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viewing 1 To 25 of 54 items
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2LP
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12XU 165LP
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2026 repress. "Water Damage is ten people from one town and one sound from twelve people. For Instruments, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and 'Reel 25' takes after the Shocklee Brothers, in a cry. Stop asking the lord how many drummers this band has and ask him how much of your mind, babe. Some people say drone and same people say trance and some people say invocation through patterned unity. Some people just say rock and we let them set their clocks back. Lie down and let these holy treads flatten you. Just because Water Damage know what they are doing doesn't mean you have to. Fix your hearts or die!" -- Sasha Frere-Jones
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12"
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AX 079DC-EP
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2026 repress. "Looking back in hindsight to the activity and accomplishments of Axis is with much pride -- to witness the relationship between the music and listener evolving to this point. The Director's Cut reissue project is about manicuring detail. It's about a rare opportunity to enhance what we've done so that the relationship strengthens for the long term." --Jeff Mills Chapter 2 comes on 180 gram vinyl.
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12"
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AX 080DC-EP
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2026 repress. "Looking back in hindsight to the activity and accomplishments of Axis is with much pride -- to witness the relationship between the music and listener evolving to this point. The Director's Cut reissue project is about manicuring detail. It's about a rare opportunity to enhance what we've done so that the relationship strengthens for the long term." --Jeff Mills Chapter 3 comes on 180 gram vinyl.
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12"
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AX 084DC-EP
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2026 repress. "Looking back in hindsight to the activity and accomplishments of Axis is with much pride -- to witness the relationship between the music and listener evolving to this point. The Director's Cut reissue project is about manicuring detail. It's about a rare opportunity to enhance what we've done so that the relationship strengthens for the long term." --Jeff Mills Chapter 6 comes on 180 gram vinyl.
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LP
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BB 096LP
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2026 restock. 180 gram LP version. Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-released by the Brain label. It would take five years for Sky Records to release his next LP, entitled Überfällig (trans. "Overdue"), which proved to be the last for a number of years. This album, as its German title suggests, was long overdue. Günter Schickert had developed his own unique, forward-looking type of music, assuming an exceptional position in the concert of German electronics. In spite of the clearly discernible influence of music from the so-called Berlin school (Tangerine Dream, Ash Ra Tempel etc.), Schickert is anything but a copycat. Schickert concentrated on pursuing his own ideas and pushing the boundaries of his remarkable aural creations. He is at pains to emphasize that, unlike almost all of his contemporaries, he did not use any synthesizers; his instruments are the electric guitar, his own studio with a multi-track tape machine and a comfortable arsenal of effects. Similar experiments had also been attempted by Manuel Göttsching (Inventions For Electric Guitar) and Achim Reichel (A.R. & Machines: Die Grüne Reise), but without stretching the multifaceted nature of their music to the point of microtonality, as Schickert dared to do on Überfällig. His own take on minimalism places him closer to the likes of Steve Reich and Glen Branca, free from the reach of Klaus Schulze and Tangerine Dream. Schickert's use of concrete sounds and his completely autonomous way of working in his own studio presaged a stage of development more readily associated with the early 1980s. In 1979, the album was a statement of a virtuosic outsider, a guitarist and sound sculptor whose musical visions transgressed the level of expectation of a potential audience, detached from the electronic mainstream. Günter Schickert was one of the protagonists who furthered the development of experimental pop music from the outer margins. The reissue of Überfällig was, in a word, overdue." --Asmus Tietchens; Liner notes by Asmus Tietchens.
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LP
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STEP 004LP
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2026 repress. Deluxe gatefold vinyl edition. "With a book of lyrics and artwork, updated by Vashti herself. This vinyl reissue of Vashti Bunyan's lone 1970 solo release features contributions from British folk royalty including members of Fairport Convention and preeminent producer Joe Boyd."
"Vashti Bunyan's lone 1970 solo release features contributions from British folk royalty including members of Fairport Convention and preeminent producer Joe Boyd. Vashti was recently heard singing alongside Devendra Banhart on the title track of Rejoicing In The Hands. The songs were written over two summers and one winter of travelling. After a chance meeting that winter with Derroll Adams (noted Woody Guthrie era folksinger and banjo player) who told her not to 'hide her light under a bushel,' Vashti took the songs of her journey to Joe Boyd. A year later he recorded Just Another Diamond Day, inviting Robin Williamson of the Incredible String Band, and Dave Swarbrick and Simon Nicol (who also played on Nick Drake's records) from Fairport Convention to accompany Vashti on some tracks. The album was released late in 1970 to little attention. The music was abandoned by the singer in favor of further horse journeys and complete obscurity. However, over the years all the recordings have succeeded in finding their own way to the notice of music collectors. The master tape of the album lay in a London warehouse for thirty years before being unwisely taken across the city in an underground train and getting wet in a raging thunderstorm, but has survived almost intact. The four additional on this edition are from well traveled old vinyl, acetate demos, and home recorded tape." -- Paul Lambden.
