-instrumentalist. Across eleven tracks, Hazan deepens his exploration of layered grooves, spiritual melodies, and experimental textures, resulting in his most expansive and personal statement to date. The album's title embodies Hazan's experience of being tested by life when multiple challenges arrived at once -- musically, personally, and physically. A painful period in which he was unable to play double bass or guimbri due to joint issues became the spark for rediscovering the electric bass, reconnecting him with an instrument he had set aside personal projects for years. The record documents this transition, capturing the tension between struggle and renewal. Unlike his previous guimbri-focused albums, Hazan's approach here highlights his growth as a studio craftsman. Sampling, layering, and textural exploration sit at the core, without losing the immediacy of live musicianship. Longtime collaborators including saxophonist Eyal Netzer, trumpeter Roy Zuzovsky, and drummer Shahar Haziza, help ground the record in ensemble interplay, even as it pushes further into electronic and producer-led territory. The album's gestation was shaped by encounters and inspirations stretching far beyond Tel Aviv. Hazan draws influence from Malawian one-man-band Gasper Nali, the spiritual openness of his recording sessions with legendary drummer Hamid Drake, and years of improvisational collaborations across jazz and global traditions. When It Rains It Pours captures Shay Hazan at a turning point: confronting physical and personal limitations, yet finding new creative channels in response. By leaning into bass, guitar, and studio experimentation, Hazan has crafted an album that feels at once urgent, meditative, and transformative, a body of work that situates him firmly among today's most adventurous voices in spiritual jazz and beyond.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BONF 028LP
|
The English blues revival was surely functional in developing a new series of performer and sub-genres. The hard rock revolution began from the power-chord of Cream and the likes, leading the way for a new "British invasion." Short lived four-piece Bedlam released one single studio album in 1973 led by the intense power of drummer extraordinaire Cozy Powell (Black Sabbath, Whitesnake, Rainbow, Jeff Beck). Their self-titled debut was enlightened by other amazing performers: vocalist Frank Aiello (formerly of pop duo The Truth) and brothers Dave (the guitarist who had recently replaced Robin Trower in Procol Harum) and Denny Ball (bass). The album was produced by Felix Pappalardi of Mountain fame. This is soulful proto-heavy metal at its best!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BJR 115LP
|
In the heart of 1990s Morocco, Cheb Nacer brought a new breeze to the popular music scene. Born in Oujda, he grew up surrounded by raï, staïfi and chaâbi before moving to Casablanca, where he blended these roots with the electronic sounds filling cabarets and clubs. Inspired by the international clips broadcast on 2M and RTM, he reimagined European hits in darija, creating a hybrid, dance-driven sound. "Olé Olé Olé" became a national hit, carried by bright synths and playful energy -- far from the sentimental pop dominating the airwaves. Between 1993 and 2006, he released a string of tapes, shows and hits, defining his unique style: spontaneous, raw and festive techno-raï born in studios, living rooms and wedding halls. Cheb Nacer embodied an era when the lines between cabaret and club blurred, when music circulated freely and reinvented itself without rules. Decades later, his songs still echo as the soundtrack of a generation tuned into global waves -- free, curious, and proud to dance their own way.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BSR 999P-LP
|
"1978's Slum in Dub album re-issued on purple vinyl. Coupled with the succinct Revolutionaries band and Isaacs quality songwriting, the deconstructed cuts, weave and flow like any good quality dub album should. with some of the track names giving more than a hint of the original song title such as 'Public Eyes,' which was one of the major hits off The Cool Ruler as John Public. The dense Slum originated as 'Party In The Slum,' while the brighter 'Reform Institution' began life as 'Uncle Joe.' 'Word Of The Farmer' becomes 'Croft' and 'Tam Tam' began life as 'One More Time.' One of Gregory Isaacs's early hits, 'Black A Kill Black' is translated into 'Leaving' while 'Leggo Beast' using an updated old Studio One rhythm, 'Swing Easy,' probably refers to Trevor 'Leggo' Douglas who ran the Cash & Carry label with Isaacs. The track 'N****r' also uses an old Studio One rhythm track updated and this time it's The Heptones breezy 'Party Time' which gets the Jammy treatment as too 'Embarrassment' which again revitalizes a Studio One gem; 'Frozen Soul' by The Soul Vendors band."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