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2LP
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STEP 006X-LP
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2026 repress; double LP version. "Marking the occasion of twenty years since the original release, and coinciding with Vashti Bunyan's 80th birthday, DiCristina is pleased to present Lookaftering (Expanded), a reissue of her legendary second album. This new expanded edition features the original studio album along with a second disc of demos, an alternate take, and a live performance. This edition also comes with a stunning 16-page lyric book featuring a collection of paintings by Vashti's daughter, Whyn Lewis -- paintings that they both say have closely, and coincidentally, reflected the lyrics of the album. Also included are sleeve notes from Vashti, producer Max Richter, and Devendra Banhart. Originally recorded between 2001 and 2005, the unreleased demos were created at Vashti's home, with Vashti accompanying herself on electric and acoustic guitar along with a host of experimental instrumentation including synths, accordion, piano, strings, pipe organ, harmonium and recorders. The demos offer a more stripped-back sound, with the live version of 'Lately,' recorded in 2006 at the Echo in LA, offering a pitch perfect performance by Vashti's North American touring band of Gareth Dickson, Jo Mango, Kevin Barker, Helena Espvall, and Kat Hernandez. Listening to the demos and final versions side by side while reading the sleeve notes, and taking in the beautiful new artwork is a wonderful experience."
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2LP
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PLR 028LP
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Originally released in 2025. "Perfect Location Records in partnership with the one and only Ear Candy Music presents 00-04, a compilation of early works by Bevan Smith aka Signer, New Zealand's most prominent name in ambient electronica and dub techno. Smith has been producing emotive chords, pop ambience, and thick dub-o-spheres since before the turn of the century. His output is prolific, ranging from various solo monikers (Aspen, Introverted Dancefloor) and collaborations (Skallander, Feeling Flying) to unique projects (Touching the Void soundtrack, Isolated Dreams' 24 EPs and counting). A rare artist with indie crossover appeal thanks to the 2004 Signer album The New Face of Smiling released on Carpark Records (Toro Y Moi, Beach House, Dan Deacon, Montag), Smith has played as a member of bands such as The Ruby Suns (Sub Pop), Over the Atlantic (Involve), and Glass Vaults (JUKBOXR). Encompassing field recordings and evoking a cloudy coastal sky, 00-04 is a collection of mostly unheard material written in the early 2000s as Smith navigated the chaos and stress of living in London just after 9/11. A portion of this release may be recognizable to those familiar with the Involve catalog -- 'Drone Early,' for example, is an alternative version to the dub giant '1201A' -- and to those acquainted with Signer's 2002 Low Light Dreams (Carpark/Involve), an iconic album composed of processed guitar, dub-influenced bass, and synth drones; as if that doesn't sound appealing enough, Low Light Dreams is home to 'Building Memories Without You,' an unforgettably engulfing track featured on Fact Magazine's '25 Best Dub Techno Tracks of All Time.' 00-04 is a (re)issue both nostalgic and new, familiar yet unknown, fresh out of the archive. It possesses the Low Light Dreams aural palette while offering a carefully curated array of never before heard icy-cold moods, soothing minimalism, and shyly optimistic melodies, all glazed with recently finalized additions."
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2LP
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SEMISEX 008LP
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Originally released in 2004. Black vinyl version, gatefold jacket. "Semisexual and Ear Candy present the welcome return of a true highlight of the early '00s melodic IDM scene. Released in full on vinyl for the first time (a now highly sought-after 5-track sampler was the only vinyl version originally produced), this release also includes three previously unreleased bonus tracks, all made during the same era. Released by Merck in 2004, after acclaimed releases on Toytronic and Parotic, Sinking's unique amalgam of crystalline sound design, blissed-out atmospheres, and gorgeous melodies made for an instant classic. A supremely deep record, nobody has made anything quite like it, before or since."
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3LP
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ENV 215LP
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2026 repress! In the late nineties, the budding producers Morgan Geist and Darshan Jesrani bonded over their shared love of slower tempos and '70s and '80s New York City club culture. Obsessed with record digging and the sounds they heard on late-night "club classics" radio shows -- and turned off by current releases they saw as artlessly "updating" sublime disco by sampling, filtering, and subjugating them with huge kick drums -- the duo set out to discover how their favorite old 12" records were made. They naturally gravitated towards extended dubs of songs -- full of strange mistakes and echoing backing tracks -- instead of the better-known vocal versions. Lacking the big budgets and gear that made so many of their favorite classic records come together, they were forced to take a guerrilla approach. They reprogrammed their techno-oriented arsenal of secondhand synths and samplers, using novel digital recording technology to capture live instrumentation and prioritized mood over hooks, and the resulting music was just wrong enough to sound unlike anything else being released at the time. After just four underground 12" releases, the duo -- now well-known as Metro Area -- released their first and only album, Metro Area, in the fall of 2002. Fifteen years later, it's time to celebrate the culmination of their shared history and inspiration once again. Environ is proud to present the 15th Anniversary Edition of Metro Area, Metro Area's eponymous debut album, meticulously remastered using the original source tapes and generously spread across three slabs of vinyl. The 12-track triple LP combines all the songs from both the original US and licensed European releases, and features new commemorative artwork unique to this edition.
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LP
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FARO 235LP
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2026 restock; LP version. Includes insert. The previously unreleased debut album from 1975. In 1975, under the oppressive military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo's Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal's Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto's direction that the Paulista rhythm section (as they were then known) began to realize their own potential. With many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV, and art galleries, many Brazilian artists fled. But underground, Grupo Um were fusing avant-garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music -- in stark contrast to the sterile, conservative conditions being imposed above ground. Just like Hermeto Pascoal's Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice-Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio's hemispherical tiled room, which served as an acoustic reverberation chamber. The album begins with Zé Eduardo Nazario's thunderous drum solo on "Porão da Teodoro", before clearing the clouds with the lone Berimbau which opens "Onze Por Oito". Built around a hypnotic electric bass line, heady Fender Rhodes improvisations, and more rip-roaring drums, it's a rapturous, electrifying freak-jam in 11/8. Like some invertebrate deep-sea curiosity, the free-form "Organica" is made up of Lelo Nazario's playfully eerie prepared piano, with Zé Eduardo's percussion flurries darting around Assumpçao's double bass. The equally non-conformist, percussion-only piece "Jardim Candida" features many of Zé Eduardo's homemade instruments, including a long saw blade played with vibraphone sticks and violin bow. While working with Hermeto, Zé Eduardo famously built his own all-in-one percussion set-up known as the "Barraca de Percussão" (Percussion Tent). "Suite Orquidea Negra" (Black Orchid Suite) was written by Lelo Nazario as the score for an imaginary movie about a rare, black orchid. The album closes with the triumphant "Cortejo dos Reis Negros" (Procession of Black Kings) -- a groovy variation on the Maracatu rhythm, with a two-note bassline underpinning piano improvisations, exultant wordless vocals, cuicas, slide-whistles and a very special guest appearance from Zé's dog Bolinha. Starting Point was to mark the inception of one of Brazil's most daring instrumental groups. Finally, almost fifty years later, this mesmerizing piece of history is here, and it was only the beginning...
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2LP
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FTR 639LP
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2026 restock. "It has been a while since the release Myriam's acclaimed 2014 debut album, Not So Deep as a Well (FTR 146-4LP). The intervening years have brought a smattering of live performances, a bouquet of children, Trump's Pandemic, and much more . . .
Different concepts for a new album were broached, but the seed of Ma Délire was planted when Myriam recalled a paper she written in university. It was about Leonard Cohen's recording of "The Lost Canadian (Un canadien errant)" from Recent Songs. Ostensibly a cover of an old Quebecois ballad, Cohen stripped away the specificity of the lyrics, tying the song's titular figure to the archetype of 'The Wandering Jew'.
The theme of this paper returned to Myriam when she had a residency at the Old Mill in Le Bic, QC in August 2016. Benoit Chaput had turned her on to the traditional tune 'Au Coeur de ma Délire,' from a 1971 album by Dominique Tremblay and Philippe Gagnon. The song was so haunting, she decided to record it right there in the Mill's boat repair workshop. That is the very recording used here . . .
This started Myriam musing about how the end of the Catholic hegemony in Quebec had the unanticipated consequence of making people think less of traditional Quebecois folk music, because so much of it was soaked in the blood of the lamb. It made sense this music should be explored and updated despite its dogmatic origins which Cohen had proved could be effectively expunged . . .