PLEXUS 002CD
|
Having ended the '90s with the spirited Laughing Mostly compilation of singles and demos, Delta finally released their debut studio album of twelve songs in the summer of 2000 on the Dishy Recordings label. Accepting that this might be their sole studio album the band threw everything at these recordings allowing it to exist in its own sphere, unbothered by their contemporary generation and disregarding the idea of even releasing a single. Recorded at DEP International there was a notable difference to the scruffier, looser charm of their 1990s recordings, a tighter focus developed by having the experienced Lenny Franchi mixing the LP with them. Lenny had been working with a number of Island artists including My Bloody Valentine and Tricky so knew his way around a desk. There was also the question of budget, so every day counted. Ultimately though you can hear the joy in the recordings, even amongst the melancholy and angst. As James recently recalled in an interview in Shindig! Magazine: "It was such a big deal for us. It's one of my fondest memories doing that record. Everyone was happy. If there's anything that I'd stand by, I think it would be that." Louis Clark Jr joined the band towards the end of the '90s and brought a classically-trained element to the recordings particularly with his string arrangements. For "Cuckoo," "I Want You," and the prophetic "We Come Back" Louis brought in eight players from the Birmingham Conservatoire; the baroque style is partly why the record often receives comparisons to Love's "Forever Changes." On release Slippin' Out was a big favorite with writers at the NME, Mojo, and The Guardian again and before long the band were signed to Mercury/Universal for their second studio album Hard Light, a far more expensive and expansive love affair. It was a temporary palatial home where things quietly fell apart again, but that's another chapter.
"If long-term memory is nothing more than selective editing and only pop's most weighty visceral works are built to last then it's quite possible that in 50 years the Britpop era will be best recollected for the two bands it ostracized. Earlier this year we met Shack and thought their story of mercurial brilliance indicated the biggest music biz oversight of the '90s. We were wrong because we hadn't met Delta yet. This is richer and more engrossing than anything by Shack." --The Guardian
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
PLEXUS 002LP
|
Double LP version. Having ended the '90s with the spirited Laughing Mostly compilation of singles and demos, Delta finally released their debut studio album of twelve songs in the summer of 2000 on the Dishy Recordings label. Accepting that this might be their sole studio album the band threw everything at these recordings allowing it to exist in its own sphere, unbothered by their contemporary generation and disregarding the idea of even releasing a single. Recorded at DEP International there was a notable difference to the scruffier, looser charm of their 1990s recordings, a tighter focus developed by having the experienced Lenny Franchi mixing the LP with them. Lenny had been working with a number of Island artists including My Bloody Valentine and Tricky so knew his way around a desk. There was also the question of budget, so every day counted. Ultimately though you can hear the joy in the recordings, even amongst the melancholy and angst. As James recently recalled in an interview in Shindig! Magazine: "It was such a big deal for us. It's one of my fondest memories doing that record. Everyone was happy. If there's anything that I'd stand by, I think it would be that." Louis Clark Jr joined the band towards the end of the '90s and brought a classically-trained element to the recordings particularly with his string arrangements. For "Cuckoo," "I Want You," and the prophetic "We Come Back" Louis brought in eight players from the Birmingham Conservatoire; the baroque style is partly why the record often receives comparisons to Love's "Forever Changes." On release Slippin' Out was a big favorite with writers at the NME, Mojo, and The Guardian again and before long the band were signed to Mercury/Universal for their second studio album Hard Light, a far more expensive and expansive love affair. It was a temporary palatial home where things quietly fell apart again, but that's another chapter.