Just as the world was shutting down, Myriam was awarded a grant which allowed her the time and space to fully investigate and develop this material. She had spent years sifting through traditional music from Quebec, France and the U.S., highlighting parts of songs and ideas she liked, discarding some she found abhorrent, and merging the good bits with her own writing or other cannibalized shards. At some juncture she flashed on this work's common thread -- its thematic roots were always in one type of romantic longing or another. And so, this album came together during the dark days of the General Lockdown. Mixing vocal tracks with instrumentals, singing in both French and English, using a syncretic blend of original, modern and traditional lyrics, Ma Délire fearlessly wanders through a universe of its own invention, daring us to open our minds wide enough to take it all in.
Myriam initially recorded with just guitar and vocals. But when she began working with the sound engineer Tonio Morin-Vargas, he had some insightful suggestions about additional instrumentation that might broaden the album's sound without confounding it. Myriam had already planned to ask her friends, Bill Nace and Chris Corsano, to add some things, so the whole shebang evolved as organically as most great records do..." --Byron Coley, 2021
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CD
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GB 1510CD
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This is an undiscovered, high energy hard bop live outing by arguably Britain's most important jazz combo, containing tracks not on any of their studio releases. Mastered direct from original tape -- a must for collectors and jazz lovers alike. Live from The Tivoli Restaurant & Ballroom, Morecambe, Lancashire on Wednesday, March 25th, 1959. With grateful thanks to Susan Bould, Derek Ansell, and the late Jeff Clyne. Featuring Tubby Hayes, Ronnie Scott, Terry Shannon, Jeff Clyne, and Bill Eyden. Recorded by Peter Bould Liner notes by Simon Spillett.
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GB 1515CD
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Originally released in 2013. Mark Murphy celebrates his close friend Shirley Horn with four of her trademark songs reinterpreted in his inimitable style. It's a warm and sparse sounding session featuring Shirley Horn's longtime drummer Steve Williams, Betty Carter's double bassist Curtis Lundy (brother of Carmen), the sensational young New York pianist Alex Minasian and the German trumpet star Till Brönner. Curated, analogue mastered and cut at the Gearbox Studios.
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CD
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GB 1515CDOBI
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Japanese edition. Originally released in 2013. Mark Murphy celebrates his close friend Shirley Horn with four of her trademark songs reinterpreted in his inimitable style. It's a warm and sparse sounding session featuring Shirley Horn's longtime drummer Steve Williams, Betty Carter's double bassist Curtis Lundy (brother of Carmen), the sensational young New York pianist Alex Minasian and the German trumpet star Till Brönner. Curated, analogue mastered and cut at the Gearbox Studios.
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LP
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GB 1515LP
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LP version. Originally released in 2013. Mark Murphy celebrates his close friend Shirley Horn with four of her trademark songs reinterpreted in his inimitable style. It's a warm and sparse sounding session featuring Shirley Horn's longtime drummer Steve Williams, Betty Carter's double bassist Curtis Lundy (brother of Carmen), the sensational young New York pianist Alex Minasian and the German trumpet star Till Brönner. Curated, analogue mastered and cut at the Gearbox Studios.
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LP
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GB 1515OBILP
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LP version. Japanese edition. Originally released in 2013. Mark Murphy celebrates his close friend Shirley Horn with four of her trademark songs reinterpreted in his inimitable style. It's a warm and sparse sounding session featuring Shirley Horn's longtime drummer Steve Williams, Betty Carter's double bassist Curtis Lundy (brother of Carmen), the sensational young New York pianist Alex Minasian and the German trumpet star Till Brönner. Curated, analogue mastered and cut at the Gearbox Studios.
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LP
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GB 1517LP
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LP version. Originally released in 2014. Prelude to Heart is a Lotus is a 1968 BBC Jazz in Britain recording now released for the first time. Pianist and composer Michael Garrick was 35 years old and together with close associates -- saxophonist Don Rendell and trumpeter Ian Carr -- was defining innovative new directions in British jazz. Prelude to Heart is a Lotus is the precursor to the Argo Records Heart is a Lotus studio album which was released two years later, and this remarkable music shines a new light on an extraordinary period of creativity in Garrick's long career.
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2LP BOX
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GB 1518LP
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This magical box set features a unique collaboration of some of the UK's finest modern jazz musicians, including the likes of pianist Stan Tracey and saxophonist Bobby Wellins, together with poets Pete Brown and Michael Horovitz. It features a live recording at Southampton University Campus of post-bop jazz, poetry, jazz poems and solo and exchange sound-poetry, as well as performances of the most ambitious work the Septet developed, Brown and Horovitz's "Blues For The Hitchhiking Dead." The events of that night were captured on a real-to-reel tape by the artist's friend Victor Schonfield. The double 180gm vinyl individually numbered box set contains a deluxe full size booklet containing photos, reminiscences, essays and memorabilia.
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12"
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GB 1525EP
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Originally released October 6, 2014. This unconventional collaboration is the result of a spontaneous live improvisation between London techno producer Max Cooper, vocalist (and former Belleruche singer) Kathrin deBoer and jazz trumpeter Quentin Collins, recorded in the Tileyard studios in London -- home to Gearbox Records, the jazz-focused vinyl record label run by Darrel Sheinman.
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2LP
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GB 1529LP
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LP version. Originally released in 2014. The first official release of the June 1970 Montreux Jazz Festival concert featuring trumpeter Ian Carr's pioneering Nucleus performing with US vocalist Leon Thomas on a set of Thomas' repertoire. The collaboration with Thomas is (in Ian Carr's words) a combination of the "rock thing, with the roots of the music."
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CD
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GB 1530CD
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Originally released in 2015. Winner of the 2015 MOBO Award for Best Jazz Act. What Binker and Moses have effectively done it show what jazz can be. Binker and Moses are tenor saxophonist Binker Golding and drummer Moses Boyd -- two of the most exciting young jazz musicians on the thriving London jazz scene. Originally meeting through double bassist/educator Gary Crosby's Tomorrow's Warriors jazz development program, they have played together in various large and small format groups including recording and touring extensively as members of Zara McFarlane's band. Dem Ones is their debut recording as a duo, and has its roots in experiments between soundchecks and gigs while on the road with McFarlane. Over time these initial ideas and jams have become templates for improvisation, and with their echoes of late period Coltrane and Charles Lloyd, are as listenable and memorable as they are full of invention, passion and surprise. All the tracks were performed in the live room at Mark Ronson's Zelig Studio and recorded direct to Gearbox's vintage Studer 1/4" tape machine next door.
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GB 1530LTDLP
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LP version. Originally released in 2015. Winner of the 2015 MOBO Award for Best Jazz Act. What Binker and Moses have effectively done it show what jazz can be. Binker and Moses are tenor saxophonist Binker Golding and drummer Moses Boyd -- two of the most exciting young jazz musicians on the thriving London jazz scene. Originally meeting through double bassist/educator Gary Crosby's Tomorrow's Warriors jazz development program, they have played together in various large and small format groups including recording and touring extensively as members of Zara McFarlane's band. Dem Ones is their debut recording as a duo, and has its roots in experiments between soundchecks and gigs while on the road with McFarlane. Over time these initial ideas and jams have become templates for improvisation, and with their echoes of late period Coltrane and Charles Lloyd, are as listenable and memorable as they are full of invention, passion and surprise. All the tracks were performed in the live room at Mark Ronson's Zelig Studio and recorded direct to Gearbox's vintage Studer 1/4" tape machine next door.
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CD
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GB 1531CDUS
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Originally released in 2018. This is a brand-new US version of Applewood Road's rapturously received 2016 debut album -- featuring the honey-soaked harmonies and exquisite songwriting of the trio in all its glory, with the addition of an exclusive bonus 7" single. The single contains the band's heart melting rendition of REM's "Losing My Religion," on the A Side, backed with "My Dear Companion," both recorded live at their sensational Union Chapel show in November 2016. Applewood Road is Emily Barker, Amber Rubarth, and Amy Speace. In September 2014, three songwriters met for the first time in a cafe in East Nashville. By the next morning, they had put the finishing touches to their first song, "Applewood Road," which they recorded live to tape at Nashville's all analogue studio, Welcome to 1979. The song's nostalgic air, along with the clear, sparse arrangement of three vocals accompanied by double bass, drew immediate positive response, and they decided to expand the idea into a full album. Six months later, they reconvened to write, rehearse and record songs for the self-titled album Applewood Road. The songs were again performed live around a single microphone at Welcome to 1979 and recorded to 2-track tape with minimal accompaniment from some of Nashville's finest session players, including Telisha Williams, Aaron Lee Tasjan, Josh Day, Fats Kaplin, and Jabe Beyer.
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GB 1532CD
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Originally released in 2015. This major release is a previously unavailable live performance from a great Tubby Hayes lineup that never made a commercially available album. Recorded on December 5, 1968 by Ted Lyons at the legendary Hopbine in North Wembley, The Syndicate reveals Hayes' new quartet that featured the spectacular Dublin born guitarist Louis Stewart and 22-year-old drummer Spike Wells, with Kenny Baldock standing in for regular double bassist Ron Mathewson. With detailed sleeve notes by tenor saxophonist and Hayes biographer Simon Spillett, The Syndicate now fills an aching gap in Hayes' discography and the understanding of his remarkable musical journey. Cut on Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head and Telefunken U73B tube limiter; Maselec master control and equalization.
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