"If long-term memory is nothing more than selective editing and only pop's most weighty visceral works are built to last then it's quite possible that in 50 years the Britpop era will be best recollected for the two bands it ostracized. Earlier this year we met Shack and thought their story of mercurial brilliance indicated the biggest music biz oversight of the '90s. We were wrong because we hadn't met Delta yet. This is richer and more engrossing than anything by Shack." --The Guardian
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPCT 002LP
|
2025 repress. Jah Thomas meets Scientist In Rock Dub. All titles written by Nkrumah Manley Thomas. 14 dub tracks, featuring the Roots Radics. MIxed by Scientist. Originally released 1996.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
COSMR 046LP
|
Eternity's Children's self-titled album was released in 1968 on Capitol sublabel Tower Records, during the heyday of the hippie revolution. After touring with Strawberry Alarm Clock, the Seeds and the Blues Magoos, the band released their most successful single "Mrs. Bluebird" which reached #69 on the Billboard Hot 100. Their sunshine pop was clearly informed by west-coast influences and folk revivalist, but ended up offering a new take on the psychedelic revolution.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
EFFICIENT 002LP
|
2025 repress. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FRB 021LP
|
Frederiksberg Records presents the long-awaited reissue of Ambonisye Lord Shepherd's 1981 debut album, Evidence For Real -- a deeply personal and spiritual fusion of soul and jazz that has remained a hidden treasure for more than four decades. The newly remastered edition arrives on vinyl, restoring the powerful work of a drummer, composer, and bandleader who chose to walk his own path, well outside the mainstream. Born Robert Charles Sheppard Jr. in Omaha, Nebraska, and later known as Ambonisye Lord Shepherd, the artist carried a life story as inspiring as his music. From his formative years in Omaha's historic 24th & Lake district to his creative explorations in Los Angeles, Shepherd forged a sound that was at once fiercely personal and universally searching. Recorded in late-night sessions across Hollywood and Hermosa Beach with a close circle of collaborators, Evidence For Real reflects Shepherd's spiritual journey in the wake of his mother's passing, embodying his belief in music as a vehicle for healing and higher consciousness. Though self-released on his Verline Records label and overlooked upon its release, Evidence For Real has since become a cult artifact -- a record whispered about among collectors who revere it as a profound statement of resilience, spirituality, and independence. This reissue finally brings Shepherd's masterpiece back into the light.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HCD 022CD
|
South London's Jerkcurb -- aka Jacob Read -- is back with his sophomore album Night Fishing On A Calm Lake is to be released following 2019's Air Con Eden. After that album's successful release Read had planned to expand Jerkcurb into a full band setup when his father, a painter like himself and a creative inspiration, passed away. Instead of the envisioned plan of taking his project bigger Read returned to the family home and re-examined the material for the new album and instead the album became one of reflection, grief and redemption. It's not much of a stretch to see clear musical inspirations for the record too -- Prefab Sprout, Talk Talk and The Blue Nile, records where the moments of silence are stretched out. Read produced and engineered the album himself, mostly at home with Lara Laeverenz and Gray Rimmer providing vocals. The album is mixed by Dilip Harris (King Krule, Mount Kimbie). The enchanting cover artwork was painted at Read's father's studio in Camberwell, painted in oil with its dreamlike blur of blue and black. It hints at the early film noir and magical realist influences for the album. Also available on black vinyl (HCD 022LP) and coke bottle green color vinyl (HCD 022E-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HCD 022E-LP
|
LP version. Coke bottle green color vinyl. South London's Jerkcurb -- aka Jacob Read -- is back with his sophomore album Night Fishing On A Calm Lake is to be released following 2019's Air Con Eden. After that album's successful release Read had planned to expand Jerkcurb into a full band setup when his father, a painter like himself and a creative inspiration, passed away. Instead of the envisioned plan of taking his project bigger Read returned to the family home and re-examined the material for the new album and instead the album became one of reflection, grief and redemption. It's not much of a stretch to see clear musical inspirations for the record too -- Prefab Sprout, Talk Talk and The Blue Nile, records where the moments of silence are stretched out. Read produced and engineered the album himself, mostly at home with Lara Laeverenz and Gray Rimmer providing vocals. The album is mixed by Dilip Harris (King Krule, Mount Kimbie). The enchanting cover artwork was painted at Read's father's studio in Camberwell, painted in oil with its dreamlike blur of blue and black. It hints at the early film noir and magical realist influences for the album.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HCD 022LP
|
LP version. South London's Jerkcurb -- aka Jacob Read -- is back with his sophomore album Night Fishing On A Calm Lake is to be released following 2019's Air Con Eden. After that album's successful release Read had planned to expand Jerkcurb into a full band setup when his father, a painter like himself and a creative inspiration, passed away. Instead of the envisioned plan of taking his project bigger Read returned to the family home and re-examined the material for the new album and instead the album became one of reflection, grief and redemption. It's not much of a stretch to see clear musical inspirations for the record too -- Prefab Sprout, Talk Talk and The Blue Nile, records where the moments of silence are stretched out. Read produced and engineered the album himself, mostly at home with Lara Laeverenz and Gray Rimmer providing vocals. The album is mixed by Dilip Harris (King Krule, Mount Kimbie). The enchanting cover artwork was painted at Read's father's studio in Camberwell, painted in oil with its dreamlike blur of blue and black. It hints at the early film noir and magical realist influences for the album.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LIVITY 073EP
|
Following the completion of the Pulse EP series, Peverelist invites four producers to present their own refreshing takes on choice cuts from his most recent phase of club exploration. Fadi Mohem channels the bright angles of "Pulse IX" into a buoyant, sleek run of uptempo dub techno. Huey Mnemonic takes the crafty, curious swerve of "Pulse XX" and sets it to a 4/4 rush of exuberant, steady-climbing techno. Munich-based artist Polygonia's snaking electronica response to "Pulse VII" capitalizes on the swooning melody of the original's second half. Rounding off an especially invigorating round of remixes, the stark jack of "Pulse V" becomes a twinkling, dreamy Motor City reverie in the hands of the legendary Optic Nerve, aka Keith Tucker.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MOV 1937LP
|
2025 restock. "First Utterance is the debut album of the progressive folk band Comus. It was released in 1971, with the opening song 'Diana' being released as a single. The album was notable for its unique blend of progressive rock, folk, psychedelia, and elements of paganism and the macabre. The overall thematic tone of the album is of vulnerable innocence facing abusive power, the songs dealing with violence ('Drip Drip'), rape ('Diana', 'Song to Comus'), and insulin shock therapy ('The Prisoner'). These themes contrast starkly with the acoustic sound of the record, featuring acoustic guitar, violin, flute, and lyrical, almost Arcadian, female harmonies. 180 gram audiophile vinyl. Includes insert. Including the single 'Diana'."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
NA 6103LP
|
2025 repress. Opaque red vinyl version. "Our comprehensive overview of Zambia's premier garage-, psych-, prog-, funk-,Afro-rock ensemble Witch, We Intend To Cause Havoc!, is now sold out in its 6LP box set form. So we are making the first four Witch albums available in archival reissue form. As with our box set, the audio is nigh-perfect -- restored and remastered from the original master tapes. The entirety of Witch's first album, restored and remastered from master tapes, and presented as an archival reissue. Witch's musical arc is contained to a five year span and, in retrospect, is a logical one. The band's first two, self-produced albums - released in unison with the birth of the commercial Zambian recording industry -- are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown. Thus Introduction, their first, is the perfect starting point for anyone interested in delving into the Witch band, or Zamrock in general."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
NA 6104LP
|
2025 repress. "Pressed on opaque green vinyl. 'Electrified by a diet of James Brown, the Stones and Deep Purple, Witch were the stadium-filling kings of 70s Zamrock.' --MOJO This landmark recording from Now-Again's comprehensive overview of Zambia's premier garage-, psych-, prog-, funk-, Afro-rock ensemble Witch, We Intend To Cause Havoc! is now available in a never before seen color variant. The audio is nigh-perfect -- restored and remastered from the original master tapes. Witch's musical arc is contained to a five-year span and, in retrospect, is a logical one. The band's first two, self-produced albums -- released in unison with the birth of the commercial Zambian recording industry -- are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown. In The Past, their second album, is the perfect follow-up for anyone exposed to the Witch band through their landmark Introduction."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
NA 6105LP
|
2025 repress. "Pressed on opaque orange vinyl. This landmark recording from Now-Again's comprehensive overview of Zambia's premier garage-, psych-, prog-, funk-, Afro-rock ensemble WITCH, We Intend To Cause Havoc! is now available in a never before seen color variant. The audio is nigh-perfect -- restored and remastered from the original master tapes. WITCH's musical arc is contained to a five-year span and, in retrospect, is a logical one. The band's third album, Lazy Bones!!, is the band's masterpiece -- a dark, brooding psychedelic opus that makes equal use of wah-wah and fuzz guitars, that relies as heavily on the stomping feel of hard rock as it does the syncopation of funk."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OUTS 047LP
|
Milton Nascimento's immaculate melodies and harmonies resound in full tone and color throughout this magnificent 1980 TV performance. A marvelous set of songs performed with masterful sensitivity by Nascimento on vocals and acoustic guitar along with one of his historical partners, the great pianist, arranger Wagner Tiso on piano and organ.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PCD 013LP
|
A conjuration between dreamweaver Spencer Clark and Italian psychic traveler Mondo Riviera, Lorenzo's Oil present an oracle of aural travelogues between seen and unseen worlds on Paperopolis. Two likeminded individuals on their distinct but complementary quest for the netherworld, Clark and Riviera's meeting of the minds projects sonic artefacts assembled from lucid dreaming keyboard pads, narcotic late night TV rhythms, spiraling sequences and mangled voices. The 10+ minute "Neo-Paperopolis Jump Suite" makes these intentions quite clear right from the start, veering from no frills keyboard runs to a mid-tempo bounce and on towards the house of mirrors synth stabs and driving rarified percussion that close the suite and open the pathway to such "places" as "Central Jungle, Paperopolis" and "visions" as "The Neverending Skylines of Taipei." Ride on. All music composed by Spencer Clark and Lorenzo Camera.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
MALONE 12005EP
|
Contains: 12" signed and embossed art print. The Punky Rocking Christmas came over two different Xmas's for the punk connoisseur. The first back in 1977 when the Sex Pistols took themselves up to Huddersfield to play a gig for the firemen but also as they arrived in the afternoon a gig for the local kids. The second Christmas Punk bonanza took place in London's Ladbroke Grove area when The Clash, possible inspired by the Sex Pistols previous Xmas gig, decided to play their own Xmas gig in 1979 on Christmas Day at The Acklam Hall. So there you have it the two biggest punk bands giving two xmas treats to their fans. To celebrate these festive treats Mal-One has written two songs to celebrate both events and dubbed up both versions for this Maxi-12" special.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9780952840602
|
96 pages. Softcover. Who? What? Why? Where? When? To mark the 50th Anniversary of punk and The Sex Pistols Retro have relaunched one of the original books on The Sex Pistols. The book details the groups worldwide releases with over 200 color and black and white illustrations. A detailed timeline of the band's history and list of gigs and appearances up to their initial demise in 1978. The story has not changed since this book's first release. The Sex Pistols are the last great rock `n' roll band that signified change. Never before or since has music, art, youth and social statement peaked at the same time. The Sex Pistols were very much a vinyl orientated phenomenon that consisted great artwork. So sit back and enjoy their story through their releases around the world. 96 pages. Over 200 pictures of rare and deleted releases throughout the world plus history of the band and list of gigs and appearances. 210mmx10mmx297mm. Weight: 450grams.
|
viewing 1 To 25 of 38 items
Next >>
|
|